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  <title>Trinity Community Arts</title>
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  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/redevelopment-1987-89">
    <title>Redevelopment 1987-89</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/redevelopment-1987-89</link>
    <description>A major development phase, when the building was under the management of Bristol City Council, which saw removal of original features and installation of new first floor</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The pictures were taken during a major development phase, when the building was under the management of Bristol City Council.</p>
<p>Designs were produced by Architect Daniel Pacaud, which at the time  caused great controversy with the Church Commissioners Advisory Board  for Redundant Churches, who felt that the proposed works compromise the  architectural heritage of the space.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/4.jpg/@@images/c5538853-3025-4f7b-bfae-62bf7ae4e1dc.jpeg" style="float: left; " title="" class="image-inline" alt="" /></p>
<p>The Church was at the time considered to be one of the finest  examples of the work of Architect Thomas Rickman, who built the church  between 1829-1932 with Henry Hutchinson.</p>
<p>Pacaud's plans for conversion, involved the installation of a  dividing floor. But, despite the Church Commissioners' discontent, the  build project went ahead.</p>
<p>The images found show this development in full flow and include  pictures of a visit by politicians - including a rather young looking  Kenneth <span class="highlightedSearchTerm">Clarke</span> - to see first hand the "Community Initiative" in progress.</p>
<p>Works included:</p>
<ul>
<li>Installing the first floor and sprung wooden floor on the ground level</li>
<li>Repairing many of the windows which had been smashed over the years</li>
<li>Cleaning the exterior sandstone, using a sandblasting method, to remove graffiti and pollution dirt</li>
</ul>
<p>However, the costly process meant that many of the works proposed by  Pacaud - particularly the developments of the upstairs hall spaces -  were eventually abandoned.</p>
<p>Today, Trinity continues to renovate and develop the space to try to  avoid any further compromising of the interior and realise this original  vision to make a multi-functional community hub.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/63.jpg/@@images/f3b33219-9af8-400d-947c-594fb10a204f.jpeg" style="float: left; " title="" class="image-inline" alt="" />"Although the very fine interior of this church would be ruined by the proposals as the building now belonged to the local authority Board members felt that it would be a waste of time to try and say it by fighting a rearguard action. It was RESOLVED: That the Church Commissioners be informed that the Advisory Board regards the church of Holy Trinity, Bristol, Diocese of Bristol, as a building of considerable architectural and historic interest with a fine interior that would be entirely compromised by the present proposals for conversion to a community centre" - Church Commissioners Advisory Board for Redundant Churches, June 1987.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/20.jpg/@@images/f21294f4-0ef0-407b-8b56-3e5b69211bb9.jpeg" style="float: right; " title="" class="image-inline" alt="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
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      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T11:35:00Z</dc:date>
    <dc:type>Event</dc:type>
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  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/reclaiming-narratives-ngaio">
    <title>Reclaiming Narratives: NGAIO</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/reclaiming-narratives-ngaio</link>
    <description>Content series exploring how creatives in the South West region are using art as a form of resistance and to amplify, challenge and reclaim narratives.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><iframe frameborder="0" height="400" src="https://www.youtube.com/embed/apzJftapO34?si=h4MIu78NpHf2Y0JA" title="YouTube video player" width="725"></iframe></p>
<p><span>We are committed to creating ways in which citizens can take an active role in shaping arts and culture, through projects such as Citizens’ for Culture. This Autumn w</span>e are inviting creatives and activists in the West of England to respond to this year’s Black History Month theme ‘Reclaiming Narratives’ through the lens of <a href="https://ldap2.3ca.org.uk/activities/citizens-for-culture" class="internal-link">Citizens For Culture’s</a> core principles: inclusion, voice and influence. In the first of this content series DJ, vocalist and songwriter NGAIO discusses her music video Goddess.</p>
<p><strong>Reclaiming the Narrative: NGAIO and Goddess</strong></p>
<p>The creation of this music video was so important to me, to tell my story of what it’s been like to find myself and my beauty in a Western world as a mixed-race woman. The beginning scenes were filmed on the streets of St Pauls, where my topless billboard was put up as part of the Censored campaign, which was put together to raise awareness about the sexualisation of women's nipples and the persecution received when seen in public.</p>
<blockquote class="pullquote">"Goddess is about saying we're all Goddesses - no matter what anybody tells us, we are exactly what we need to be. We don't need to starve ourselves. We don't need to have the same face and body. Our uniqueness is what makes us individuals."</blockquote>
<p>Men can go topless at any time, but women can’t, why is that still the case? It folds into a wider discussion about how heavily women’s bodies are policed when we look at reproduction and beauty standards - it all comes back to what external people think women should do with their bodies and how they should look (which changes all the time). These consistent messages of scrutiny in society through the media, and comments made and overheard, led me to feel deep shame, embarrassment, and fear.</p>
<p>I have been on a journey of loving my curves and accepting - some days even appreciating - my lumps and bumps. Never in a million years when I was young did I think I would feel steady enough to not only be pictured without a top on, but to let that be shown to the world on a street five minutes from where I grew up.</p>
<p>Goddess is about saying we're all Goddesses - no matter what anybody tells us, we are exactly what we need to be. We don't need to starve ourselves. We don't need to have the same face and body. Our uniqueness is what makes us individuals. Whatever the shape, size, colour, or gender; you are a Goddess in every sense of the word. People try to tell us that we should look a certain way or act a certain way. We're consistently being told who we should be, but how we feel about ourselves shouldn’t be dependent on the external world. We are more expansive than that.</p>
<p>Goddess is about understanding that we are connected to more than this moment we're in right now on this planet. It is about the connection that we have with our spirituality and our ancestors which is why in the middle scenes I’m surrounded by foliage outside with my natural hair picked into an afro. These scenes were to symbolise the necessity of connecting with nature and the Earth from which we are all born and will all return. Some see the Earth as a rock we live on that serves us, and that is so sad. This living, breathing, organism has given us and our ancestors life - it continues to connect us in space, spanning time we can’t even fathom.</p>
<p>The breakdown in the song is a celebration of that realisation that we are our past and our future and if we are ever feeling lost or unsure, we can tap into the Goddesses inside us to find our way. Through connection to nature or connection to ourselves - knowledge and love are always there, inside us. It ends on a scene which was a nod to a duo who have inspired this new chapter of my musical journey - Ibeyi and their first release, River.</p>
<p>It was filmed by Charlotte Sawyer, a long-term collaborator and lover of nature who’s just won an award for her incredible documentary Rave on for the Avon to raise awareness about the dangerously unsanitary state of our water in East Bristol.</p>
<p>This song - for me at least - was made for moments when I’m feeling unsure, to calm me with melody and stillness, to shake me up with love, before releasing me back into the world. I hope it can do the same for you.</p>
<p><strong> About NGAIO </strong></p>
<p>NGAIO, the versatile artist renowned for her vocals, songwriting, and DJing prowess, seamlessly blends these talents to craft electrifying live performances. This year, she will debut her first self-produced EP 'Four Quarters' and accompanying live show, featuring live vocals and recreations of her productions delivered through Ableton Push. Soundscaping trip hop, jazz, bass and global music in a multigenre sound reflecting her travels - there's something for everyone. As a mixed-race woman, NGAIO infuses her artistry with personal experiences, enriching her music with poignant storytelling told through spoken word and jazz-infused vocals delivered with passion.</p>
<p>Transitioning from band and DJ gigs to curating a solo show, NGAIO intricately weaves jazz and underground bass influences, earning comparisons to the eclectic iBeyi and Greentea Peng. Beyond music, NGAIO advocates for cultural understanding, bridging divides between races and classes.</p>
<p>Check out NGAIO’s <a class="external-link" href="https://ngaiomusic.com/">website</a> or socials <a class="external-link" href="https://www.instagram.com/ngaioamusic/">@ngaioamusic</a></p>
<p>Videographer - Charlotte Sawyer</p>
<p>Photographer - Charley Williams</p>
<p><strong><strong> Interested in finding out more?</strong></strong></p>
<ul>
<li>Email <a class="mail-link" href="mailto:Imogen@trinitybristol.org.uk?subject=Citizens For Culture Mailing List">Imogen@trinitybristol.org.uk</a> to join our Citizens For Culture mailing list </li>
<li>Find out more about what a Citizens’ Assembly for Culture is in <a href="https://ldap2.3ca.org.uk/about/news/latest-news/q-a-what-is-a-citizens-assembly-for-culture" class="external-link">this Q&amp;A </a></li>
<li><a href="https://ldap2.3ca.org.uk/about/news/latest-news/become-a-citizens-for-culture-associate#:~:text=Becoming%20an%20associate%20of%20Citizens,across%20the%20region%20more%20directly" class="external-link"> Become a Citizens for Culture Associate </a></li>
</ul>
<p><strong><img src="https://ldap2.3ca.org.uk/about/news/latest-news/Logos1.png" alt="Citizens For Culture logos" class="image-inline" title="Citizens For Culture logos" /></strong></p>
<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/PHFlogo.png/@@images/8879397f-3b53-4766-abb1-7e86f9845845.png" alt="PHF logo " class="image-inline" title="PHF logo " /> <img src="https://ldap2.3ca.org.uk/activities/citizens-for-culture/Logo.png/@@images/bfb26f7e-b751-4043-82d4-f8de35303ed5.png" alt="Citizens for Culture Logo" class="image-inline" title="Citizens for Culture Logo" /></p>
<p><span class="discreet"> Citizens for Culture is an initiative from St Paul Carnival CIC, Trinity Community Arts, Citizens in Power and West of England Combined Authority and is supported through funding by Arts Council England, Paul Hamlyn Foundation and Calouste Gulbenkian Foundation (UK Branch).</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>eventsuser</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>citizens for culture</dc:subject>
    
    
      <dc:subject>trinity presents</dc:subject>
    
    
      <dc:subject>assembly</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2024-10-22T13:50:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/reclaiming-narratives-mya-fraser">
    <title>Reclaiming Narratives: Mya Fraser</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/reclaiming-narratives-mya-fraser</link>
    <description>Content series exploring how creatives in the South West region are using art as a form of resistance and to amplify, challenge and reclaim narratives.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/49ec78_cf1859254a9548669379666318e8445fmv2.webp" alt="Seed Guardians" class="image-inline" title="Seed Guardians" /></p>
<p>Mya is part of Mandala Theatre Company. Credit Seed Guardians/Mandala Theatre Company</p>
<p>We are committed to creating ways in which citizens can take an active role in shaping arts and culture, through projects such as Citizens for Culture. This Autumn we are inviting creatives and activists in the West of England to respond to the Black History Month 2024 theme ‘Reclaiming Narratives’ through the lens of <a href="https://ldap2.3ca.org.uk/activities/citizens-for-culture" class="internal-link">Citizens For Culture’s</a> core principles of inclusion, and voice and influence. In the second of this content series, writer and actress Mya Fraser shares her poem Justice.</p>
<p><strong>Reclaiming the Narrative: Mya Fraser and Justice</strong></p>
<p><strong>Justice</strong></p>
<p><strong> </strong></p>
<p>Think of a boomerang, an object which is designed to return</p>
<p>back to that throws forcer. What happens if it doesn’t come back?. History. Left behind whilst they dare to live without them. I believe in clarity. what i would like to clarify is the detachment clarify the sadness the hurt the wonders. I believe in comfort. something you can’t breathe properly without. your beats no longer stating the same rhythms. that irregulation speaks volumes. the very same songs the luth sings isolated. As if there’s a complete loss of control. where lies the control when the one creator's captured fix stays lost. You've Left the hand waiting behind whilst finding that paternal break. The originator plucks the air it once sat. pondering in what it’s doing. Where are you? Hopeful you’re homesick. do theirs caress better?  do theirs care for more?. Remaining wishful of tracing those invisible tracks in which the sand once led for you. Fulfilling the void that formed in your absence. To hear your sound once more would be an extraordinary pleasure in the figure and in the residential care of your beloved. Bring them home. Because again, I believe. and what i believe in most is a happy ending. rewriting a story doesn’t change the idea of the first plot, it manipulates the initial honesty. Here’s to history.</p>
<p><strong>About Mya Fraser</strong></p>
<p>Mya Fraser is a 20-year-old actress and writer, brought up in Oxford. At the age of 15 she decided to begin her acting career by joining young theatre companies based in her hometown. She later went on to receive her acting diploma in 2022 on a two year A-level equivalent diploma course at Bristol School of Acting. Fraser has been on multiple international tours with Mandala Theatre Company and is currently in their show Seed Guardians.</p>
<p>Follow Mya on <a class="external-link" href="https://www.instagram.com/mya.fras3r/">Instagram</a></p>
<p><strong>Interested in finding out more?</strong></p>
<ul>
<li><a href="https://ldap2.3ca.org.uk/about/news/latest-news/reclaiming-narratives-ngaio" class="external-link">Read</a> the first part of this series, an exploration of NGAIO's music video Goddess</li>
<li>Email <a class="mail-link" href="mailto:Imogen@trinitybristol.org.uk">Imogen@trinitybristol.org.uk</a> to join our Citizens For Culture mailing list</li>
<li>Find out more about what a Citizens’ Assembly for Culture is in <a href="https://ldap2.3ca.org.uk/about/news/latest-news/q-a-what-is-a-citizens-assembly-for-culture" class="external-link">this Q&amp;A</a> </li>
<li><a href="https://ldap2.3ca.org.uk/about/news/latest-news/become-a-citizens-for-culture-associate#:~:text=Becoming%20an%20associate%20of%20Citizens,across%20the%20region%20more%20directly." class="external-link">Become a Citizens for Culture Associate</a></li>
</ul>
<p><img src="https://ldap2.3ca.org.uk/activities/citizens-for-culture/Logo.png/@@images/bfb26f7e-b751-4043-82d4-f8de35303ed5.png" alt="Citizens for Culture Logo" class="image-inline" title="Citizens for Culture Logo" /> <a href="https://ldap2.3ca.org.uk/" class="external-link"><img src="https://ldap2.3ca.org.uk/activities/trinity-logo/@@images/ea64b7a9-414a-43ac-a5d8-5e27b6d2959b.png" alt="Trinity Logo " class="image-inline" title="Trinity Logo " /></a> <a class="external-link" href="https://www.stpaulscarnival.net/"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/StPaulslogo.png/@@images/82413f5a-401c-43e9-a783-6ea74ad738ed.png" alt="St Pauls Carnival logo" class="image-inline" title="St Pauls Carnival logo" /></a> <a class="external-link" href="https://www.citizensinpower.com/"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/CIPlogo1.jpg/@@images/f982abd6-c402-4e2a-bc8c-c74ca3900cf3.jpeg" alt="Citizens In Power logo" class="image-inline" title="Citizens In Power logo" /></a> <a class="external-link" href="https://www.westofengland-ca.gov.uk/"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/221c34f307b34bfc90ff187b7d4da7c0.png/@@images/9735a0e8-2a4f-45cf-bb31-cdbd69ec262b.png" alt="Weca logo" class="image-inline" title="Weca logo" /></a></p>
<p><a class="external-link" href="https://www.artscouncil.org.uk/"><img src="https://ldap2.3ca.org.uk/old-images/ArtsCouncilLogo.jpg/@@images/5a8d4e81-abac-48cd-b9ec-faa5a7e1d5aa.jpeg" alt="" class="image-inline" title="" /></a> <a class="external-link" href="https://www.phf.org.uk/"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/PHFlogo.png/@@images/8879397f-3b53-4766-abb1-7e86f9845845.png" alt="PHF logo " class="image-inline" title="PHF logo " /></a> <a class="external-link" href="https://gulbenkian.pt/uk-branch/"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/Gulbenkianlogo1.png/@@images/6d96f919-30d6-416b-ae15-00c525e931dc.png" alt="Gulbenkian logo" class="image-inline" title="Gulbenkian logo" /></a></p>
<p><span class="discreet">Citizens for Culture is an initiative from St Paul Carnival CIC, Trinity Community Arts, Citizens in Power and West of England Combined Authority and is supported through funding by Arts Council England, Paul Hamlyn Foundation and Calouste Gulbenkian Foundation (UK Branch).</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>eventsuser</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>citizens for culture</dc:subject>
    
    
      <dc:subject>trinity presents</dc:subject>
    
    
      <dc:subject>assembly</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2024-10-29T14:59:56Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/jacobs-wells-ownership-fund">
    <title>£1m investment means we're one step closer to saving Jacobs Wells</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/jacobs-wells-ownership-fund</link>
    <description>The investment from Department for Levelling Up, Housing and Communities Community Ownership Fund will help to deliver plans to revive the space</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/KolabStudiosAlastairBrookes_TrinityJacobsWellsBaths_2023_009.jpg" alt="Jacobs Wells Baths" class="image-inline" title="Jacobs Wells Baths" /></p>
<p><span class="discreet">Amy Hutchings, with the support of Anna Haydock-Wilson, created a bespoke artwork for Jacobs Wells as part of the Fundsurfer appeal. Photo: Alastair Brookes</span></p>
<div id="_mcePaste" style="width: 1px;"></div>
<p><strong> Thank you Bristol - we wouldn't have achieved this milestone without you!</strong></p>
<p>Jacobs Wells – formerly known as Bristol Community Dance Centre in Hotwells – is one step closer to being revived in 2025 following a £1,050,000 grant from The Department for Levelling Up, Housing and Communities’ (DLUHC) Community Ownership Fund. The investment will help to deliver plans developed in response to a community campaign to transform the derelict space into a vibrant community arts hub.</p>
<p class="BCX0 SCXW69074534 Paragraph">Since the start of 2023, the race has been on to save the Grade II listed building following news that Bristol City Council had listed the asset for disposal. Backed by community stakeholders including Hotwells &amp; Cliftonwood Community Association, artists and local councillors, we set out on a mission to raise the funds needed to repair and restore the building.</p>
<blockquote class="pullquote">"This is another massive step in a hugely ambitious recovery effort and the Trinity Board would like to extend our huge thanks to DLUHC, match funders and supporters for sharing our vision." Trinity Trustee Dr Fidel Meraz</blockquote>
<p class="BCX0 SCXW69074534 Paragraph">This latest investment builds on Bristol City Council's 35-year Community Asset Transfer offer to Trinity and ongoing survey work funded by Nisbet Trust and match funders to assess and scope the repairs scheme and undertake emergency measures to stop further damage.</p>
<p class="BCX0 SCXW69074534 Paragraph">The grant from DLUHC matches over £400,000 pledged in support of the project from <a href="https://ldap2.3ca.org.uk/about/news/latest-news/vital-funds-for-jacobs-wells-secured" class="internal-link">local funders Nisbet Trust</a>, John James Foundation and match funders including individuals who have been donating to an online Fundsurfer appeal.</p>
<p class="BCX0 SCXW69074534 Paragraph"><strong>The journey so far...</strong></p>
<p class="BCX0 SCXW120940675 Paragraph">The Grade II Listed building has sat dormant since 2018 and <a href="https://ldap2.3ca.org.uk/about/news/latest-news/save-jacobs-wells-baths" class="internal-link">faced an uncertain future</a> at the start of 2023 when plans to reinstate it as a pool fell through. A petition was launched to save the building by the Hotwells &amp; Cliftonwood Community Association, with the help of Trinity and it was subsequently listed as ‘At Risk’ by SAVE Britain’s Heritage due to its dilapidated condition.</p>
<p class="BCX0 SCXW120940675 Paragraph">We are actively progressing detailed surveys to the fabric of the building to assess the building’s condition and viability; this includes essential surveys to scope and cost works to inform decision making and capital-works. Subject to these, Trinity’s vision is to secure an estimated £4 million for a two-phased capital project and bring the building back into use in 2025 as a home for dance and community activity. See more about our plans, <a href="https://ldap2.3ca.org.uk/activities/jacobs-wells" class="internal-link">here</a>.</p>
<p class="Paragraph SCXW120940675 BCX0">Trinity Trustee, Dr Fidel Meraz who has been working with staff and community supporters to drive the appeal said:</p>
<p class="BCX0 SCXW120940675 Paragraph">"We want to take this opportunity to share a heartfelt thank you to all who contributed to the mission so far. From the encouraging letters from residents to the dedicated volunteers who generously shared their time to help campaign to restore the building, your support has been invaluable. We wouldn't have achieved this milestone without each one of you."</p>
<p class="BCX0 SCXW120940675 Paragraph">Dan Norris, Metro Mayor who recently visited Jacobs Wells for a behind-the-scenes tour said:</p>
<p>“Jacobs Wells Baths is full of potential, and I know many local people are really behind getting this building restored and opened again for the benefit of the community. I’m delighted that the hard work of Trinity Community Arts has paid off to secure this cash.<br /> <br />"As I’ve seen when I looked around, there’s a lot to do to before Hotwells residents can enjoy this facility again, but the potential is amazing. This is another important step on the journey.”</p>
<blockquote class="pullquote">“Each step in this journey paves the way for the next and this latest grant from DLUHC brings us ever closer to building's revival. Its success is still very much dependent on your support - we invite you to join us and show you care by giving to our <a class="external-link" href="https://www.fundsurfer.com/crowdfund/jacobs-wells-baths">Fundsurfer</a>". Emma Harvey, CEO</blockquote>
<p>Councillor Craig Cheney, Deputy Mayor for Finance, Governance, Performance, and Culture, Bristol City Council said of the news:</p>
<p>“It was brilliant to see the new artwork at Jacobs Wells Baths last month, after we awarded a 35-year Community Asset Transfer lease in July to bring the Grade II listed site back to life.</p>
<p>"Congratulations to everyone at Trinity for securing this major £1 million investment in Jacobs Wells Baths. We hope that it will be a giant leap on the journey to delivering a thriving community arts hub.”</p>
<p>Our CEO Emma Harvey said:</p>
<p>“The success of a project like this is less about one thing and more about overcoming a series of interconnected challenges - from addressing immediate liabilities and securing funding to galvanising support from local stakeholders, alongside showing that the building has a long-term, viable future.</p>
<p>“Each step in this journey paves the way for the next and this latest grant from DLUHC brings us ever closer to building's revival. Its success is still very much dependent on your support - we invite you to join us and show you care by giving to our <a class="external-link" href="https://www.fundsurfer.com/crowdfund/jacobs-wells-baths">Fundsurfer</a>".</p>
<p>Read more about the Community Ownership Fund<a class="external-link" href="https://www.gov.uk/government/news/over-70-pubs-theatres-and-museums-rescued-by-government-package"> here.</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>jwb</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    
      <dc:subject>fidel</dc:subject>
    
    <dc:date>2023-12-22T01:20:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/pledge-to-stokes-croft-land-trust">
    <title>Pledge to Stokes Croft Land Trust </title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/pledge-to-stokes-croft-land-trust</link>
    <description>Trinity has pledged £1,000 to become a shareholder in the Stokes Croft Land Trust, home to the PRSC</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><iframe frameborder="0" height="400" src="https://www.youtube.com/embed/VdZFt-WuMjE" title="YouTube video player" width="725"></iframe></p>
<p class="BCX0 SCXW201676013 Paragraph"><span class="discreet">Click play to watch Stokes Croft Lands Trust's campaign video </span></p>
<p class="BCX0 SCXW201676013 Paragraph">As part of our continued commitment to advocating for shared community and cultural spaces, we have pledged £1,000 to become a shareholder in the Stokes Croft Land Trust, matching the pledges of grassroots arts groups, The Invisible Circus and Artspace Lifespace.</p>
<blockquote class="pullquote">“PRSC is a contemporary example of radical art in Bristol that represents the themes we’re exploring in our heritage project. Though this pledge, we hope to strengthen our ability more closely with PRSC and create shared outcomes for communities in relation to the art of resistance theme.” Rhiannon Jones, Programme Director</blockquote>
<p class="BCX0 SCXW201676013 Paragraph">In early 2022, Trinity published the ‘100 Beacons’ report: <a class="BCX0 SCXW201676013 Hyperlink" href="https://my.trinitybristol.org.uk/wp-content/uploads/2022/01/Trinity-Community-Arts-Lettings-A-Community-Canvas-building-the-case-for-community-infrastructure-2022-2026.pdf" rel="noreferrer noopener" target="_blank">A Community Canvas - building the case for community infrastructure,</a> to shine a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets. This report identified sustained underinvestment in civic assets coupled with the city’s rapid regeneration, poses a risk to Bristol’s unique identity that has led to it regularly topping the list of the "best places to live in Britain."</p>
<p class="BCX0 SCXW201676013 Paragraph">Bristol is a city renowned for its cultural offer and its activist spirit. However, parts of the city such as Stokes Croft that have historically shaped this identity have seen a huge growth in private development, which has already impacted on the cultural offer of this locality, with artists leaving Hamilton House in 2018, due to increased rents.</p>
<p class="BCX0 SCXW201676013 Paragraph">In response to this, the Stokes Croft Land Trust (SCLT) has been created to purchase 17-25 Jamaica St, Stokes Croft, which is home to the People’s Republic of Stokes Croft HQ (PRSC), in order to protect one of the area’s remaining cultural landmarks. Through a community shares offer, members of the community and like-minded organisations are able to come together to help ensure the building stays in the hands and ownership of artists, protecting its use for the benefit of the community. This is a model much like the Cube Cinema, which secured its building back in 2012 through community fundraising.</p>
<p class="BCX0 SCXW201676013 Paragraph" style="padding-left: 30px; "><i>“Stokes Croft is a significant artistic destination in Bristol. With the scale of redevelopment happening and in the interests of social welfare, Trinity wants to help ensure our city’s cultural spirit and radical identity is nurtured. We’re working with the PRSC team to celebrate Bristol’s history of art in protest and we want to pledge our support for the Stokes Croft Land Trust so future generations of misfits have a space to call home.”</i> <strong>Emma Harvey, CEO, Trinity Community Arts.</strong></p>
<p class="BCX0 SCXW201676013 Paragraph">The Fundsurfer set up to help the SCLT purchase its first building and bring it into community ownership is already over 50% of the way towards their minimum target of £272,000.</p>
<p class="BCX0 SCXW201676013 Paragraph">Trinity’s commitment also supports our current work to document and celebrate 100 years of art and activism in Bristol through the National Lottery Heritage funded project, <a href="https://ldap2.3ca.org.uk/activities/art-of-resistance" class="internal-link">Art of Resistance</a>.</p>
<p class="BCX0 SCXW201676013 Paragraph" style="text-align: center; "><strong><a class="external-link" href="https://www.fundsurfer.com/community-share/stokes-croft-land-trust?ref=widget">Click here to pledge your support to Stokes Croft Land Trust today </a></strong></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community</dc:subject>
    
    
      <dc:subject>heritage</dc:subject>
    
    <dc:date>2022-03-23T12:30:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2026/phylum-artist-talks-vol-ii">
    <title>Phylum Artist Talks Vol. II</title>
    <link>https://ldap2.3ca.org.uk/whats-on/2026/phylum-artist-talks-vol-ii</link>
    <description>Talk and Q&amp;A</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Phylum Vol. II presents a transnational conversation on art, architecture and design.</p>
<p>Welcome UWE professor and researcher, Dr Fidel Meraz and Canadian artist, Jonathan Luckhurst, whilst they explore architecture as not only a built space, but as an arena for reimagining more sustainable and inclusive futures.</p>
<p>Jonathan Luckhurst will present Proposals for Reimagined Futures, his current body of work that draws on deep time ecological strategies to suggest how both humans and the Earth might respond to the current environmental crisis. Whilst, Dr Fidel Meraz, will highlight Bristol's local architectural context through his photography and research surrounding the Trinity Art Centre's new location to be housed in the historic Jacob Wells Baths building.</p>
<p>For full artist bios, please click <a href="https://www.headfirstbristol.co.uk/whats-on/the-trinity-centre/thu-28-may-phylum-artist-talks-vol-ii-152323#e152323">here</a></p>
<p>Two 20-minute artist presentations will be followed by a live Q&amp;A. The evening concludes with an opportunity to exchange ideas and make new connections.</p>
<p><strong>About Phylum:<br /></strong>Phylum Artist Talks presents artists and designers working at the intersection of ecology, sustainability and social practice. Creatives today play a vital role in bridging the gap between research and positive action. Taking place in Bristol, their programme brings together established and emerging artists to share future-facing projects and explore the most pressing issues of our time.</p>
<p><strong>Submissions:<br /></strong>Phylum is dedicated to including perspectives from as many diverse voices as possible. To register your interest in participating in a future talk, please email Alison <a class="mail-link" href="mailto:alisonpowell.curator@gmail.com?subject=Future talk">here</a>.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Talks</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2026-04-14T09:56:48Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/performance-for-children-and-families">
    <title>Performance for Children and Families</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/performance-for-children-and-families</link>
    <description>We brought Igloo, an interactive early year's performance, to Trinity as part of our Children and Young People’s programme</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/igloonewsother.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Igloo - Image Credit: Alastair Brookes</span></p>
<p>As part of our Children and Young People’s programme, we brought Igloo, an interactive early year's performance, to Trinity. Igloo was created by Barton Hill-based <a class="external-link" href="https://www.travellinglighttheatre.org.uk/">Travelling Light Theatre</a>. The company created the show specifically to tour to non-traditional theatre venues with the aim of breaking down barriers to accessing theatre.</p>
<p>We connected with our partners, Central Bristol Children Centre, to offer children (and their grown ups) who attend the centre’s weekly Stay &amp; Play at Trinity, the opportunity to watch the show for free. Igloo was shared in a separate space running alongside Stay &amp; Play, allowing families to choose if they wanted to give the performance a try during a familiar group session. In total we welcomed over 100 families/carers to two performances of Igloo.</p>
<p>Through feedback from conversations between children, families and local community groups and building upon our <a href="https://ldap2.3ca.org.uk/activities" class="external-link">pledges</a> we are looking at ways to create a responsive programme that aims to offer young children the opportunity to take their first steps in their creative journey.</p>
<p>Coming up in the summer we are pleased to host theatre company <a class="external-link" href="https://www.tidaltalescollective.com/">Tidal Tales</a> who will be bring their latest show, Fairy Forest: Stories from the Trees, for an outdoor performance. This follows the 'The Hare the Moon and the River' that we programmed as part of our <a href="https://ldap2.3ca.org.uk/about/news/latest-news/summer-fun-sessions-recap" class="internal-link">Summer Sessions</a> last year.</p>
<p>You can keep up to date with our our Children and Young People's programme <a href="https://ldap2.3ca.org.uk/activities/youth-music" class="external-link">here</a> or to hear about upcoming events and activities sign up to our mailing list <a class="external-link" href="https://my.trinitybristol.org.uk/civicrm/?civiwp=CiviCRM&amp;q=civicrm/gdpr/comms-prefs/update&amp;reset=1">here</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>children</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2024-03-27T17:25:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/people-who-make">
    <title>People who make...</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/people-who-make</link>
    <description>We take a look at some of the creative activities taking place at Trinity</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/marketpci.jpg/@@images/1cbae8a8-9189-47d8-8da8-f5ccfd841d62.jpeg" alt="" class="image-inline" title="" /></p>
<p style="text-align: right; "><span><i>Women Who Make &amp; Do Craft Market</i></span></p>
<div style="text-align: left; "><span style="font-weight: bold; ">Communities Who Make: Craft, Creativity &amp; Culture at Trinity</span></div>
<p>Trinity is proud to celebrate the creativity and resilience of our communities with these recent highlights...</p>
<p><strong>Women Who Make &amp; Do Craft Market</strong></p>
<p><strong> </strong></p>
<blockquote>
<blockquote class="pullquote"><i>A really lovely group of women and lots of networking - </i>stall holder</blockquote>
</blockquote>
<p>On 9 March, we opened our doors for <i>International Women’s Day</i> to host a vibrant craft market, spotlighting female and non-binary makers and creators. Delivered in partnership with Eastside Community Trust and Somali Kitchen, with support from Fun Palaces, the market supported local traders, makers, and artists, providing opportunities for free workshops, demonstrations, and creative activities.</p>
<p>The event welcomed 500 people thoughout the day, celebrating local talent including potters, authors, illustrators, crocheters, cake-makers, artists, herbalists, gardeners, woodcarvers, and weavers. Bristol-based female music artists provided a steady soundtrack to the afternoon, adding to the event’s vibrant atmosphere.</p>
<p>Hosting events like these in partnership with creative communities is at the heart of what we do. If you have an idea for a partnership event or activity, we’d love to hear from you!</p>
<p><span style="font-weight: bold; ">Trinity &amp; Bristol Drugs Project: Creative Communities</span></p>
<p><strong> </strong>We are pleased to announce a new partnership with Bristol Drugs Project (BDP) launching in April 2025. As part of Trinity’s vision of <strong>Creative Expression for All</strong>, we will be working with BDP’s <strong>Creative Communities</strong> programme; a thriving ten-year initiative that delivers weekly creative groups and events within BDP services.</p>
<p>Creative Communities uses arts practice to build positive relationships, break stigma, develop work and social skills, and foster a vital and life-affirming sense of community. Many of its long-running groups, including <strong>Bristol Recovery Orchestra</strong> and <strong>Beginners Music</strong>, will now be based at Trinity. Additionally, we are proud to become one of BDP’s <strong>Sober Spaces</strong> venues, reinforcing our commitment to accessible and inclusive creative opportunities.</p>
<p>Together, we will also explore new bespoke creative programmes that respond directly to local needs and interests, enhancing Trinity’s year-round adult programme to support inclusion, health and wellbeing, and skills development.</p>
<p><strong>Garden Party Origin Story</strong></p>
<p>Looking back to the roots of Trinity and its connection to the free party and festival scene, we are reminded of the importance of spaces where people can come together to create and celebrate. Our <strong>annual Free Garden Party </strong>is a staple in Bristol's cultural calendar that embodies the city's spirit. Originating as a community-focused event rooted in the legacy of Bristol’s underground free parties and DIY festivals, the Garden Party continues to provide a space for creativity, music, and shared experiences.</p>
<p>Check out the details of <a href="https://ldap2.3ca.org.uk/whats-on/2025/garden-party" class="internal-link">this year's event here</a> and get in touch if you're interested in performing, having a stall or volunteering.</p>
<p>From craft makers and community arts to the heritage of free festivals, Trinity remains a place where communities shape the art of what's possible and curate new ways of being each and every day.</p>
<p>We're what you make us, so get involved!</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>adam</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2025-03-19T13:20:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/conservation/news/what-next">
    <title>Our Pledges 2023-26</title>
    <link>https://ldap2.3ca.org.uk/about/conservation/news/what-next</link>
    <description>Following an extensive Community Consultation and Feasibility Study 2021-2022, we have published a set of pledges in response to findings</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="BCX0 SCXW43442483 Paragraph"><img src="https://ldap2.3ca.org.uk/about/news/latest-news/Screenshot20220715at12.58.28.png" alt="Community Consulatation" class="image-inline" title="Community Consulatation" /></p>
<p class="BCX0 SCXW43442483 Paragraph"><span class="discreet"><i>Trinity's Community Consultation</i></span></p>
<p class="BCX0 SCXW149293821 Paragraph">Thanks to the support of <strong>Architectural Heritage Fund</strong>, we were able to carry out an extensive community consultation, led independently by Artspace Lifespace. Working with PH3 Designs, we also worked to update our Feasibility Study for the Trinity Centre, to ensure we have a plan for future capital works linked to the feedback of communities we serve.</p>
<p class="BCX0 SCXW149293821 Paragraph">Our 12pt action-plan, linked to our Business Plan for 2023-26 will help to ensure we remain on track to respond to these fundings and recommendations, in line with our values:</p>
<p class="BCX0 SCXW149293821 Paragraph"><strong>Accessibility &amp; visibility</strong></p>
<ol>
<li>Achieve 'Attitude is Everything Charter' Silver Award to further improve venue accessibility</li>
<li>Develop a 'soft' entrance into the building, introducing visual aesthetics to make the Centre more inviting, welcoming and celebratory of our communities</li>
<li>Provide a programme of publicly accessible drop-in activities to enable visitors to attend and utilise the site freely</li>
</ol>
<p class="BCX0 SCXW149293821 Paragraph"><strong>Relevancy &amp; equity</strong></p>
<ol>
<li>Develop activities in direct response to feedback and community needs analysis, including open access activities for young people and targeted provision for men aged 55+ living locally</li>
<li>Increase place-based work, delivering activity outside of Trinity to connect and engage new communities in partnership with local groups and artists</li>
<li>Adopt Equity Union minimum rate of pay for freelancers/artists and prioritise resources to nurture and support locally embedded artists</li>
<li>Invest in a cross-sector partnership model and prioritise support for grassroots groups who can proactively respond to community needs and interests</li>
</ol>
<p><strong> </strong></p>
<p class="BCX0 SCXW149293821 Paragraph"><strong>Reach &amp; representation</strong></p>
<ol>
<li>Develop existing and new participatory decision-making forums to ensure representation across programmes</li>
<li>Develop targeted community-specific communications and engagement, including neighbourhood champions to reach our diverse communities and celebrate community achievements</li>
<li>Adopt Unlock: the Inc Arts Diverse Workforce Toolkit, which includes inclusive recruitment actions to reach and support a diverse workforce</li>
</ol>
<p class="BCX0 SCXW149293821 Paragraph"><strong>Responsibility &amp; accountability</strong></p>
<ol class="BCX0 SCXW149293821 NumberListStyle1">
<li> Update our 2014 Green Audit to identify short, medium and long-term actions in response to the climate emergency</li>
<li>Appoint a dedicated mental health lead for Trinity’s workforce and offer mental health first aid training to support staff and centre users</li>
</ol>
<p><strong>Context</strong></p>
<p class="Paragraph SCXW149293821 BCX0">Trinity’s values are Empower, Respond and Amplify and we are committed to living these values through the proactive development of our workforce, programme and building. In response to previous surveys and feedback we have taken the steps to ensure our actions align with our values, including:</p>
<ul class="BulletListStyle1 SCXW149293821 BCX0">
<li class="OutlineElement Ltr SCXW149293821 BCX0">
<p class="Paragraph SCXW149293821 BCX0"><strong>Empower:</strong> Becoming a Real Living Wage employer in 2020 for all age-groups and roles, to ensure everyone is paid fairly to start their career in the arts</p>
</li>
</ul>
<ul class="BulletListStyle1 SCXW149293821 BCX0">
<li class="OutlineElement Ltr SCXW149293821 BCX0">
<p class="Paragraph SCXW149293821 BCX0"><strong>Respond</strong>: Appointed a new Activities Coordinator in 2021 to lead asset-based community development activities and initiatives</p>
</li>
<li class="OutlineElement Ltr SCXW149293821 BCX0">
<p class="Paragraph SCXW149293821 BCX0"><strong>Amplify:</strong> Ran the 100 Beacons campaign, 2022 to raise the profile of the work of community buildings across the city, helping to inspire a £4m Community Resilience Fund for the city</p>
</li>
</ul>
<p class="BCX0 SCXW149293821 Paragraph">If there is anything else you think we could or should be doing to make sure we live out our values, please get in touch with your suggestions: <a class="BCX0 SCXW149293821 Hyperlink" href="mailto:feedback@trinitybristol.org.uk" rel="noreferrer noopener" target="_blank">feedback@trinitybristol.org.uk</a></p>
<p class="BCX0 SCXW149293821 Paragraph"><b>More info</b></p>
<p class="BCX0 SCXW149293821 Paragraph"><a class="external-link" href="https://my.trinitybristol.org.uk/wp-content/uploads/2022/07/Trinity-What-Next-2022.pdf">What's Next? Community Consultation, Artspace Lifespace</a></p>
<p class="BCX0 SCXW149293821 Paragraph"><a class="external-link" href="https://my.trinitybristol.org.uk/wp-content/uploads/2023/01/Options-Appraisal-including-stage-1-economic-imapact-assessment.pdf">Feasbility Study, PH3 Designs</a></p>
<p class="BCX0 SCXW149293821 Paragraph">Trinity Business Plan, 2023-26</p>
<p class="callout" style="text-align: center; "><img src="https://ldap2.3ca.org.uk/about/news/2021/AHFlogo.png/@@images/10b69986-d9a8-489a-8c57-2be7226bd8d0.png" alt="AHF Logo " class="image-inline" title="AHF Logo " /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>trinity</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2022-09-23T12:05:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-voting-matters">
    <title>Opinion: Voting matters</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/opinion-voting-matters</link>
    <description>Dr Edson Burton, Curator at Trinity, reflects on his opinion of the role of voting in democratic decision making</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/1985Oct25InternationalTimeOffforWomendayPost.jpg" alt="1985 Oct 25 International Time Off for Women day Post" class="image-inline" title="1985 Oct 25 International Time Off for Women day Post" /></p>
<p><span class="discreet">1985 Oct 25 International Time Off for Women Day, credit Evening Post, collected as part of <a class="external-link" href="https://archive.trinitybristol.org.uk/timelines/radicalism">Art of Resistance </a></span></p>
<p>Trinity is committed to creating ways in which citizens can take an active role in shaping arts and culture. In 2025 Our <a href="https://ldap2.3ca.org.uk/about/news/latest-news/deliberative-workshops" class="internal-link">Citizens Assembly for Culture</a>, created, in partnership with St Pauls Carnival and Citizens in Power will take place, offering people living in the West of England Combined Authority region the opportunity to actively shape the arts and cultural experiences that matter most to them and their communities.</p>
<p>As part of this commitment we are connecting with leading voices in the cultural sector to ask them to share their thoughts on the different civic and democratic tools that we as citizens can access. In the first in our series of opinion pieces exploring civic participation Dr Edson Burton, Curator at Trinity, reflects on the role of voting in democratic decision making.</p>
<blockquote class="pullquote">"The Bristol Bus Boycott, the Gay Rights Movement, the Disability Rights Movements of the 1960s-1990s. These campaigns or movements have led to legislative changes that have, in turn, transformed our social attitudes"</blockquote>
<p><strong> </strong></p>
<p><strong>Opinion: Voting Matters, Dr Edson Burton</strong></p>
<p>‘Politics time again, are you gonna vote now?’ lamented the reformed Buju Banton, alluding to the lethal elections of his native Jamaica. But the question could equally be applied to the forthcoming British election. During the last General Election (2019), 67% of the population voted, up from the all-time low of just over 59% in 2001.</p>
<p>While that figure is on the rise, it still means that over 30% of the population has no say in how they are governed. According to a recent YouGov poll, the reasons given for not voting include a lack of access to polling stations, ineligibility, and no forms of ID. However, the most prominent reasons are a lack of trust in politicians and a feeling that voting will make little <a class="external-link" href="https://www.sortitionfoundation.org/the_growing_trust_crisis_in_uk_politics">difference</a>.</p>
<p>One might argue that cynicism is rife in politics, with pledges that are misleading if not downright dishonest. It has ever been thus, but in a crowded information world, voters may become so confused as to become indifferent.</p>
<p>Perhaps the dance of truth owes as much to us as to our politicians. Few would jump for joy at the thought of higher taxes, but without increased taxation, how can we fund our troubled public services, invest in green technology, or ensure education offers opportunities for all?</p>
<p>Responding to concerns over national identity, political parties offer a raft of immigration control measures that, if implemented, would lead to a national staffing crisis. Yet, to extol the virtues of immigration is to risk electoral suicide.</p>
<p>The convergence between the main political parties may also fuel voter apathy. "There's no difference between them" is the often-heard lament. Despite the barbs and bites, there appears, at times, to be more that unites than divides the main parties. They vie to expose the actual commitment to an agreed-upon agenda rather than the agenda itself.</p>
<p>But it is worth remembering that this consensus is the result of political participation. The impetus to secure or woo working-class votes in this election is a result of the extension of the franchise beyond a small property-owning class. Once enfranchised, all parties have had to take seriously the interests of a wider range of citizens with divergent interests and lives. Further franchise expansion was not some benign gift of a ruling class but the result of blood and guts campaigns by working-class men and women. Think Chartists, Unions, the Suffragettes.</p>
<p>What is the point of voting if you cannot meaningfully participate in society? If your race meant you could be legally denied access to jobs or employment? If your gender meant you were denied promotion, let alone equal pay? If your sexuality or sexual identity could lead to your imprisonment?</p>
<p>Such was the case prior to major civil rights campaigns: the Bristol Bus Boycott, the Gay Rights Movement, the Disability Rights Movements of the 1960s-1990s. These campaigns or movements have led to legislative changes that have, in turn, transformed our social attitudes.</p>
<p>Broadly speaking, all our political parties have arrived at baseline of inclusivity consensus. In recognition of new voting demographics and the reputational damage of appearing to be illiberal parties may wish to appear to be race, gender, and disability friendly</p>
<p>But how safe is this consensus? Is it a pragmatic concession to the present while some hanker for an illiberal past? The USA has recently demonstrated the danger of complacency as civil rights advances have been eroded by reactionary forces. Could the same thing happen in England? Perhaps if it is electorally beneficial, but certainly not if it is electorally damaging. It could only be so if we vote or hint that our vote is for the preservation of our rights.</p>
<p>Beyond preserving our rights, further changes that we want to see in society will inevitably involve legislation, which in turn will involve exerting pressure upon politicians. The time scale of change may not suit the urgency of our demands, but rather than lose heart, we must continue to exert political pressure through campaigning and ultimately through the ballot.</p>
<p>Not voting is a verdict on politics, but it cannot lead to change; rather, it will maintain the status quo. In the calculus of win or lose, only voters and their interest's matter.</p>
<p><strong>Vote.</strong></p>
<p><strong>Find out more about movements that have shaped society by exploring our interactive<a class="external-link" href="https://archive.trinitybristol.org.uk/timelines"> heritage timelines</a></strong></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>edson</dc:subject>
    
    
      <dc:subject>opinion</dc:subject>
    
    
      <dc:subject>citizens for culture</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2024-07-01T12:10:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-voices-in-decision-making">
    <title>Opinion: Voices in Decision-Making</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/opinion-voices-in-decision-making</link>
    <description>LaToyah McAllister-Jones, Executive Director of St Pauls Carnival, reflects on her experiences of facilitating democratic decision-making.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/smallercKhaliAckfordkhaliphotographyGlasto24Terminal139.jpg" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">St Pauls Carnival Panel Discussion at Glastonbury Festival 2024 - Image Credit: Khali Ackford</span></p>
<p>Trinity is committed to creating ways in which citizens can take an active role in shaping arts and culture. As part of this commitment we are connecting with leading voices in the cultural sector to ask them to share their thoughts on the different civic and democratic tools that we as citizens can access. In the second in our series of opinion pieces exploring civic participation LaToyah McAllister-Jones, Executive Director of <a class="external-link" href="https://www.stpaulscarnival.net/">St Pauls Carnival</a>, reflects on her experiences of using various tools to facilitate democratic decision-making.</p>
<p><strong>Opinion: Voices in Decision-Making, LaToyah McAllister-Jones</strong></p>
<div id="_mcePaste" style="width: 1px;"></div>
<p>I have always been attracted to work and play that enables people to have a voice. To be heard. After years of working with marginalised groups, from managing accommodation services for street homeless people to community organising in Hackney, I have developed an interest in the right to influence decisions being made about our lives.</p>
<p>One of the most interesting things about leading a community arts organisation is just how integral the community is to our work. St Pauls Carnival CIC is merely a custodian for the iconic event; we provide a stage and the community fills those spaces. Carnival celebrates African Caribbean talent in St Pauls and beyond as well as our culture and heritage. Our communities continue the traditions of our ancestors using music, dance and storytelling to share lived experiences and connect to our heritage. This is one of the most important things about our event: it allows us to tell our own stories, in our own words, using our voices.</p>
<p>In 2021, I was asked by Involve to facilitate   Bristol City Council's Citizens’ Assembly supporting policy development in housing, health inequalities and transport as the city emerged from Covid. The process was new to me, and I loved the way it cut through many of the challenges that we often come up against when engaging communities:</p>
<ul>
<li>Participants are randomly selected, and usually aren’t experts in the central assembly topic. There is a process to ensure that all participants are able to meaningfully contribute to the discussions, and this is critical to the success of an assembly.</li>
<li>The process seeks to facilitate consensus, rather than debate which tends to have a winner and a loser.</li>
<li>Participants are encouraged to explore what their real priorities are and what they might be prepared to forego for those priorities.</li>
<li>Assemblies bring together a diverse range of people who you wouldn’t necessarily find together in a traditional social setting. This creates an opportunity for vastly differing viewpoints to be heard and influence how others participants might think about a topic.</li>
</ul>
<p>St Pauls Carnival are currently delivering a Citizens’ Assembly for Culture in partnership with Trinity Community Arts, <a class="external-link" href="https://www.citizensinpower.com/">Citizens In Power</a> and <a class="external-link" href="https://www.westofengland-ca.gov.uk/">West Of England Combined Authority</a>. The idea developed just as we were coming out of the pandemic and thinking about the lessons learnt; particularly the role of community. Together, we were curious about what it would look like to use the assembly process - democratic, person-centred and thinking about strengths of a place, its people and its assets - to reimagine what the cultural offer could look like in the South West region.</p>
<p>Democratic decision-making allows citizens to actively contribute to the discourse that shapes their communities. We also believe culture is experienced by everyone, in many different ways, and everyone should be able to access the culture that represents them. If this is to be the ambition, it is vital that we put people at the centre of that process. This means understanding how people experience culture, what it means to them and, as cultural leaders, asking ‘how can we reflect this in our approach and programming?’</p>
<p>The new Labour Government expressed an interest in the use of Citizens’ Assemblies <a class="external-link" href="https://www.civilserviceworld.com/professions/article/labour-plans-citizens-assemblies-sue-gray">earlier this year</a>, and the format has been used to unpack challenging issues like <a class="external-link" href="https://involve.org.uk/news-opinion/opinion/citizens-assembly-behind-irish-abortion-referendum">abortion in Ireland</a>. The South West region is already embedding this approach into how we speak to our communities, and we are at the forefront of using assemblies to understand how we deliver for everyone, and not just those who can afford it or who have easy access to culture.</p>
<p>Our Citizens’ Assembly for Culture project offers an exciting opportunity to create a new approach to engaging people in the cultural life of a place. The Assembly will take place in Spring 2025 as a central programme within Culture West, funded by the West of England Combined Authority and Arts Council South West. The recommendations coming from this Assembly will become part of the regional approach to delivering a citizen-led cultural offer.</p>
<p><strong>Find out more about the Citizens' Assembly for Culture project:</strong></p>
<ul>
<li><strong><a href="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-voting-matters" class="internal-link">Read</a> the first piece in this series about civic participation: Edson Burton’s exploration of why voting matters</strong></li>
<li><strong>Sign up to an <a href="https://ldap2.3ca.org.uk/whats-on/2024/citizens-for-culture-online-information-sessions" class="internal-link">online information session</a> with the Citizens' Assembly team</strong></li>
<li><strong>Email <a class="mail-link" href="mailto:imogen@trinitybristol.org.uk?subject=Citizens' Assembly For Culture Mailing List">Imogen@trinitybristol.org.uk</a> to join our Citizens For Culture mailing list</strong></li>
<li><strong><a href="https://ldap2.3ca.org.uk/about/news/latest-news/what-is-a-citizens-assembly" class="internal-link">Read</a> our blogs to find out more about the Citizens' Assembly project</strong></li>
</ul>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>eventsuser</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>citizens for culture</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    
      <dc:subject>project</dc:subject>
    
    
      <dc:subject>highlight</dc:subject>
    
    
      <dc:subject>assembly</dc:subject>
    
    <dc:date>2024-08-20T09:35:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-the-preservation-paradox-sell-now-pay-later">
    <title>Opinion: The preservation paradox: sell now, pay later</title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/opinion-the-preservation-paradox-sell-now-pay-later</link>
    <description>CEO Emma Harvey reflects on the growing trend to sell off publicly owned assets </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/SafeguardourPublicAssets2.png" alt="Safeguard our assets" class="image-inline" title="Safeguard our assets" /></p>
<p><span class="discreet">Image credit: <a class="external-link" href="https://visualthinkery.com/">Visual Thinkery</a></span></p>
<p>This issue of our built environment and who shapes it is a local affair. Aside from exceptions such as the nefarious demolition of The Crooked House pub, campaigns rarely make national news. Headlines of collapsing schools, public sector strikes and unrelenting cost of living and housing crises can make preservation of our heritage and civic realm appear out of touch and NIMBYist.</p>
<blockquote class="pullquote">"Amidst the minefield of regulations, funding shortfalls, and bureaucratic complexities, the neglect of our shared spaces carries profound implications for generations to come. We must move beyond a meritocracy model and the need to balance our short-term fiscal needs to take a duty of care over the long-term reimagining of a shared civic canvas on which to build our collective future."  Emma Harvey</blockquote>
<p>Context is a cornerstone principle of the national planning framework, yet local authorities find the threat of an overturned decision and the resulting fines too risky at a time when 26 English councils risk of bankruptcy in the next two years<span class="discreet"> [^1^]</span>. Councils have powers to issue enforcement notices for urgent preservation or compulsory purchase of important, privately owned buildings. All too often though, it’s these same councils who are the reluctant custodians of our ageing social infrastructure.</p>
<p>We find ourselves trapped in an ongoing “estates rationalisation” exercise that deprives future generations of the shared spaces that shape the collective narratives of our communities. Research from the IPPR shows £15bn of publicly owned assets have been sold off since 2010. That’s 75,000 civic spaces, libraries, leisure centres, community halls and youth spaces lost. There <i>is </i>funding available to save them; £300 million DCMS Youth Investment Fund and £150 million DLUHC Community Ownership Fund. And yet it would appear only a fraction of these central government funds have been allocated.</p>
<p>These old, often listed, almost always complex buildings are in desperate need of investment after decades of cuts that have de-prioritised preventative preservation. This leaves such projects to save these spaces with an inherent messiness that is just to risky amidst continued rising costs of essential services. Such conditions make it almost impossible for all but a few fortuitous groups to lever funds to save the spaces we love.</p>
<p>While new laws have appeared to protect statues in the wake of the Colston statue's toppling, this protection seems to favour a type of politicised heritage storytelling, rather than building connections through our shared past. Our heritage spaces are being co-opted by those looking to control the narrative as exemplified by the recent case of the Restore Trust's bid to dominate the governance within the National Trust<span class="discreet"> [^2^]</span>. If those who control the present control the past and that past shapes our future, then the erosion of our stake and influence in shaping these narratives poses significant threat, especially if we continue to lose the spaces that allow us to make these stories our own.</p>
<p>The idea that we can only fix the roof whilst the sun is shining risks leaving us with no roofs at all under which to learn how to swim, to dance, to read, to make memories, connections and shared solutions to the problems facing us all. After a decade plus of political storms the ability to define heritage, own space and determine which assets should be preserved feels like a luxury. Distracted with the immediacy of our collective woes, the agendas of all but a few will define who we become.</p>
<p>Amidst the minefield of regulations, funding shortfalls, and bureaucratic complexities, the neglect of our shared spaces carries profound implications for generations to come. We must move beyond a meritocracy model and the need to balance our short-term fiscal needs to take a duty of care over the long-term reimagining of a shared civic canvas on which to build our collective future. Cost-saving solutions that fail to think beyond the current political cycle means we pay in perpetuity. Somewhere, in some form, <i>we</i> always pay.</p>
<p>Emma Harvey, CEO</p>
<p><strong>About this article</strong></p>
<p>Trinity are committed to advocating for shared community and cultural spaces. We are members of <a class="external-link" href="https://locality.org.uk/">Locality</a> and are currently leading an appeal to restore <a class="external-link" href="http://www.trinitybristol.org.uk/savejwb">Jacobs Wells Baths</a> in Hotwells.</p>
<p>Read our <a href="https://ldap2.3ca.org.uk/about/news/2021/100beacons" class="internal-link">100 Beacons</a> report that shines a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets<strong>.</strong></p>
<p><span class="discreet">[^1^]: The Guardian: "<a href="https://www.theguardian.com/society/2023/aug/28/at-least-26-english-councils-at-risk-of-bankruptcy-in-next-two-years#:~:text=Local%20government-,At%20least%2026%20English%20councils%20'at%20risk,bankruptcy%20in%20next%20two%20years'&amp;text=At%20least%2026%20councils%20in,simply%20have">At least 26 English councils at risk of bankruptcy in next two years</a>"</span></p>
<p><span class="discreet">[^2^]: The Guardian: <a href="https://www.theguardian.com/commentisfree/2023/sep/24/vote-no-to-the-thinktank-pod-people-trying-to-body-snatch-the-national-trust">“Vote no to the thinktank pod people trying to body-snatch the National Trust<i>”</i></a></span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>opinion</dc:subject>
    
    
      <dc:subject>jwb</dc:subject>
    
    
      <dc:subject>emma</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-10-09T13:30:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-holding-onto-our-roofs">
    <title>Opinion: Holding Onto Our Roofs When The Sun Ain’t Shining </title>
    <link>https://ldap2.3ca.org.uk/about/news/latest-news/opinion-holding-onto-our-roofs</link>
    <description>CEO Emma Harvey asks: In austere times, how do we retain and maintain community buildings?</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/about/news/latest-news/roofsnewsmain.JPG" alt="" class="image-inline" title="" /></p>
<p><span class="discreet">Jacobs Wells Baths - Image Credit: Sam Prosser</span></p>
<p>Preserving and maintaining community spaces is proving increasingly difficult as local authorities grapple with continued budgetary pressures. Some local authorities are facing or have already issued <a class="external-link" href="https://www.instituteforgovernment.org.uk/explainer/local-authority-section-114-notices">Section 114</a><a class="external-link" href="https://www.instituteforgovernment.org.uk/explainer/local-authority-section-114-notices"> notices</a> – which means expected income isn’t enough to cover expenditure. In response, <a class="external-link" href="https://consult.levellingup.gov.uk/local-government-finance/17f61919/">the Government</a> is considering making it easier for councils to dispose of publicly owned assets to cover rising costs of essential services. Financial news provider, <a class="external-link" href="https://www.bloomberg.com/news/articles/2024-01-06/uk-may-relax-rules-on-council-asset-sales-to-avert-bankruptcies">Bloomberg</a>, sets out how, “The move would mark a sharp relaxation of the current constraints, which prevent councils from using money from asset sales to meet budget pressures from day-to-day services without approval from the central government.”</p>
<blockquote class="pullquote">"The choices we make now in response to the challenge of preserving civic and cultural infrastructure in the face of financial uncertainty is a decision that will have lasting consequences for future generations" Emma Harvey</blockquote>
<p>Community groups and charities are collaborating to devise shared solutions to protect civic and cultural assets from disposal and loss; from volunteering to manage local allotments and raising money to invest in parks and play areas, to taking on ownership of local pubs or community buildings and developing their own <a class="external-link" href="https://www.gov.uk/guidance/neighbourhood-planning--2">Neighbourhood Plans</a>.</p>
<p>Whilst there are individual success stories of spaces saved, the challenge lies in how we create a national community asset transfer approach that is replicable, scalable and sustainable. As Brendan Conway, a leading voice in community assets, sets out in a LinkedIn post at the start of the year; “we must not valorise small precedents that have hidden foundations and assume that they are replicable.”</p>
<p>The current model places communities under increasing pressure to do more, though they may not equally hold all the necessary resources to convert short-term passion into sustained success. Existing funding schemes tied to short-term political cycles overlook the complexities of such projects, which require a variety of factors to align. Passionate people who care will inevitably overcommit and inexperienced individuals will underestimate what’s necessary to sustain a recovery effort over time. Some communities may hold the aspiration, but struggle to channel the right energy, investment or efforts consistently and continually. Others may just be overwhelmed, fatigued, or disheartened from past failed efforts to save the things they’ve loved and lost. This could lead to an increasingly disproportionate distribution of social resources, unless we proactively lay the foundations required to enhance success rates equitably across the breadth of UK communities.</p>
<p>The solution as to how we preserve civic and cultural infrastructure amidst financial uncertainty requires a nuanced, adaptable and holistic approach. It’s a delicate balancing act that, if we fail to get right, will leave our communities of tomorrow without the infrastructure they need to allow our more diverse, more densely populated neighbourhoods to function. The more we embark on these ambitious, quirky, complex projects, the more we will see projects fail. Should sites revert back to local authority control at a point where resources and capacity has further depleted, this will only compound risk of future asset disposal, not least because now one might also point to how the community tried, but failed to make it work.</p>
<p>In Bristol, there are a number of organisations driving a community ownership movement and a more strategic approach to community asset management, such as Bristol’s Community Anchor Network who have launched a manifesto to ask for more targeted support and investment to protect the city’s social fabric. More widely, <a class="external-link" href="https://www.newlocal.org.uk/articles/how-we-did-it-unlocking-community-assets-through-local-partnerships/">Platform Places</a> are collaborating with councils, community asset managers and owners to repurpose vacant high street properties, whilst Locality are continuing to promote their #SaveOurSpaces campaign by launching a new “community power revolution” to place more power in the hands of communities.</p>
<p>The choices we make now in response to the challenge of preserving civic and cultural infrastructure in the face of financial uncertainty is a decision that will have lasting consequences for future generations. To ensure a resilient and culturally vibrant future for UK communities expanding in diversity and population density, we must adopt a nuanced, bespoke and holistic approach to the assets that underpin our daily lives; one that embraces all the complexities, personalities and idiosyncrasies of our changing social and cultural landscape. And we need to do that pretty soon, before we have no space left to fight for.</p>
<p>Emma Harvey, CEO Trinity Community Arts</p>
<p>#SoldFromUnderYou</p>
<p>#SaveOurSpaces</p>
<p><strong>About this article</strong></p>
<ul>
<li>Trinity are committed to advocating for shared community and cultural spaces. We are members of <a class="external-link" href="https://locality.org.uk/">Locality</a> and are currently leading an appeal to restore <a class="external-link" href="http://www.trinitybristol.org.uk/savejwb">Jacobs Wells Baths</a> in Hotwells.</li>
<li>Read our <a href="https://ldap2.3ca.org.uk/about/news/2021/100beacons" class="internal-link">100 Beacons</a> report that shines a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets<strong>.</strong></li>
<li>Read opinion piece <a href="https://ldap2.3ca.org.uk/about/news/latest-news/opinion-the-preservation-paradox-sell-now-pay-later" class="internal-link">"The preservation paradox: sell now, pay later"</a> </li>
</ul>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>opinion</dc:subject>
    
    
      <dc:subject>emma</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2024-02-21T16:30:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/ignite/news/open-call-for-artists">
    <title>Open Call for D/deaf or Disabled Artist</title>
    <link>https://ldap2.3ca.org.uk/activities/ignite/news/open-call-for-artists</link>
    <description>£3,000 commission to create work for an online audience</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div class="BCX0 SCXW10599720 Ltr OutlineElement" style="margin: 0px; padding: 0px; background-color: rgb(255, 255, 255); ">
<p class="Paragraph SCXW10599720 BCX0">In these challenging times, Trinity and <a class="external-link" href="https://www.junction.co.uk/">Cambridge Junction</a> have come together to offer a £3,000 commission to a D/deaf or Disabled Artist(s) to create work for an online audience.</p>
<p class="Paragraph SCXW10599720 BCX0">We will commission one new piece of work and want the brief to be as open as possible, so you can respond in a way that best suits you as an artist. We welcome artists of any practice, working in any art-form, to apply.</p>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>We want to commission:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A brand-new online performance/exhibition that can remain available to experience for a set period of time – we want people to be able to experience your work safely from their homes</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">One artist who identifies as D/deaf or Disabled, or a collective of artists where at least 50% of the collective identify as D/deaf or Disabled</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Work that will be completed and distributed online before the end of October 2020</p>
</li>
</ul>
</div>
<p> </p>
<div class="BCX0 SCXW10599720 Ltr OutlineElement" style="margin: 0px; padding: 0px; background-color: rgb(255, 255, 255); ">
<ul class="BulletListStyle1 SCXW10599720 BCX0">
</ul>
<p class="Paragraph SCXW10599720 BCX0"><strong>We expect applications to include:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A consideration of audience access within the commission fee</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Confirmation that artist access costs are covered by the commission fee or by Access to Work or similar</p>
</li>
</ul>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>We will provide:</strong></p>
<ul class="BulletListStyle1 SCXW10599720 BCX0">
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">A commission fee of £3,000</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Producing support: we don’t want anyone to be put off if they don’t have producing capacity at the moment</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">Marketing and digital content support: we want your work to reach far and wide</p>
</li>
<li class="OutlineElement Ltr SCXW10599720 BCX0">
<p class="Paragraph SCXW10599720 BCX0">The platform for sharing your work: Trinity and Cambridge Junction’s social media platforms and those of our partners are readily available to platform your work</p>
</li>
</ul>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0">At Trinity we programme using a ‘Programming Forum’ which you can find out more about <a href="https://ldap2.3ca.org.uk/activities/ignite/more-info/forum" class="external-link">here.</a> The final decision on who receives the commission will be made by a forum made up of local artists and community members from both Trinity and Cambridge Junction.</p>
<p class="Paragraph SCXW10599720 BCX0"> </p>
<p class="Paragraph SCXW10599720 BCX0"><strong>To apply:</strong></p>
<p class="Paragraph SCXW10599720 BCX0"><strong>Applications for this opportunity have now closed. </strong></p>
</div>
<p> </p>
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</div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sarah</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>highlight</dc:subject>
    
    
      <dc:subject>arts</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2020-07-03T13:00:00Z</dc:date>
    <dc:type>News Item</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2026/ocean-advocate-summit">
    <title>Ocean Advocate Summit</title>
    <link>https://ldap2.3ca.org.uk/whats-on/2026/ocean-advocate-summit</link>
    <description>Reconnect to the ocean</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="mceContentBody documentContent">At this one-day summit, you will have a chance to reconnect to the ocean, discover more about marine life and the threats they face, and learn new confidence-building skills.</p>
<p class="has-text-color stk-block-text__text">This event is for swimmers, surfers, sea-lovers, artists, educators and anyone else who loves the ocean. Although they will be celebrating international conservation efforts, the event will primarily focus on research and projects within the UK, highlighting how individuals here can take action.<br /><br />The first Ocean Advocate Summit in 2025 was a sell-out event, so we recommend booking your ticket early to avoid disappointment! The Ocean Advocate Summit is returning bigger and better, with a new line-up of speakers and exhibitors.</p>
<p class="mceContentBody documentContent">If you have any questions or are interested in speaking or exhibiting please contact <a class="external-link" href="https://ocean-advocate.org/contact-us/">here</a>.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>Talks</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2026-02-17T15:14:29Z</dc:date>
    <dc:type>Event</dc:type>
  </item>




</rdf:RDF>
