After The Fire - Film by Matt Feurtado

After the Fire was an immersive exhibition programmed part of our free community party in Sep 2022 . Across nine hours, over 1200 people came along to watch performances from some of Bristol and the South West's leading underground musicians, take part in workshops and much more. The exhibition displayed stories and artwork collected as part of the two-year Heritage Lottery Funded project: Art of Resistance.

From women's rights, worker's rights movements to the recent environmental and BLM movements ,Bristol has long been known as an 'activist city'. We sat down with historian and writer Dr Edson Burton, curator of Art of Resistance, to understand the project’s important contribution to social history:

"After The Fire was a vehicle for showing the midway point that we had reached with the research for the project. We had some fantastic audio from the oral histories we’d collected with artists and activists as well as pieces of artwork that had been inspired by protest.

To my mind it was important to escape the gallery aesthetic, the white-wall space which we normally associate with art, which conveys a certain sense of art as separate from life, separate from lived experience and it has an intellectual and class connotation that might leave some people feeling like it’s not part of their world.

We also wanted to bring the space to life, in keeping with the post protest theme, to stir the embers. With this in mind, we commissioned some of Bristol's leading performers to share their work, acoustically, straight after the soundscape.

The title was inspired by James Baldwin’s The Fire Next Time written in response to racial tensions and riots in 60s America. I wanted to create a sense of a space that carried the sense of the broken, the unfinished, the space after the revolt.

"Collecting archives, interviewing people, is like gathering priceless treasures. I say priceless because, in a sense, an interview is a capture of a voice that may not exist in years to come."  Dr Edson Burton

I didn’t want it to feel like, ‘here’s one space that says is about that area of protest and here’s another’ because one of the things that is really striking when you interview artists and activists is often their passions intersect. We found people that are concerned with the environment may also be involved with anti-racism, people who are working on LGBTQ+ rights may also see common cause with anti-racism, and so on.

When you create spaces, they are spaces not just for audiences, but for artists to link, to meet and discuss and share, to see and revive work. That’s such a vital part of why these projects are useful. There is a sense too, that we are curating and holding the experiences that might otherwise disappear. Despite the wealth of research that is available, there are still stories that sink, there are not passed on. Collecting archives, interviewing people, is like gathering priceless treasures. I say priceless because, in a sense, an interview is a capture of a voice that may not exist in years to come."

About Art of Resistance

Art of Resistance is a two-year National Lottery Heritage Funded exploring 100 years of social activism, protest and civil disobedience in Bristol and the art that underpinned each movement.

Grove - Image Credit: Sophia Stefelle

Kahn ft. Rider Shafique - Image Credit: Sophia Stefelle

After The Fire - Image Credit: Sophia Stefelle

Rita Lynch - Image Credit: Marley Small

Hip Hop Garden - Image Credit: Sophia Stefelle

Image Credit: Sophia Stefelle

Solomon O.B - Image Credit: Sophia Stefelle

Irish Mellow + Cxption - Image Credit: Marley Small

Garden Party: Revolution Sounds was our second free-community event of the year where we said goodbye to the summer with a mix of live music, workshops, performances and an immersive exhibition: After The Fire.

As always we welcomed some of the best artists in Bristol and the South West all playing on The Den stage. From punk to experimental we had the likes of Rita Lynch, Talisman and Kahn. Kept a secret until they came on, headliner Grove closed out proceedings with an epic mosh pit.

"Inspirational people and artwork" Feedback, Garden Party: Revolution Sounds

In the Fyfe Hall, we hosted an immersive exhibition 'After the Fire', a thought-provoking odyssey through the sounds and sights of Bristol’s protest history in recent years. This exhibition allowed us to present a culmination of artwork made as part of the last two years of Art of Resistance - pieces created by participants including pottery and murals, alongside placards made as part of our Visions of Resistance including a mural made by Tanith Gould which was displayed outside People's Republic of Stokes Croft on Jamaica Street.

We also had a number of workshops running throughout the day, including Movema Dance Workshops and Button-Up Badge Making Workshop in the Main Hall, plus Hip-Hop Workshops in the Trinity Garden.

Big thanks once again to everyone that made this event possible - from the artists that performed, the exhibition curators, the workshop facilitators, the lighting and sound team working behind the scenes, the bar staff and Trinity Team, and of course all of you that came down on the day - over 1,200 of you came along, and we raised over £1,000 in donations so that we can put on more events like Garden Party for the local community.

If you'd like to stay in the loop with everything on at Trinity, head to our What's On page for all our upcoming events, or follow our Instagram, Facebook and Twitter and sign up to our mailing list to stay updated.

Art of Resistance is a two-year, National Heritage Lottery Funded project charting 100 years of protest in Bristol.

Photo Credit: Sam Howard

For the last 15 years, Teachings in Dub has been a staple of the Bristol dub scene and has become one of the longest running club nights in Bristol. Formed by Stryda (Dubkasm) and Pinch at Clockwork Nightclub on Stokes Croft until 2008 when Teachings found its new home here at Trinity.

Dub and soundystem cultures have been an integral part of Bristol’s music scene. During the 1970s and 1980's a DIY culture of soundsystems sprung up, particularly around East Bristol, allowing young people in Bristol to participate in the city’s music scene from the ground up.

Teachings in Dub has allowed for a new generation to participate in Bristol’s history of dub music. Teachings co-founder Stryda writes that the event has “always been about bridging the gap between the older generation and the new and ensuring the culture is maintained and respected but the vibes are passed on”.

"We aim to give elders a space to enjoy the music and vibes they grew up on as well as a window for newcomers to enter a music scene they may have otherwise not even known existed” - Stryda, Teachings in Dub co-founder

Stryda attributes Teachings’ long-standing popularity to providing “an authentic space to experience real undiluted soundsystem vibrations. The Bristol music scene is respected worldwide but is built on Reggae and soundsystem. We aim to give elders a space to enjoy the music and vibes they grew up on as well as a window for newcomers to enter a music scene they may have otherwise not even known existed”.

Teachings has hosted some of the biggest names in dub and roots reggae, including Jah Shakka, Iration Steppas, Channel One Soundystem and Aba Shanti-I, and will host celebrations for 50 Years of Jah Tubby this month on 17 Sep, before celebrating 15 Years of Teachings in Dub on 25 Nov.

A new semi-permanent artwork created in collaboration with Tanith Gould – a local mural artist and member of Bristol Mural Collective - and the local community has been unveiled outside the People’s Republic of Stokes Croft building on Jamaica Street.

The mural is currently on display outside People’s Republic of Stokes Croft on Jamaica Street and will move on to Trinity next month to be displayed as part of Garden Party II on 18 September.

"This project has given people a platform to discuss issues they care about whilst also connecting them more deeply to their own beliefs and morals" - Tanith Gould

The mural, titled ‘Bristol Resists’, was created as part of a month long series of workshops teaching elements of mural design to the immediate community as part of our two-year long project, Art of Resistance, exploring 100 years of protest and activism in Bristol.

The mural was commissioned as piece of community art - made up of ideas from the public and around 50 participants over 3 workshops - featuring placards directly inspired by their submissions - to be displayed publicly across Bristol.

To create the mural, Tanith delivered a series of creative workshops, with the aim to provide a platform in which people were able to come together to discuss areas of social, political and environmental injustice and create a powerful piece of protest art in response.

Visions of Resistance launched at Trinity’s Garden Party back in May with a mural workshop. Participants were encouraged to think of artistic responses to the five research strands of the Art of Resistance project - Reclaiming the Environment, Women’s Equality, Counter Culture, Anti-Racism/Anti-Fascism and Working-Class Equality. These responses were expressed through a mix of mediums including collage, paint and printmaking.

The initial workshop at Garden Party was then followed workshops focusing on printmaking and collaging. These workshops encouraged participants to develop on the themes of protest and activist art with sessions focusing on printing radical imagery, slogans and lettering to make placards that represented social causes that resonated with them personally.

Tanith collated placards created during the workshops as well as illustrations representing significant moments in Bristol’s protest history such as the toppling of the statue of Edward Colston and the Bristol Bus Boycott to produce the final mural which represents a broad range of activism in Bristol over the last 100 years.

About Art of Resistance

Art of Resistance is a two-year National Lottery Heritage Funded exploring 100 years of social activism, protest and civil disobedience in Bristol and the art that underpinned each movement.

Trinity are proud to be the Bristol partners of The World Reimagined, a ground-breaking, national education project transforming how we understand the Transatlantic Trade in Enslaved Africans.

“If we’re going to make racial justice a reality for all, it calls on us to courageously face our shared history with honesty, empathy and grace" - Michelle Gayle, The World Reimagined Co-founder

The project features 103 unique globes placed across seven cities in the UK, including nine in Bristol, forming an education trail to allow the public to learn more about the Transatlantic Trade in Enslaved Africans.

Trinity are hosting a globe entitled 'Legacy' created by Alex Grose - a local artist specialising in drawing, painting and printmaking. Since 2011, Grose has focussed upon the human condition and lost generations, layering to obscure, destroy, hide, cover, manipulate, strip and wash away images and materials, using these forms of making to symbolise the passage of time and the way history affects memory and knowledge in contemporary society.

The globe will be on display to the public in Trinity's Garden from 13 August - 31 October 2022.

With more than 2m trail visitors; 200+ schools; 75+ community organisations, The World Reimagined will be one of the largest art education projects for racial justice the UK has ever seen. The coming together of art, education, activism and community will make for a unique moment as we examine our shared history and help us to better understand what it means to be British.

Click here to find out more about The World Reimagined.

Don’t miss a rare chance to see Black Roots live at Trinity on 02 July as part of The Mid Summer Reggae Festival – hosted by Dub Legacy and one of Bristol’s top radio stations Ujima. Black Roots will be joined by some of the best soundsystems in the scene including Green King and Indica Dubs.

The history of Black Roots is intertwined with Bristol’s relationship with reggae and the reggae scene as a whole. Formed in St Paul’s in 1979, the group were an integral part of the early sound system culture in the late 1970s/early 1980s that defined Bristol’s music scene at the time. Set against a backdrop of rising racial tensions in the city, seen most clearly through the St Paul’s Riot in 1980, the emerging sound system culture was a way for young Black people in the city to carve their own space within the local music scene.

While discriminatory entry policy barred entry for many young Black people in a number of Bristol’s venues, Trinity opened its doors and soon became renowned for hosting reggae and sound system events.

Sound system culture was part of a wider DIY scene that still exists in Bristol today and the grassroots approach to music allows for local people to define their city’s music scene from the ground up. After garnering international acclaim for their raw, honest approach to roots reggae, Black Roots went quiet until 2004 when they went on to drop 4 new albums ‘On the ground’, ‘Ghetto Feel’, ‘Son of Man’ and ‘Take it’. Their newest release was in 2021 ‘Take it Easy’.

This event is not to be missed - click here below to check out the full line-up and get your tickets.

Spend a relaxing afternoon creating your own uniquely decorated tote bag at PRSC's famous studio in Stokes Croft.

PRSC will provide a selection of screens ready to print radical imagery, slogans, and lettering to spell out your own message, and they'll guide you through the process of printing them onto a tote bag, ready to take away at the end of the session.

As a key partner for Art Of Resistance, we have commissioned People’s Republic of Stokes Croft's (PRSC) to deliver Crafts & Resistance, a series of workshops to help you create a small act of creative dissent.

Due to high demand of places there is £10 refundable deposit which will be reimbursed at the end of the session upon attendance. If you are unable to attend the workshops or need to cancel in advance of the first session, please give us at least 5 days notice in order for your deposit to be refunded.

Please click through the hyperlink on which workshop date that you wish to register for:

21st May - 11am-1pm

21st May - 1:30pm - 3:30pm

21st May - 4pm - 6pm

28th May - 11am - 1pm

28th May - 1:30pm - 3:30pm

28th May - 4pm - 6pm

Crafts & Resistance is part of Trinity's Art of Resistance, a two-year National Lottery Heritage Funded project celebrating Bristol's alternative and activist heritage through a series of workshops, walks, talks, exhibitions, and oral history.

Spend a relaxing afternoon creating a uniquely decorated piece of fine English bone china at PRSC's famous studio in Stokes Croft.

Choose your piece and collage as many images and text as you like from their unrivalled collection of historic and new transfers that includes vintage images of popes and royals through to modern political slogans and street-art, ready to make a mug with a message of your choosing.

PRSC’s experienced workshop crew will guide you through applying the transfers to create your own unique design, which they will fire, ready to be picked up the following week.

As a key partner for Art Of Resistance, we have commissioned People’s Republic of Stokes Croft's (PRSC) to deliver Crafts & Resistance, a series of workshops to help you create a small act of creative dissent.

Due to high demand of places there is £10 refundable deposit which will be reimbursed at the end of the session upon attendance. If you are unable to attend the workshops or need to cancel in advance of the first session, please give us at least 5 days notice in order for your deposit to be refunded.

Please click through the hyperlink on which workshop date that you wish to register for:

Saturday 28th May (10am - 1pm)

Saturday 28th May (2pm - 5pm)

Sunday 29th May (10am-1pm)

Sunday 29th May (2pm - 5pm)

Crafts & Resistance is part of Trinity's Art of Resistance, a two-year National Lottery Heritage Funded project celebrating Bristol's alternative and activist heritage through a series of workshops, walks, talks, exhibitions, and oral history.

Photo credit Zack Henry

Photo credit Zack Henry

Photo credit Khali Ackford

Dr Edson Burton, curator of Art of Resistance, reflects on curating weekend of activity exploring creative and activism

The Final Frontier was a two-day festival, programmed as part of Art of Resistance, that celebrated the rich history of activism that has happened in Bristol. The festival, and the wider project, explored creative expression in relationship to political movements, ideologies and philosophies.

As the festival curator I have a conceptual oversight of the project and work closely with the wonderful team at Trinity to help build the relationships and coordinate the activities and also problem-solve the things that don’t go according to plan.

"...artefacts, they’re not just Benin Bronzes, they’re simple manifestations of a time"

Dr Edson Burton on 'Art of Resistance'

For the Final Frontier we wanted to curate a 'conference style' event to explore how creative outputs have been integral to particular protest movements. We invited contemporary artists and activists who use creativity as a form of protest to take part in Keynotes addresses, panel discussions and lead workshops. Guests included environmental activist Mikaela Loach, Bristol ‘artists and activists’ Doug Francis (Invisible Circus) Chris Chalkley (PRCS) and Michelle Curtis, plus comedian, programmer and tutor Angie Belcher (Aftermirth) whose recent calls for ‘comedy on prescription’ made headlines, and many, many more.

As part of the weekend, we curated a 'pop-up' mini exhibition that pulled together artworks that used different forms, textures and mediums that celebrated the different kinds of protest that have happened in Bristol. These drew upon the key themes of the wider project including workers' rights, anti-racism, anti-fascism, women’s equality and counter-culture (people breaking out of the mainstream, expressions of living that counter the societal norm). We picked those movements because what was key with a project like this is trying to look at a broader span of mass participation.

We were able to display pull-out banners from The Central Library that charted the history of the suffragette’s movement in Bristol alongside a number of placards from the Black Lives Matter March of 2020 that the Mshed had collected following the protests of 2020. These are simple wood and cardboard placards on posts - that’s the irony of artefacts, they’re not just Benin Bronzes, they’re simple manifestations of a time and when put together with other kinds of sources tell us about what we were thinking and the immediacy of what we were expressing.

People’s Republic of Stokes Croft has been a wonderful ally throughout the project, and it was through them we were introduced to Jamie Gillman who was the artist behind the Bristol Bear, that sat in the Bear Pit and was the herald of the City, the soul of the city. As it was so large, we were only able to display the head and arms!

We had some provocative work by Tamatha-Ann Harris, whose an artist who looks at women’s bodies, sexuality. There was some really evocative work there but I think at the same time for many of us who are looking at these issues it's celebratory rather than offensive.

Through Final Frontier, we’re really keen to, and what I hope we did, honour and acknowledge other communities, and other forms of protest that haven’t had mass participatory scope but nonetheless have been a critical part of activism in the last 20-30 years. We also want to celebrate and engage and honour the activism of movements that are to some extent outside of our chronology, hence we had the banners by Vince Laws hung from a wonderful rope structure that allowed us to display various kinds of disability rights banners charting the history of the disability movement and some of the awful, shocking cases of exclusion that have happened over the years.

Click here to watch a (very) quick tour of the Final Frontier 'pop-up' exhibition

About Art of Resistance

Art of Resistance is a two-year, National Heritage Lottery Funded project charting 100 years of protest in Bristol.

Click play to watch Stokes Croft Lands Trust's campaign video

As part of our continued commitment to advocating for shared community and cultural spaces, we have pledged £1,000 to become a shareholder in the Stokes Croft Land Trust, matching the pledges of grassroots arts groups, The Invisible Circus and Artspace Lifespace.

“PRSC is a contemporary example of radical art in Bristol that represents the themes we’re exploring in our heritage project. Though this pledge, we hope to strengthen our ability more closely with PRSC and create shared outcomes for communities in relation to the art of resistance theme.” Rhiannon Jones, Programme Director

In early 2022, Trinity published the ‘100 Beacons’ report: A Community Canvas - building the case for community infrastructure, to shine a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets. This report identified sustained underinvestment in civic assets coupled with the city’s rapid regeneration, poses a risk to Bristol’s unique identity that has led to it regularly topping the list of the "best places to live in Britain."

Bristol is a city renowned for its cultural offer and its activist spirit. However, parts of the city such as Stokes Croft that have historically shaped this identity have seen a huge growth in private development, which has already impacted on the cultural offer of this locality, with artists leaving Hamilton House in 2018, due to increased rents.

In response to this, the Stokes Croft Land Trust (SCLT) has been created to purchase 17-25 Jamaica St, Stokes Croft, which is home to the People’s Republic of Stokes Croft HQ (PRSC), in order to protect one of the area’s remaining cultural landmarks. Through a community shares offer, members of the community and like-minded organisations are able to come together to help ensure the building stays in the hands and ownership of artists, protecting its use for the benefit of the community. This is a model much like the Cube Cinema, which secured its building back in 2012 through community fundraising.

“Stokes Croft is a significant artistic destination in Bristol. With the scale of redevelopment happening and in the interests of social welfare, Trinity wants to help ensure our city’s cultural spirit and radical identity is nurtured. We’re working with the PRSC team to celebrate Bristol’s history of art in protest and we want to pledge our support for the Stokes Croft Land Trust so future generations of misfits have a space to call home.” Emma Harvey, CEO, Trinity Community Arts.

The Fundsurfer set up to help the SCLT purchase its first building and bring it into community ownership is already over 50% of the way towards their minimum target of £272,000.

Trinity’s commitment also supports our current work to document and celebrate 100 years of art and activism in Bristol through the National Lottery Heritage funded project, Art of Resistance.

Click here to pledge your support to Stokes Croft Land Trust today

Walk Leader Steve Spear, outlines the social and political backdrop leading up to the 1831 riots. He explains how the problematic relationship between military and civic power led to a catastrophic level of destruction which sent a shockwave throughout the kingdom.

Steve Spear is a member of the M-Shed Historic Walks team. Join Trinity's third ‘Rebel Walk’ for a fascinating insight into this dramatic episode in Bristol’s history.

How To Book

Booking in advance is essential - tickets are 'Pay What You Can' starting from £3+ booking fee per person.

Please check your ticket confirmation for the meeting point.

About Art Of Resistance
Rebel Walk is part Trinity's Art of Resistance, a two-year National Lottery Heritage Funded project celebrating Bristol's alternative and activist heritage through a series of workshops, walks, talks, exhibitions, and oral history.

Image Credit: Bristol Riots: The Burning of Queen Square: the Custom House, by William James Müller, 1831. Bristol Museums, Galleries & Archives

As part of Art of Resistance Rider Shafique sat down with Edson Burton to discuss his multi-faceted career and his thoughts on the activist community in Bristol.

Rider is a lyricist, spoken word and recording artist and a prolific and versatile MC at both live events on record.

Rider creates visual and performance art to educate and inspire for his project I-DENTITY, including photography exhibitions, films, interviews, workshops and a radio interview series for Noods Radio called I-MC.

Want to find out more about Art of Resistance? Click here to find out more about the project and upcoming events or keep up to date with events and news at Trinity by signing up to our mailing list.

Art of Resistance is a two-year, National Heritage Lottery Funded project charting 100 years of protest in Bristol.

Soundtrack by Grove

"St Paul's Riot, that is the name it was known as but, for the Black youths of St Paul's it was yet another attack from the system. After years of Endless pressure of pure pressure, the melting pot spilled over. " Simba Tongogara, Walk Leader.

Community activist Simba Tongogara draws on personal experience to describe the events that led to the 1980 St Pauls Uprising, the subsequent campaign to ensure those charged were legally represented and that the voice of the Black community was heard. Simba also gives a searing assessment of the gentrification of St Pauls.

How To Book

Booking in advance is essential - tickets are Pay What You Can starting from £3+ booking fee per person.

Please check your ticket confirmation for the meeting point.

Art of Resistance is a two-year, National Heritage Lottery Funded project charting 100 years of protest in Bristol.

Image credit: Copyright Bristol Post

Lantern Parade in Newtown, part of The Wish List. Photo Khali Ackford

In March 2021 we launched an ambitious community arts project, 'What I Want To Be, What I Want To See' that asked communities to share their hopes and dreams for the future, post-pandemic.

"I would never have thought I would ever enjoy doing anything like this, but I've absolutely loved it! Thank you!" Lantern Making participant

Online we shared content from our partners and residents' groups Misfits Theatre, Hype and Dance For Parkinsons. Outside we took to the streets with a robot named S.U.S.A.A.N who collected (socially distanced) hopes and dreams from local residents. In our Garden people added to a temporary community arts sculpture.

We created an open call for a paid commissioned for an artist to collaborate with local residents to creatively respond to drawings, poems and other creative responses collected. The commission was awarded community arts practitioner, Michelle Roche whose community arts project ‘The Wish List’ encompassed the spirit of 'What I Want To Be, What I Want To See' .

Collaborating with Newton Network, a community development organisation and local community members The Wish List curated a series of ‘creative happenings’ across the community of Newton. Events included weekly 'creative coffee mornings’ to create the lanterns for the magical mid-winter Dolphin Parade. A resident community painting day with artists Rose Popay and a public playlist of their favorite songs – sharing the unique identity of this vibrant corner of Bristol. A lasting legacy of the project is residents continuing the creative coffee mornings at Rosever House, a retirement complex.

Projects like these are part of our commitment to creating opportunities for artists and communities to co-create together, find out more about how we support creative communities here.