Stonemason Jim shows us the new stoneworks, replacing the damaged stone caused by corroded iron

“When they built this building, they just never expected it to last nearly 200 years” says Jim, who has been a stonemason for 10 years. He is using traditional skills to hand carve new stonework – mainly to replace rusted metal cramps and critically damaged stonework.

I am being taken on a tour of the building site by Shane, Trinity’s man for all things facilities. I am grateful for my hard hat as there is a lot of climbing the scaffolding. We climb right to the top and look to the farthest corner of the roof and see the pinnacle that Jim restored by hand.

The hand carved stonework is visible on the furthest pinnacle

As we go up hard not to notice the stained glass windows, many are buckled and bowed; a few put in upside down (possibly in the 1980’s restoration work); some cracked and others in a need of a deep clean.

The windows in the Graffiti Room are mid repair.

A boxing glove lost around the 80's is one of the many items found behind the windows come time capsules

Kerry, resident stained glass window expert, is carefully removing broken glass from a window on the north side of Trinity. By eye he manually cuts out a shape from some glass he has and skilfully places the glass between the lead, seals it and moves onto the next piece. He stands back and on the left is a window yet to do, and on the right is a window that is done. The contrast is quiet impressive.

Shane and I walk past an antenna that is attached to one of the towers (an echo back to the days when Trinity was host to its own community radio station) and head towards the West side of Trinity. Jim and his team have been busy up here, and you can see the repairs to the stoneworks, cracks that have been filled and hand carved stone replacing some of the most critically damaged stone.

I slowly edge towards the edge of the scaffolding and can see Old Market and further beyond, is central Bristol. It is a marvellous view, if not incredibly high. Going down is much easier than going up. Shane and I clamber down the ladders, past the stonemasons, the glaziers and site workers. I am grateful for my feet being back on the ground.

Walking to the edge of the scaffolding was really rather scary. But Bristol looked great

Back in January, with the scaffolding up, experts where able to do a full investigation that revealed the extensive critical historic damage to Trinity. These unexpected costs meant we launched our fundraising campaign to help us raise the much needed funds to undertake the critical repairs and have been overwhelmed by the support from funders and the public.

With only a few months left until the scaffolding comes down we need help to raise the much needed funds to undertake the critical repairs to Trinity. The public can help secure Trinity's past, present and future by donating directly to the campaign here.

What is clear is the commitment by the public, by us, by the craftsmen, the site workers, supporters and communities to renovating the Trinity Centre, ensuring that Trinity’s doors stay open for ours and for future generations.

Sarah Bentley (who really doesn't like heights ) Marketing Officer at Trinity

Help secure Trinity's past, present & future

People enjoying the sunshine photo @Jessica Bartolini

We want to say the biggest and most huge thank you to everyone who donated during garden party– we raised over £2800 in donations and that is just incredible. The funds raised will go directly into our Trinity Conservation Campaign , helping to secure Trinty’s past, future and present.

So to everyone who popped a few quid in the buckets or donated to the campaign directly online, we are very grateful.

An early afternoon performance by Bristol Samba photo credit @Jessica Bartolini

And, this year the sun really did hold out for Garden Party - didn't it.

Families and children enjoyed the circus skills workshops photo @Jessica Bartolini

Throughout the afternoon the garden was host to family workshops, with circus skills workshop from Invisible Youth and a beautiful puppetry performance by Bunraku Puppetry, followed by puppet making. Dancers from HYPE Dance, a weekly dance group based at Trinity, took over the Main Hall and Fyfe Hall for two flash performances and we welcomed back the ever popular drumming workshops.

Family friendly activities ran until mid afternoon and included a puppetry performance @Jessica Bartolini

Hype Dance performed two very high energy dances to crowds at Garden Party @Jessica Bartolini

On the Main Stage the line up included Baraka,Gardna x Kreed, Sunun with a great headlining set from Om Unit (who started a Roofs not Walls chant!) photo @Jessica Bartolini

Area of Effect opened up Garden Party with a punk set @Jessica Bartolini

Young performers from our collaborative Making Tracks project opened up Garden Party on the Main Stage with a set from Basement Studio’s Area of Effect and later on, Trinity Music Student Sam Neal played new songs from his EP (that he is recording here at Trinity). The Inside Stage saw performances from Trinity’s Louis Stone, Basements Ziggy Thewin and a very fun DJ set from Dj Lee Baker.

Students from our Making Tracks project played throughout the day @Jessica Bartolini

Headliner Om Unit playing to a packed crowd as the day draws to a close photo @Khali Ackford

An array of stall holders brought a great selection of handmade and bespoke goods, complemented by the world cuisines offered by the selection of food stalls and Dr Bike was on hand for everyones bike based needs.

Resident historian Dr Edson Burton teamed up with Lottie Story and took control of the MC’ing, introducing some great Trinity based history and introducing the talented artists and bands to the stage.

Lottie and Edson say a very good night and thank you to the crowd at Garden Party @Khali Ackford

Big up to the all the volunteers who helped out this year – and all the staff members, security, stall holders and artists who helped make the day happen. We had over 2000 people come to our annual free Garden Party, it was very busy!

For more pics of this years Garden Party head over to our Trinity Facebook page or follow us on Instagram.

See you all next year, and thanks everyone for your donations. We couldn't do this without you.

Many people attending the dance had connections with Trinity and Old Market

On Friday 20th April we opened up Trinity’s doors for "A Waltz Down Memory Lane" – an afternoon of dancing, cakes, memory sharing and good company.

Over 40 people came – amongst them many regulars from Gentle Dance, a weekly dance session for people over 55 at Trinity.  It was a great to see that many people who came had a connection with Trinity or the Old Market area.

Throughout the afternoon many, if not everyone, took their turn on the dance floor

A lovely time was had by all –  Dr Edson Burton was in attendance and spoke to many people at the dance about their memories of Old Market and Trinity.  Mark - who has lived around the area for half his life, shared his earliest memory – of bombing and fires and shared with Edson how he remembers using horses as transport!

We loved the many memories of major life events.  From Tony and Val’s memories of their first date in Old Market to Lynda sharing how her grandparents were married at Trinity.  Marilyn shared with us her memories of attending mass at Trinity, getting married here and also having her children Christened here.

Local band - Norma's Groovers entertained guests throughout the event

It was an absolutely lush afternoon and we are certainly excited about the next Waltz Down Memory Lane on Friday 8th June.  The event is open to anyone over 55 who likes to socialise, dance, meet new people and would like to share their memories of Trinity and Old Market. No need to book, just turn up!

A Waltz to Down Memory Lane is part of  Heart & Soul: celebrating major life events at Trinity Bristol. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders.

Help us secure Trinity's past, present and future

Clay, Stained Glass and Woodcarving workshops

Do you want to learn some of the craft skills that built Trinity? Would you like to have your work permanently displayed in Trinity? Would you like to make new friends from different walks of life? We are offering a new block of free workshops in Clay, Stained Glass and Woodcarving on Tuesdays between 3 Apr to 22 May.

Everyone is welcome to take part but older people, members of Bristol's BME communities and residents of BS5 & BS2 are particularly welcomed.

Please note these are NOT drop-in or taster sessions. You will get the most benefit from your workshop if you are able to complete all the sessions. All the workshops are delivered on the same day and time, so please select and commit to your preference in advance.

To find out more about the second block of workshops and reserve your place, please visit the What's On page of the Hearth & Soul section or click on one of the following links:

Clay with Joanna Espinner - Tuesdays, 11am-1pm from 3 April to 22 May (8 sessions)

Stained Glass with Liz Barton - Tuesdays, 11am-1pm from 10 Apr to 8 May (5 sessions)

Woodcarving with Daniel Bendel - Tuesdays, 11am-1pm from 10 Apr to 1 May (4 sessions)

About the project

Heart and Soul: Trinity in the Community is a celebration of big life events at Trinity. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders.

You can find out more about Heart and Soul: Trinity in the Community here, including how to get involved and how to contribute archive material here.

Fidel Meraz delivers his talk about re-using historic buildings. Image credit @Khali Photography

Our Heart & Soul project celebrated people's major life events at Trinity and ran alongside our current building conservation works. As part of the project we wanted to explore further the challenges and achievements of transforming and preserving historic buildings. The project included a series of talks, inviting both national and international speakers to share their knowledge and experience on the positives and pitfalls of re-imaging historic buildings.

Speaking from an architecture perspective about how a space can be adapted to better serve the community, Trinity Trustee and UWE Senior Lecturer Fidel Meraz delivered the first talk of this programme, and talked about buildings around the world where the function has changed over time, Feb 27 2018...

Most churches were originally built to hold a service once a week - by giving them a second life, the building accommodates for a far larger audience.

What was really compelling about Fidel’s talk was that he spoke in metaphors of the human life, about the way buildings are born as beautiful and well attended sacred buildings, then decline over time until finally they are not active. He used the example that when an elderly person struggles to walk, we give them crutches, and this is also the way he likes elderly buildings to be treated.

An interesting point was made that most churches were originally built to hold a service once a week, therefore in some cases by giving them a second life, the building accommodates for a far larger audience.

When we approach a church we have a predetermined view of what will be inside, Meraz explained, so it is exciting to be surprised by what we find. In Asturias, Spain, the Santa Barbara Church was abandoned and crumbling until the community took action. They raised money and with sponsorship from Red Bull too, it was converted into a vibrantly colourful indoor skate park.

Through time the architectural intention has changed from a place of worship to a space of activity, but the purpose of the building as a space to serve the community remains. He compared the Santa Barbara Church with the Trinity Centre because in both cases what you find on the inside is unexpected and fun.

A lively discussion began after Fidel's talk around Old Market and gentrification. Image credit @Khali Photography

From Fidel’s talk I learned that the world is full amazing ideas of how to reuse spaces. Tess Sieling, project intern

After the talk, Edson Burton invited a discussion between the audience and Meraz, in which the future of the Trinity Centre, Old Market and Bristol were spoken about. Concerns were voiced about the gentrification of Old Market area, which highlights the role the Trinity Centre plays in serving communities.

There is a sense that it is now in a crucial era where the Trinity Centre’s responsibility is to remain accessible to all communities without judgement and, from, Fidel’s talk I learned that the world is full amazing ideas of how to reuse spaces.

This write up was by Tess Sieling, who was the project intern on the Heart & Soul heritage project. The talk was part of a series exploring the challenges and achievements of transforming and preserving historic buildings and was programmed in collaboration with Bristol's Architecture Centre and the University of West England (UWE).

How to get involved

Click here to sign the Hotwells and Cliftonwood petition to Save Jacobs Wells Baths

Further reading

Read more from our Heart & Soul talk series - Father Paul, - Dr Katie McClymont, and A Million Bricks of Love.

Read more about the Save Jacobs Wells Campaign here.

Heart & Soul project volunteer Lowie Trevena works part time with the Scouts, but  wanted to get more involved in the community in their spare time, and learn about the heritage and community surrounding such an important building. We got them to catch up with Davontay Benjamin, one of two intern’s on Trinity’s heritage and conservation project to find out more about what he is up to.

The internships were created to offer professional skills, experience and opportunity to young people from Bristol who may not have otherwise had access to employment or training. Through his internship, Davontay is gaining hands on training to learn the fundamental aspects of conservation work.

How did you find out about the internship and why did you apply?

I found out from my mother Natahsa Benjamin who runs Hype Dance, a weekly street dance classes for young people. Karina Castro, Projects Manager at Trinity told her about the internship because she knows I do construction at college.

Is there more to the internship than just making tea and coffee for everyone in the office? What is the best thing you’ve done so far?

Yes! The best thing so far has been learning how to do stone work and learning about the history of the building. I've found out a lot about how the building was orginally built - and lots about the bands that and the musians and bands that have played here.

What are you looking forward to during the rest of the internship?

Learning to fit windows because it will help me in the future.

What new skills have you learned?

All about different cement mixes and tools you have to use.

Lastly, would you recommend an internship at Trinity to other young people in Bristol?

Yes!

The two internships run alongside the final major-works phase relating to the repair and conservation of the historic fabric of the Trinity. With full scaffolding in place unforeseen historic damage to the building was uncovered; the stained glass windows were found to be no longer watertight, and the metal cramps, holding the historic Bath Stone in place, were found to be critically corroded, leading to an additional £200,000 of costs.

Historic England has backed Trinity with a pledge of £68k towards the critical works; we still; need to raise £130,000 to safeguard the future of the building. and we need your help, or Trinity will face closure.

The Trinity Centre is at risk, and you can help to safeguard it’s future.

Lowie Trevena volunteers on our Heart & Soul project and while she is not helping out on the project she works for the Girl Guides. We asked her to chat to Maia, who is currently studying creative arts therapy at college and is at Trinity for a placement as part of her course.

As part of our Heart & Soul project we are collecting images, stories and archive material and Maia is going to be collecting stories from young people (18 - 30).

Hi Maia, what do you know about Trinity and have you been here before?

Trinity is a venue that does lots of music events, I have been here a Thali wedding in 2015 and Benjamin Zeph, who was really good.

Tell us more about Benjamin Zeph!

My mate got me a ticket and when I got to the Trinity Centre, half my family and friends were already here. It was fun; there was a great energy and I really enjoyed the spoken word. It was powerful, inspiring and I like to write poetry myself, so it was great. There was a mixed crowd, older and younger. It felt like my community was there; I’m from St Paul’s and I’m Bristol born and raised.

How old are you?

26, I’m going to be 27 soon.

Tell us a bit more about yourself

I write poetry, I draw, and I like read: the last book I read was the House of Games by Chris Johnston but my favourite book is How I Live Now by Meg Rosoff. I like punk, drum and bass and rock music. After finishing school, I did a diploma in Media and I really enjoyed the course, so I then did a two-year Media and Moving Image course, and since then I have been making short films for different organisations.

What are you currently studying? I am studying a degree in creative art therapy, so I’m doing lots of drama, dance and working with children in mental health - it is the use of creative arts in a positive and therapeutic way. I chose it as I have always been a creative person. My house mate suggested this evening course which was a taster of the course I do now and I enjoyed it so much that I gave up my full time job in a coffee shop and started studying. That job felt like groundhog day!

What is important to you?

In myself, I am confident and happy, and I want to use my own abilities to help other people to be free, and in the future I want a job where every day is different. It is important to be happy confident and respectful and to work in cohesion with other people. I love being part of a team and being able to get involved and meet new people.

Why did you choose to volunteer at Trinity?

I started off as I have to do a placement to help support a project that is running as part of my course. I went to a networking event at a hotel in Redcliffe and I met a lady called Sally from Macmillan Cancer, and she put me in touch with Karina [Castro, Projects Manager at Trinity] and then it went from there.

Who do you want to interview?

I am looking to reach out to young people from 18 - 30 to ask them questions such as what their your favourite club night is, their best gig and why people like coming to Trinity. I’ll be asking people to be on camera and I’ll be going to lots of gigs and events to speak to people.

If you would like to share your memories of Trinity or speak to Maia, email: tess@3ca.org.uk or call Trinity 0117 9351200 to speak to a member of the Heritage team.

Help us secure Trinity's past, present and future

Talks include looking at the changing nature of marriage photo @ Khali Ackford

2018 Talk Series

Programmed as part of our Heart & Soul heritage project we will be welcoming national and international speakers to our evening talks, devised in collaboration with Bristol's Architecture Centre and the University of West England (UWE).

The series looks at the challenges and achievements of transforming and preserving historic buildings.

Speakers include: renown Architect Tim Rolands (20 March), known for his development of Jacksons Lane Arts Centre, who will share his unique perspective on transforming historic buildings; Mexican Architect and UWE Senior Lecturer Fidel Meraz (27 Feb) will share his experience of the challenges and successes of transforming a range of disused churches into community hubs; Marcus Hammond, curator of Linconshire's arts centre Slumgothic x-church (17 April) who will draw upon personal experience to explore how 'unfinished' spaces attract new audiences.

Not all transformations end in success, former Drum Art Centre employee Mukhtar Dar, will consider the rise and fall of the Drum (Birmingham) in his talk The Life & Death of an Arts Centre (1 May)

Prof. Brian Heaphy will explore the diversity of marital union in Britain today in his talk From Weddings To Civil Partnerships (29 May) and UWE's Senior Lecturer in Planning Dr Katie McClymont (19 June) will consider how historic buildings, particularly former churches, are now used as sites of secular worship and as community hubs.

Vanguard of Gentrification (10 July) draws together a panel of commentators to explore one of the most contentious and relevant issues in Bristol today. We will close the series of talks with a panel of Trinity's former and current management members, who will discuss the pitfalls and successes of Reconstructing Trinity from Disrepair to Glory (31 July)

Find out more about the talks and how to reserve your free place here and read Heritage intern Tess' notes on our Tuesday talk series.

About the project

Heart and Soul: Trinity in the Community is a celebration of big life events at Trinity. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders.

You can find out more about Heart and Soul: Trinity in the Community here, including how to get involved and how to contribute archive material here.

Thanks to the support of our funders all events in our Heart & Soul project are free. We suggest donation of £2 that will go directly back into Trinity's charitable work.

Help us secure Trinity's past, present and future

Photo credits @ Khali Ackford

From tapestry to pews, to the ornate floor and ceiling tiles - woodcarving, clay, textiles and stained glass all highly featured both inside and outside the Holy Trinity Church (now the Trinity Centre) when it opened in 1832. Whilst many of these features are no longer with us, you can still see the remains of the artisan crafted features if you look up in the Fyfe Hall or, walk past the beautiful stained glass windows. As part of our Heart & Soul project, we want to give residents the opportunity to find out more about the heritage of Trinity, through learning the traditional crafts and skills used in building the centre.

“Loved it! Best way to spend a Saturday hands-down. Learning new skills, meeting new people – fab!!”

Our first block of workshops started on Saturday 10 Feb, delivered by stained glass artist Liz Barton, ceramicist Joanna Espiner, textile artist Ruth Ramsey and woodcarver Daniel Bendel. They will be working with participants, across two blocks of workshops, to create collaborative artwork to display across Trinity.

In these initial workshops participants explored Trinity’s features, looking at how the crafts were originally used across the building. Using this as inspiration, participants spent the morning designing their artwork and the afternoon learning the basics of the traditional crafts.

Missed out on these workshops? Our second block of workshops starts in April, sign up here! Please note we have limited spaces and that you will need to complete all sessions (this are not taster workshops).

While you are here, we have a big favour to ask, we need your help.

The Trinity Centre is at risk, and you can help to safeguard it’s future.

New intern Davontay Benjamin checks out the damage to the stone with specialists.

Last October, work commenced a 11 month project to undertake vital repairs to the building's fabric and structure.

Enabled through the help of Heritage Lottery Fund, Historic England, Allchurches Trust and 13 other funders, as well as generous donations from members of the public, works began on the lead-roof, original stained glass windows and stonework structure, including the iconic Georgian towers.

With full scaffolding in place, specialists have been able to undertake a more comprehensive metalwork survey. Investigations to metal cramps that hold the stonework in place, reveal the damage to the building is far worse than anticipated.

If we don't do these works now, Trinity will be placed back onto Historic England's At - Risk Register. In real terms this means we are going to have to raise an additional estimated £200k other wise Trinity will be at risk of closure- and we need your help to do that.

How you can help

Trinity is and has always been a central part of the community. Our mission it to keep it that way and protect the building's future and to ensure that Trinity’s doors stay open.

A donation, however big or small, will help us to bridge the gap and ensure we are able to complete these important repairs.

Your support will secure the future of our much-loved community space.

Click here to donate today.

Some of the damaged stoneworks

Get involved

Last year Trinity was used by over 50,000 people. Everyone has a story about Trinity - attending a gig, taking part in a community garden activities, taking part in one of the many community led programmes or even being one of the 200 young people attending our bespoke music courses.

If you're interested in becoming a part of our heritage story - a part of a community and a part of this much-loved building's journey - why not get involved in our Heart & Soul Heritage project? Click here for more info...

Revisiting the Drum: The life and death of an arts centre

Evening talk by Mukhtar Dar, presented as part of Heart & Soul project

Artist, producer, Mukhtar Dar explores the factors that might lead some historic transformations to succeed and others to fail. The demise of Birmingham art centre, The Drum, offers a poignant case study.

Reserve your place by following the ticket link or phoning 0117 935 1200.

About the project

Heart & Soul: celebrating major life events at Trinity Bristol. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders .

You can find out more about the project, including how to get involved and how to contribute archive material here.

As you may know (by the sheer amount of scaffolding) we recently secured funding from Heritage Lottery Fund, Historic England, All Churches Trust and 14 other funders, to undertake essential works to the The Trinity Centre, a Grade II* listed building. Alongside the essential building works we are also launching the  heritage project ‘Heart & Soul: Celebrating major life events at Trinity Bristol’. Alongside activities we will be collecting images, archive footage and stories from people who have had big life events here.

From the christenings, when the building was a church, to a first birthday party, there are hundreds of stories out there from all the communities who live around and use Trinity.

Local artisans specialising in clay, woodcarving, stained glass and textiles will deliver a series of workshops in the traditional craft skills used in the initial 1800’s building of the centre.Everyone is welcome to take part but older people, members of Bristol's BME communities and residents of BS5 & BS2 are particularly welcomed.

We will also be welcoming national speakers to a series of accessible evening talks, devised in partnership with Bristol's Architecture Centre & the University of the West of England (UWE). Looking at the challenges and achievements of reusing historic buildings speakers include Tim Ronalds, who brings a unique perspective on transforming some of the Britain's most iconic buildings, like Wiltons Music Hall, The Hackney Empire & Jackson's Lane.

We have a programme of activities to suit a range of ages, including a podcast project in partnership with local schools, history quests for children and families and a series of guided heritage walks. For the young at heart we have two memory dances – a morning of dancing and delicious cakes. Hosted by Dr Edson Burton, participants we will be encouraged to share their stories and memories of Trinity. As with all our heritage projects we will be collecting stories from residents, community members and all those who have a story to share about celebration at Trinity. In October the stories, images and archive material will be exhibited at Trinity at our end of project celebration event.

There are also volunteer roles for those who wish to gain skills or have an interest in heritage, as well as a part-time Project Assistant Internship (24 week, entry-level career development)to help us deliver this programme.

You can find out more about the activities here, by picking up a brochure from Trinity or various venues, cafes, and community spaces across Bristol or you can download a copy of the brochure here.

Be part of our archive celebrating the history of Trinity and the communities of Old Market

As part of our Heart and Soul: Trinity in the Community project we will be collecting stories, pictures and memorabilia documenting Trinity as a space of unique celebration & commemoration. We would love to hear from people who have memories of special occasions at Trinity - from christenings to weddings to civil partnerships to wakes to parties - from when Trinity was church, and now as a community arts venue. Your stories and pictures will form part of our end of project exhibition and online archive.

Want to get involved? Have a great story to share? Then contact Dr Edson Burton for more details: edson@3ca.org.uk with the subject header: Heart and Soul: Trinity in the Community

About the project

Heart and Soul: Trinity in the Community is a celebration of big life events at Trinity. Throughout 2018 there will workshops, talks and heritage activities for all ages. The project runs along side our most recent capital works and has been made possible with the help of these funders .

You can find out more about Heart and Soul: Trinity in the Community here, including how to get involved and how to contribute archive material here.

Come and join the heritage team for a cup of tea and a chat about how to get involved in volunteering for our 2018 Heart and Soul heritage project.

Roles include archiving, stewarding and marketing support. In a volunteer role you will be fully supported by the team, so come down, meet new people and learn something new!

Sessions are on Tuesday 16th Jan, either 1pm-3pm or  7pm-9pm, no sign up required.

Find out more about the event here

Dr Edson Burton sharing the tales of Old Market's rich history in June 2018 @Khali Ackford

'Medieval market' bustling High Street' ' home to the city's most prestigious cinema, churches, and music halls, ' 'a red light district' 'Bristol's gay quarter' now described as up and coming before .

Trinity invites you to join us for a series of Heritage Walks of the Old Market area with historian & writer Dr Edson Burton. They will explore first hand the physical and social historical changes that are making the area increasingly popular.

Revival:

1. an improvement in the condition, strength, or fortunes of someone or something

2. an instance of something becoming popular, active, or important again

Through this series of guided walks, Dr Edson Burton reveals the ebb and flow of Trinity and Old Market's history. They take place on the following dates and times:

Thu 24th May, 6pm-8pm

Tue 12th June, 6pm-8pm

Tue 31st July, 2pm-4pm

Sun 16th Sep, 12pm-2pm (part of Bristol Doors Open Day)

Spaces are limited, so book your free place in advance, following the ticket links on each of the events

Head over the the Heart & Soul project page to find out about our other events and activities.