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  <title>Trinity Community Arts</title>
  <link>https://ldap2.3ca.org.uk</link>

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            These are the search results for the query, showing results 1 to 15.
        
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  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2023/windrush-75-workshop">
    <title>Windrush 75 Workshops</title>
    <link>https://ldap2.3ca.org.uk/whats-on/2023/windrush-75-workshop</link>
    <description></description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Love drama? Love Radio? Are you or your parents of African or Caribbean heritage? Do you have a story to tell?</p>
<p>We partnering with <a class="external-link" href="https://tamasha.org.uk/">Tamasha Theatre</a> to explore hidden stories from the Windrush generation.</p>
<p>You are invited to break bread with playwright Mel Pennant and Director Anastasia Osei-Kuffour and to listen to Mel’s audio drama ‘<a class="external-link" href="https://tamasha.org.uk/projects/a-stranger-in-a-strange-place/">A Stranger in a Strange Place</a>’.</p>
<p>This will act as a starting point to discuss the thoughts, feelings and memories of Windrush which will feed into a new audio play.</p>
<p>This is part of a project to commemorate the 75th anniversary of Windrush, supported by The National Archives, which will culminate in an online listening party in October 2023.</p>
<p><strong>There will be 2 workshops  at the St Paul's Learning &amp; Family Centre on the below times;</strong></p>
<p><strong>Thursday 22nd June 2.30 pm to 5 pm  and Friday 23rd June 10 am to 1 pm</strong></p>
<p>You can attend either workshop, you do not need to bring anything along to participate, and there will be refreshments provided for everyone.</p>
<p><strong>More about the Artists</strong></p>
<p>Mel Pennant is a playwright, screenwriter and novelist. In 2013, she won the Brockley Jack Write Now 4 award with her play No Rhyme. In 2017, Mel was shortlisted for the Alfred Fagon Award for her play A Black Fella Walks into a Bar.  Her play “Seeds" was on a national tour in 2020 before lockdown brought it to a halt.</p>
<p><a class="external-link" href="http://www.anastasiaoseikuffour.com">Anastasia Osei – Kuffour</a> is a Director, Writer, Producer and Poet.  Anastasia’s work includes: All Roads (BGAC, Theatre Peckham, New Wimbledon Theatre Studio &amp; Tramshed); On The Ropes (Park Theatre); Faith, Hope &amp; Glory and Precious Little Thing (BBC Radio 4); Typical (Soho Theatre, the film: Soho Theatre On Demand); Seeds (UK tour, Leeds Playhouse, Live Newcastle, Derby Theatre &amp; Warwick Arts Centre); Cuttin' It (Royal Court UK Schools Tour) and Footprints on the Moon (Finborough). See her website for more: www.anastasiaoseikuffour.com</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-06-06T16:15:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/trinity-returns">
    <title>Trinity returns</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/trinity-returns</link>
    <description>The Trinity Centre reopened in 2004 thanks to the 'Save Trinity' Campaign</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div class="kssattr-macro-text-field-view kssattr-templateId-newsitem_view kssattr-atfieldname-text plain" id="parent-fieldname-text">
<p class="western">Following the liquidation of the <a href="https://ldap2.3ca.org.uk/activities/archive/trinity-hall" class="internal-link"><span class="internal-link">New Trinity Community Association</span></a> in 2001, Bristol City Council held a tendering process for the future   management of The Trinity Centre. Shifting funds away from community   centres and towards 'Millennium  Projects' coupled with a series of   financial problems, forced Trinity to  close once again in 2000,   shutting its doors for what seemed to be the  last time.</p>
<p class="western">Enquiries were made from a variety of community and  commercial developers and seven  applications for new use were made.  This included an application from the Avon &amp; Somerset Constabulary  to turn the building into a police training centre.</p>
<p class="western">Others who submitted Expressions of Interest  included: Travelling Light, the Bristol Festival of Dance, Undercover  Rock (now happily housed in another converted church in St Werburghs),  SARI and a Church group, as well as the 'Save Trinity' campaign.</p>
<p class="western"><b>The Save Trinity Campaign</b></p>
<p>A group of budding social-entrepreneurs launched the  Save Trinity  Campaign to get the Centre back into the hands of the local  community.  Following this, Trinity Community Arts Ltd (TCA) was  officially  constituted in 2002 and set out to develop plans for the  Trinity Centre  as a creative hub for East Bristol.</p>
<p>The group submitted an Expression of Interest, which outlined how  they would encourage partnership with other local community and arts  organisations and provide subsidised space to maximise the breadth of  activities on offer. This was perhaps the most compelling case made, as,  whilst other bidders represented specific communities of interest, TCA  was able to provide a diverse community and cultural offer, as well as  working alongside others to make full use of the space.</p>
<p class="western">TCA's subsequent  application for community asset  transfer was successful and the group secured a  short-term lease of  Trinity Centre in 2003. The building was  re-opened on 1 October 2004 as a  community arts centre.</p>
<p class="western">With a strong focus on training and outreach, TCA   works with a range of community groups, arts organisations and   individuals to provide a lively and varied activities and events   programme for the City of Bristol.</p>
<p style="text-align: center; "><img src="https://ldap2.3ca.org.uk/activities/archive/FlyerBack.jpg/@@images/62665045-4591-4393-8c4f-99c8432d927e.jpeg" alt="" class="image-inline" title="" /></p>
</div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-07-12T16:05:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/trinity-reopens">
    <title>Trinity Reopens</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/trinity-reopens</link>
    <description>In 1991, almost a decade after the BCCE group ceased to exist, Trinity was leased to the New Trinity Community Association who reopened the building in 1992</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><span class="discreet"><i>DJ Derek, pictured with Trinity Manager Derrick Sterling, c1992</i></span></p>
<p>In 1991, almost a decade after the BCCE group ceased to exist, the <span class="highlightedSearchTerm">new</span> landlords Bristol City Council leased <span class="highlightedSearchTerm">Trinity</span> to the <b><span class="highlightedSearchTerm">New</span> <span class="highlightedSearchTerm">Trinity</span> <span class="highlightedSearchTerm">Community</span> <span class="highlightedSearchTerm">Association</span></b> who reopened the building as 'The <span class="highlightedSearchTerm">Trinity</span> Hall' in 1992.</p>
<p class="western">The <span class="highlightedSearchTerm">new</span> tenants and a dedicated team of volunteers  began a second round of   development and renovations, which included the  installation of the   sprung wooden floor downstairs.</p>
<p class="western">It was under this <span class="highlightedSearchTerm">new</span> management that <span class="highlightedSearchTerm">Trinity</span> would  again gain international fame, playing host to the biggest   domestic and  international music stars of the time. This helped to   bring Bristol to  the world's attention as a creative melting pot with   its own distinct  flavour - <b>The Bristol Sound</b>.</p>
<p class="western">As well as the successful music nights there were  also daytime <span class="highlightedSearchTerm">community</span> activities from bingo madness to a boxing club,  the two levels provided a much needed space for local people's use.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:30:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/trinity-community-insititute">
    <title>Trinity Community Insititute</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/trinity-community-insititute</link>
    <description>The birth of Trinity as a community centre</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>It's 1978 - The community group now in charge of Trinity is the Bristol Caribbean Community Enterprise group (BCCE).   Over the year, community events take place with a strong Caribbean influence - sound clashes, dub, reggae nights and the start of Trinity's sound-system heritage.</p>
<p>In their annual report of 1978, BCCE chairman writes "our aims and objectives are clear - a centre for youth and community activities; the philosophy is a multi-racial multi-cultural centre. The project is part of this community, and if it is to progress then the community must believe in it." (As quoted in Venue Magazine, no.70).</p>
<p>1 July 1978 - 'Trinity Community Institute' as it was then named - is officially launched, with a grand opening to coincide with St Paul's African-Caribbean Carnival to reflect the group's drive to embrace and celebrate Caribbean culture. The Centre is used every evening of the Festival week.</p>
<p>20 September 1978 - Official notice is given by the Church Commissioners that an Order in Council came into operation on 21st December 1977, allowing Holy Trinity building and its land to be used as a community centre.</p>
<p>October 1978 - The Easton Christian Family Centre newsletter contains an update on Trinity Church building: "The old Holy Trinity Church has been taken over by the Caribbean Community Association, who are a division of the West Indian Community. They have made extensive alterations, putting in a stage in the main auditorium for a theatre, and changing the side aisles into separate small rooms.  The  vestries have been changed into offices.  They are currently negotiating plans to turn the graveyard into a large play area including tennis courts."</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:50:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/rupert-the-big-egg">
    <title>Rupert &amp; The Big Egg</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/rupert-the-big-egg</link>
    <description>The Dolwilym Theatre Company, 1980</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The <b>Dolwilym Theatre Company </b>was one of  the first groups to bring live drama to Trinity. <i>Rupert and the Big Egg</i><b> </b> was staged in 1980.  Hannah Cox who appeared in the play as a child  returned to Trinity  years later to base her undergraduate dissertation  on the building.</p>
<div class="fragletSummaryDynamic fragletSummary">
<div>
<div id="parent-fieldname-fraglets_interfaces_isummarize">
<p>In1983 <b>Arts Opportunity Theatre</b> (AOT ) staged the play <i>Black and White in Colou</i>r. The play explored the  causes of the St Paul’s riot in 1980.</p>
<p>In 2008 the site specific play <i>At Tether’s End </i>used the space  itself  to bring Trinity’s history to life. Trinity has also supported  individual practitioners and companies by  offering cheap rehearsal and  performance space.  Notable performances include <b>Ratupadrainpipe</b>'s <i>One Flew Over the Cuckoo's Nest</i> in 2009.</p>
<p>Other performance arts activities include  two <b>First Light Movie</b> projects between 2008-2010; a scriptwriting project supported by British actor <b>Stephen Graham</b> and a short film project that culminated in three-minute film aptly entitled<i> 3, </i><span>working with a group of local young people </span><span>to teach them recording and production skills. </span></p>
</div>
</div>
</div>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T10:55:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2023/rhythm-of-the-night-2">
    <title>Rhythm of the Night </title>
    <link>https://ldap2.3ca.org.uk/whats-on/2023/rhythm-of-the-night-2</link>
    <description>A nightclub for adults with learning difficulties, their families and friends </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><strong><a class="external-link" href="http://misfitstheatre.com/">The Misfits Theatre Company</a> </strong>would like to invite you to Rhythm of the Night.</p>
<p>So put on your dancing clothing on, be entertained and join us for a fun night at Trinity!</p>
<p>A great and fun way to meet new people and have a chat over a drink or two, along with some great music to do some dancing and socialising.</p>
<p>Rhythm of the Night is every last Thursday of the month.<br /><br />Disco starts at 7.00pm<br /><br />Bar open - please note you have to be over 18 to buy alcoholic drinks from our bar. You will be asked for an ID, so please bring one with you. Please ensure that transport is arranged for the end of the night.</p>
<p>Please note that Trinity has a public pay and display car park. It applies to anyone parking at the Centre, including staff, hirers, centre users and blue badge holders. The rates start at £1 (for 1hr) and go up to £5 for 12hrs. More info about Trinity's car park can be found <a href="https://ldap2.3ca.org.uk/whats-on/contact">here</a></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>music</dc:subject>
    
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>club night</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-02-27T11:45:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/repairs-1990s">
    <title>Repairs 1990s</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/repairs-1990s</link>
    <description>NTCA carried out extensive repair and renovation of Trinity in the early 1990s</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p><img src="https://ldap2.3ca.org.uk/activities/archive/page008.jpg/@@images/c2251b87-4894-416c-b36d-3de4106edf45.jpeg" style="float: left; " title="" class="image-inline" alt="" /></p>
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<p>In 1992 Trinity was reopened by the New Trinity Community Association.</p>
<p class="western">The new tenants and a dedicated team of volunteers   began a second round of development and renovations, which included the   installation of the sprung wooden floor downstairs.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:45:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/redevelopment-1987-89">
    <title>Redevelopment 1987-89</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/redevelopment-1987-89</link>
    <description>A major development phase, when the building was under the management of Bristol City Council, which saw removal of original features and installation of new first floor</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>The pictures were taken during a major development phase, when the building was under the management of Bristol City Council.</p>
<p>Designs were produced by Architect Daniel Pacaud, which at the time  caused great controversy with the Church Commissioners Advisory Board  for Redundant Churches, who felt that the proposed works compromise the  architectural heritage of the space.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/4.jpg/@@images/c5538853-3025-4f7b-bfae-62bf7ae4e1dc.jpeg" style="float: left; " title="" class="image-inline" alt="" /></p>
<p>The Church was at the time considered to be one of the finest  examples of the work of Architect Thomas Rickman, who built the church  between 1829-1932 with Henry Hutchinson.</p>
<p>Pacaud's plans for conversion, involved the installation of a  dividing floor. But, despite the Church Commissioners' discontent, the  build project went ahead.</p>
<p>The images found show this development in full flow and include  pictures of a visit by politicians - including a rather young looking  Kenneth <span class="highlightedSearchTerm">Clarke</span> - to see first hand the "Community Initiative" in progress.</p>
<p>Works included:</p>
<ul>
<li>Installing the first floor and sprung wooden floor on the ground level</li>
<li>Repairing many of the windows which had been smashed over the years</li>
<li>Cleaning the exterior sandstone, using a sandblasting method, to remove graffiti and pollution dirt</li>
</ul>
<p>However, the costly process meant that many of the works proposed by  Pacaud - particularly the developments of the upstairs hall spaces -  were eventually abandoned.</p>
<p>Today, Trinity continues to renovate and develop the space to try to  avoid any further compromising of the interior and realise this original  vision to make a multi-functional community hub.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/63.jpg/@@images/f3b33219-9af8-400d-947c-594fb10a204f.jpeg" style="float: left; " title="" class="image-inline" alt="" />"Although the very fine interior of this church would be ruined by the proposals as the building now belonged to the local authority Board members felt that it would be a waste of time to try and say it by fighting a rearguard action. It was RESOLVED: That the Church Commissioners be informed that the Advisory Board regards the church of Holy Trinity, Bristol, Diocese of Bristol, as a building of considerable architectural and historic interest with a fine interior that would be entirely compromised by the present proposals for conversion to a community centre" - Church Commissioners Advisory Board for Redundant Churches, June 1987.</p>
<p><img src="https://ldap2.3ca.org.uk/activities/archive/20.jpg/@@images/f21294f4-0ef0-407b-8b56-3e5b69211bb9.jpeg" style="float: right; " title="" class="image-inline" alt="" /></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T11:35:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2023/copy4_of_police-community-outreach-meetings">
    <title>Police Community Outreach Meetings</title>
    <link>https://ldap2.3ca.org.uk/whats-on/2023/copy4_of_police-community-outreach-meetings</link>
    <description>Monthly sessions hosted by PCSO's to connect with the local community</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Monthly meeting hosted by Avon and Somerset Constabulary to connect with the local community.</p>
<p>These meetings are open to all residents, traders and anyone that has an interest in their local policing.</p>
<p>The purpose of the meetings is to offer reassurance to the community that their local neighbourhood team will still be policing the area following the impending closure of the station on Trinity Road.</p>
<p><strong>How to get involved</strong></p>
<p>You will not need to bring anything along to attend these meetings, and you are welcome to come along at any point. There will be information available in several languages to help explain things and reminders of ways to contact your local police force.</p>
<p><strong>Meeting Times</strong></p>
<p>January - Tuesday 31/01/2023 - 5 pm to 7 pm <br />February - Saturday 25/02/2023 - 11 am to 1 pm <br />March - Friday 31/03/2023 - 5 pm to 7 pm <br />April - Wednesday - 26/04/2023 - 1 pm to 3 pm<br />May - Thursday 25/05/2023 - 10 am to 12 pm<br />June - Monday 19/06/2023 - 5 pm to 7 pm</p>
<p><span class="discreet"><strong>About Avon and Somerset Police</strong></span></p>
<p><span class="discreet">Avon and Somerset Police as we know it today formed in 1974 from the merger of the former Somerset and Bath Constabulary with the Bristol police force and the Staple Hill division of Gloucestershire Constabulary.</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-01-30T11:15:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/whats-on/2023/milk-poetry-workshop">
    <title>Milk Poetry Workshop</title>
    <link>https://ldap2.3ca.org.uk/whats-on/2023/milk-poetry-workshop</link>
    <description>Poetry Workshop exploring Gender Identity</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>In the lead-up to her poetry/beatbox/Celtic Dubstep show ‘<a class="external-link" href="https://thewardrobetheatre.com/livetheatre/milk-poetry-presents-dancing-to-music-you-hate/">Dancing To Music You Hate</a>’ which kicks off at the Wardrobe Theatre, Jasmine Gardosi is leading a pre-show poetry and performance workshop on the same day.</p>
<p><span style="font-weight: bold; ">More about this Workshop</span></p>
<p>This session will include writing exercises inspired by the theme’s show of gender identity and breaking binaries, while covering performance skills, in preparation for the open mic section of the show.</p>
<p>These workshops will be in preparation for the ‘Dancing To Music You Hate’ which kicks off at the Wardrobe Theatre on Monday 10th July at 7.30 pm.</p>
<p>Attendees of this workshop will be given priority for the event’s open mic, though slots are not guaranteed. The workshops are open to participants of all levels, backgrounds and genders. Attendees are invited to bring 1-2 of their own poems that they'd like to work on.</p>
<p><strong>More about the Artists</strong></p>
<p>Jasmine Gardosi is an award-winning spoken word poet, beatboxer and multiple slam champion of national and international renown. Dancing To Music You Hate is her brand new, debut show about gender identity, coming to terms with queerness, and finding the words. Commissioned by <a class="external-link" href="https://www.warwickartscentre.co.uk/">Warwick Arts Centre</a>, it premiered there in October 2022 to standing ovations.</p>
<p><strong>More about Milk Poetry</strong></p>
<p>Milk Poetry selects the finest, freshest poets from the UK and beyond to produce the most nourishing and eclectic spoken word bonanza you could ever hope for. Curated and hosted by <a class="external-link" href="https://www.malaikakegode.com/">Malaika Kegode</a> (Writer of <a class="external-link" href="https://bristololdvic.org.uk/whats-on/outlier">Outlier</a>) – monthly Mondays at The Wardrobe Theatre.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2023-06-23T15:50:00Z</dc:date>
    <dc:type>Event</dc:type>
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  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/may-garden-party">
    <title>May Garden Party</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/may-garden-party</link>
    <description>Trinity's first May garden party</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-11-15T12:20:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/in-memoriam-simi-chowdhry">
    <title>In memoriam: Simi Chowdhry</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/in-memoriam-simi-chowdhry</link>
    <description>A tribute to Simi Chowdhry, 1947-2021</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p style="line-height: 100%; margin-bottom: 0cm; ">Trinity would like to give celebration to the life and work of Simi Chowdhry, founder of Awaz Utaoh, who sadly passed in November 2021.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">Simi was a hugely dedicated and influential figure in Bristol’s voluntary sector, devoting her life to the betterment of services for the city’s South Asian community, developing a wealth of activities that included a multi-faith youth service for young people, the first Asian youth festival, an Asian radio show on BBC Bristol and a day care centre for elderly Asian people.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">She is most known for her work with Awaz Utaoh, meaning 'raise your voice'. The charity was established in 1997 and has supported women primarily from across Bristol's South Asian community for decades.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">Through her work with Awaz, Simi was able to develop and deliver a regular programme of activities embracing and connecting women of all religions. She was a strong and inspiring figurehead for a core group of women who met every Wednesday at Trinity, until her retirement prior to the pandemic. She crafted a safe space for well-being and empowerment that helped to unite and give voice to women of all ages.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">For anyone who was blessed with the good fortune to attend Awaz, you were welcomed by a space full of music, dancing, food and fun. Thanks to Simi’s generosity and spirit, everyone was made to feel like part of one big family, of which she was very much the mother figure.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">Over the years, Simi’s dedication and work in the voluntary sector has been recognised through several awards including the Lord Mayor’s Medal.</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">Towards the end, sustaining this valuable work became an increasingly uphill struggle, with the challenges of cuts to funding compounded by Simi’s own declining health. Still, she persisted, never giving up, to ensure that the women who relied on this service continued to have somewhere to go. As one of the women using this service was quoted; "What the statutory agencies of the city could not do for them over the last 15 years, Awaz Utaoh did it.”</p>
<p style="line-height: 100%; margin-bottom: 0cm; ">We give thanks to this hugely important woman and hope that her work and vision will serve as inspiration to others that - in spite of all our differences and the challenges we face - if we raise our voice, one woman can have the power to bring change, hope and light to the world around her.</p>
<p style="line-height: 100%; margin-bottom: 0cm; "><span class="discreet">Simi's family have created <a class="external-link" href="https://simi.muchloved.com/">a memorial page</a> where those who knew her can leave their words, photos and memories.</span></p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-07-01T16:15:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/in-memoriam-phil-a-story-of-change">
    <title>In memoriam: Phil, a story of change</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/in-memoriam-phil-a-story-of-change</link>
    <description>A tribute to Phil, 1948-2020
</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>To reflect on a journey like Phil’s is to take a momentary glimpse at a life of many parts, including parts lost or hidden, or not ours to tell. The parts I know include parts that are difficult, also parts where I don’t recognise much of the man I knew. Phil was a complex, layered person. It was not that he shied away from his past, he just didn’t want to bestow the weight of it onto others.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>In life, we chase rainbows. In death, we want something much simpler. Our own salvation or damnation dependent on the compatibility of our relative goodness to those who mourn our passing. Making saints of those held close and casting aside the sinners, though the space between is the one most of us occupy. Society depends on us all trying to be the best versions of ourselves. Our crimes are committed in the moments where we forget to try. It’s those who touch the extremities of expected behaviour -both good and bad - who create the most ripples.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Phil served 13 years in prison for a devastating crime. He came to Trinity in 2004 on a <a href="https://ldap2.3ca.org.uk/about/conservation/news/ex-offenders" class="internal-link">back-to-work ex-offender placement</a>.</p>
<blockquote class="pullquote"><br /></blockquote>
<blockquote class="pullquote">Sometimes there can be no forgiveness. But, in that space between life and death is where we find community. A space for the misfits and the troubled. Beyond the warmth of our family and our friends, a sense of belonging that is unconditional.</blockquote>
<blockquote class="pullquote">Emma Harvey, CEO</blockquote>
<blockquote class="pullquote"><br /></blockquote>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>It was just a shabby shell back then, after a period of closure that many thought would mark its end. A re-imagining, but without any of the resources needed to realise that vision.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Phil offered us a lifeline. Without him, the building could never have reopened. Nor could it have remained open during those early years, when so much manual work needed doing in order to make it a safe space.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>On Phil’s release, he continued to work at Trinity for no financial or personal gain. He did so much and grafted in a way that was unimaginable. It was his dedication and determination that inspired everyone who met him in those times. Others would try to emulate it, but we’d all be in bed crashed out at a time when he was up and about, working on setting things right so we could open our doors the next day.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>His atonement laid the foundation stone of Trinity today. So many times, he managed to help us pull something unrealistic out of the bag and make the magic happen. H</span><span>is work ethic at times seemed superhuman and </span><span>pushed him to breaking on several occasions. He was so stubborn in his dissent from that ladder, when it came to his retirement in 2016.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>With his cynicism, it was like he hated all that busyness and insanity that gave the place life. When the lock-down started, the team joked that this was the Trinity Phil had always wanted. A quiet space with no people and the building all to himself. </span><span>But, that was his trick on us - he loved the building’s life, he just never felt that he deserved to be a part of it.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>During the Phil years, to walk in and see a weathered old man followed by his faithful hound, you just knew you had found somewhere where you could just be in spite of, not because of, your past self or any future expectations.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>T</span><span>rinity made him feel something in a space someone more poetic might call his heart. He felt enough of a sense of being part of the wonderment though just by being in the background as He who was both church care taker and care giver, whilst never permitting himself to fully become immersed.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>For those who Phil hurt most - as for any victim of crime and their families - the worst thing to have is that sense of the perpetrator’s life being allowed to continue. The fear and anger that they are somehow able to enjoy that which they have taken from their victim. That they get to feel the warmth of the sun on their face.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>The reality is much more complex. Even in our most joyous of times, Phil never basked in that sunshine. There was no absolution, just resolution and resignedness to a life in the shade. To paraphrase Indigo Girls (a band he loved) even if his sweat smelt clean, the glare off the sun would hurt his eyes.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Father. Husband. Functioning alcoholic. A mask that began to slip more and more with the passing of time. But, what never changed was a deep warmth and an unwavering loyalty beyond reason. Humour in the face of adversity. Cigarettes with Steve when there was nothing else. Amongst the glimpses of joy - guitars and fish and chips and T-shirts and Poppy - there were subsequent losses and drinking alone and fear and loneliness. Life meant life.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Love. There was so much love and hurt over past wrongs so damaging that they can never be set right, no matter how virtuous any subsequent action. Nevertheless, he was deeply loved by his Trinity family. We reflect on the life of a person who touched and changed lives dramatically and catastrophically. We respectfully mourn and pay tribute to a one of a kind man who inspired us to work hard and do better, knowing he could never be forgiven.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Sometimes there can be no forgiveness. But, in that space between life and death is where we find community. A space for the misfits and the troubled. Beyond the warmth of our family and our friends, a sense of belonging that is unconditional.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>That he has passed during such particularly challenging times gives us greater cause for reflection. If a criminal can become such an outstanding citizen then we can hold onto hope that good grows out of even the most darkest of moments. That one might work toward a better future they might not be part of, but which still very much exists because of the part they played.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Restoration if not of a soul, at least of a building that is still very much here. A space for love, life, death and reincarnation. A place of radical inclusiveness, helping us to see that grace extended - even if it is felt to be undeserved - can take us all to somewhere better.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"><span>Phil. A reminder that who we are at any one moment does not define us. After all, we can always choose to change ourselves.</span></p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Big love always</p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif"> </p>
<p class="western" style="margin-bottom: 0cm; line-height: 16px; font-family: " liberation="liberation" serif="serif">Emma x</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2020-08-26T08:40:00Z</dc:date>
    <dc:type>Event</dc:type>
  </item>


  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/in-memoriam-peter-barrow">
    <title>In memoriam: Peter Barrow</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/in-memoriam-peter-barrow</link>
    <description>A tribute to Blokey Pete, 1961-2019</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<p>Peter Barrow - Blokey Pete as many knew him - started helping Trinity in 2007. At that time we were low on the ground, mostly volunteers, getting stuck in together in whatever needed doing.</p>
<p>Blokey was part of what gave Trinity that family feel - not least because he also managed to rope in his family to help out run the place in those early days!</p>
<p>From running the bar and rigging the lights to writing policies and business planning, Blokey's commitment helped to shape the Trinity that we have today.</p>
<p>Blokey was the glue that held us together. A cheeky chap. A man who seemed to promise the world and, amazingly, somehow deliver.  When the place steadied, he moved on to new adventures, yet always reappeared in any moment of crisis.</p>
<p>How he knew we needed him I just don't know. He was just always there. Perhaps that's why as long as I'm at Trinity, there'll always be a part of me that expects him to walk in just to see how we're all doing.</p>
<p>I will forever be grateful for his support and calm presence, during a time when it felt like the whole thing could fall apart in a moment's breath.</p>
<p>Thank you Pete for always being there and for creating the feeling you still are. Always in our hearts,   Emma xx</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
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      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-07-01T16:15:00Z</dc:date>
    <dc:type>Event</dc:type>
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  <item rdf:about="https://ldap2.3ca.org.uk/activities/archive/in-memoriam-nick-fyfe">
    <title>In memoriam: Nick Fyfe</title>
    <link>https://ldap2.3ca.org.uk/activities/archive/in-memoriam-nick-fyfe</link>
    <description>In loving memory of Nick Fyfe, founder member of Trinity Community Arts, 1949-2007</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div id="viewlet-above-content">
<div id="plone-lock-status"></div>
</div>
<p><span>Nick Fyfe epitomised the indomitable spirit that led to Trinity's reopening. </span></p>
<p><span>Nick Fyfe joined the campaign whilst managing a full time business building skate parks across the </span><span>S</span><span>outh </span><span>W</span><span>est. </span></p>
<p><span>He had for many years combined his successful business career with </span><span>active involvement in local </span><span>voluntary</span><span> sector. </span></p>
<p><span>Nick brought a vast reservoir of experience and skill to the 'Save Trinity' campaign. </span></p>
<p><span>Former business partner, friend and Trinity colleague Matthew Hewitt describes Nick's key contribution to the campaign:</span></p>
<p>“<i><span>Nick was so good at writing documents. In half an hour he  could write a two page A4 document of several thousand words and it  would all make sense. Nick prepared the meticulous cash flows, business  plans, and letters underpinning the campaign that were edited and  reworked by the core campaign group. Armed with these documents the  eclectic group presented 'a professional image' to the Council. Having  secured the lease the team subsequently learnt from an informal Council  source that Trinity's bid was by far the most professional and the most  well thought out.”</span></i></p>
<p><span>Nick's commitment to Trinity persisted after the lease was  secured. Despite 'hard graft' on the skate park he committed his time  and energy to supporting the organisation. </span><span>Combining long demanding hours on site with managing Trinity may have damaged his</span><span> health. Matt reflects: </span></p>
<p>“<i><span>I didn't see that he was passing away because he was  getting weaker and weaker. He'd had pneumonia not got over it and..he  was just such a stunning character none even thought that he was near  checking out..He worked on site, a building site right up to the day he  died. I had a phone call from him an hour before he died saying “Matthew  I'm gonna drive to Trinity can you take me somewhere when I get there. A  day later his son phoned me and said he died about the same time he  phoned me. He was just not going to give up...”</span></i></p>
<p>Our upstairs 'Fyfe Hall', was named such in memory of Nick Fyfe, one  of the founding directors of Trinity Community Arts. A plaque on the  downstairs north wall, has also been installed in memory.</p>]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>&lt;object object at 0x7fd3e9440580&gt;</dc:creator>
    <dc:rights></dc:rights>
    
      <dc:subject>community-timeline</dc:subject>
    
    
      <dc:subject>community</dc:subject>
    
    <dc:date>2019-07-15T09:10:00Z</dc:date>
    <dc:type>Event</dc:type>
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