Tallulah’s mesmerising and angelic voice blends the worlds of electronica and sound healing through a series of innovative and immersive experiences.

Opening with the audience being transported into a place of deep stillness through a sound bath, created through the blend of resonating sounds and vibrations from Tallulah’s voice, singing bowls and gong.

The evening will then flow into a LIVE performance of the album itself, a unique harmony of soaring vocals, healing sounds, guitar, drums and electronica that inspire dance.

“Seamlessly weaving her otherworldly sacred sounds into an electronic landscape, Tallulah has created an album of euphoric songs, designed to inspire the body to move and the heart to heal.” Natalie Fee, award-winning environmental campaigner and Founder of City to Sea

“Tallulah has a wonderful voice.” Dame Shirley Bassey OBE

“Ferociously talented singer songwriter.” The London Word

"Voice of an angel” Latitude Festival

"Songs rise into soaring, expansive climaxes with Tallulah’s voice a mesmerising constant." Uncut

"Iconic artist breaking boundaries." Kabult Magazine

"Mesmerising." BBC Radio London

"One to watch." Evening Standard

Sound Bath Testimonials

★★★★★ 5 Stars “Beautiful! Absolutely wonderful facilitator, grounded and gentle, able to hold

the space to feel safe and at ease.” Chris D

★★★★★ 5 Stars “A perfect balance of activity, rest and sound. Tallulah was professional, kind,

and wow - what an amazing voice!” Davina G

★★★★★ 5 Stars "It was a harmonious and healing experience."

★★★★★ 5 Stars  "beautifully held." Chris B

“She is a true master when it comes to using her voice and the way she weaves it into other sounds is

completely unique and otherworldly. The space she holds is as impeccable and nurturing as the way a

mother tucks a blanket around a sleeping child.” Roma Norriss

'Please note tickets sold through our site are e-tickets'

(POWERED BY VOID)

earplugs are available at the bar for 50p

Trinity presents: is our in house programme of live music and club nights inspired by Trinity’s rich music history;  presenting the best of local and national artists whose sounds push new ideas in music.

Internationally revered poet, writer and socio-political commentator Benjamin Zephaniah returns to Trinity on his Spring tour of the re-release of his: Revolutionary Minds album.

Benjamin Zepahaniah is widely celebrated as one of the greatest poets of his generation, Zephaniah is strongly influenced by the music and poetry of Jamaica and what he calls “street politics”. His poetry, books and plays have captivated hearts and minds, fuelling imaginations and winning him a legion of fans all over the world.

Though his music is lesser known than his written work it is no less fervent. Created alongside his accomplished producer and collaborator The Sea, Revolutionary Minds album is a deep selection of dub-reggae juggernauts, the essence and style of which fully reinforce the messages projected through Zephaniah’s powerful lyrics

At a seemingly tumultuous and divisive period in our society, Revolutionary Minds revitalises the neglected art of the protest song. By reviving this discipline at this particular point in time, Zephaniah shines a critical light on to a range of activity that currently is taking place around the globe, providing a strong voice to the disenfranchised and displaced.

Revolutionary Minds is a chance to experience Zephaniah’s innovative talent in full force; a triumphant creation of emotional songs that highlight the poignant global issues faced by society today.

Support from Amy True

Tickets are live now

Aldous Harding has confirmed a run of UK and European tour datesfor 2019.

Aldous Harding is finishing her third studio album. The upcoming release reunites her with John Parish (PJ Harvey, Sparklehorse) with whom she worked on the acclaimed Party. Released in 2017, this second album catapulted Harding onto the world stage, featuring on numerous end-of-year polls and was named Rough Trade Shops’Album of the Year.

+ support from Laura Jean

Maverick Sabre is an Irish-English rapper, singer-songwriter and guitarist with a style that blends R&B, soul, folk and post-dubstep. Born Michael Stafford in Hackney, London, but raised in County Wexford, Ireland, Sabre made his name through collaborations with numerous artists in both the UK and Ireland before launching on to the national stage with his debut solo single “Look What I Done” in 2011.

Maverick first made his mark with an appearance on the 2008 album Sense The Terror, produced by Terawrizt and Nu-Centz. Positive reviews lead to numerous guest spots with established underground artists, and by 2010 he had worked with the likes of Chase and Status, Professor Green and Jermicide & Danny Digg, while also releasing his first mix-tape, The Travelling Man. The Travelling Man featured the song “Sometimes,” which came with a music video included. This further raised his profile. His first official single “Look What I Done” was released in 2011 and he promoted the single with appearances on Later... with Jools Holland and on Chris Moyles' national radio show.

As he neared the completion of his first solo studio album, he released the single “Let Me Go,” which reached No. 16 on the UK singles chart. Maverick continued his move into the mainstream with the hotly anticipated release of his debut album, Lonely Are The Brave, in early 2012. The album reached No. 2 in the UK and Scottish album charts and No. 3 in Ireland. Two further singles were released from the album, including “I Need.”

Maverick Sabre has established himself as a serious solo artist to watch after years of success in collaborations with a who's who of the UK hip-hop, R&B and dub-step scenes. With his combination of folk guitars, pounding bass beats, haunting vocals and political rapping, Maverick takes inspiration from the likes of Bob Dylan, Tupac and Bob Marley. He is currently signed to Mercury Records and has recently supported artists such as Lloyd Banks, The Game and Lethal Bizzle. He is also a former flatmate of Plan B, a good friend who helped him get his start in London after hearing his early work. Maverick is a regular at the UK summer festivals, with appearances at 2013's V Festival, Radio 1's Big Weekend and Shakedown Festivalamong many others.

Please note this is a standing gig

Doors: 7pm

Olivia: 7:30pm

Jordan Max: 8:15pm

Maverick Sabre: 9:15pm

Curfew 11pm

This event is now SOLD OUT. We do not advise buying tickets on social media from anyone you do not know. If you suspect suspicious activity please report it to us and we will look into the incident. Official re-selling sites such as https://www.twickets.live/ or https://www.ticketswap.uk/ are a safer way to buy and sell tickets. Trinity does not have any affiliation with these sites and holds no responsibility for tickets that have been re-sold.

Please read the ticket vendors re selling policy before selling or buying a ticket, you may need to contact them directly to change details of the ticket to your name.

Slum Village (LIVE) x Abstract Orchestra

Detroit hip hop legends Slum Village join forces with the UK’s orchestra hip hop powerhouse the Abstract Orchestra.

Slum Village have been carrying the torch for old school, funk and soul filled hip hop since they burst onto the scene with their debut Fan-Tas-Tic, Vol 1 back in 1997.

T3 and Young RJ will be teaming up with the undisputed kings of orchestral hip hop the UK’s very own Abstract Orchestra, an 18-piece outfit who’ve been blending jazz orchestration and hip hop beats to critical acclaim.

This killer combination is guaranteed to deliver all of your favourite joints for a high energy dose of hip hop.

Words to the wise. Slum Village are legends without a doubt and Abstract Orchestra have been selling out shows across the country with their J Dilla and Madvillainy shows.

Do. Not. Sleep. These tickets will fly.

Tickets on sale Wednesday 9am.

“They own it.....it sounds like my brothers records...yet they make it their own” - Illa J on Abstract Orchestra

*This event is sold out*

With his new album, Piece of A Man–due out August 3, 2018 on Cinematic Music Group. Mick goes further than he ever has before toward a unified theory of hip-hop: rigorous but sensitive, technical but deeply musical.

Tickets on sale Friday 16th November at 9am

Sunkern Circus perform to crowds to open up our Festival of Light photo @ Khali Ackford

Young people from our Making Tracks project performed at our Annual Festival of Light and, they were great.

Making Tracks is our collaborative music making project with ACE and Basement– giving young people the opportunity to learn new skills in music creation. Trinity offers 121 and small group music sessions alongside industry workshops and opportunities to perform at Trinity events.

Xyzelle, Sealvia and Chantaleaze - students from project partners ACE performed first to a packed room. Photo Khali Ackford

Xyzelle, Sealvia and Chantaleaze from project partners ACE (Aspiration, Creation, Elevation) performed two songs, followed by Trinity student Louis Stone who performed his original songs using both his acoustic and electric guitars.

Great to welcome Trinity student Louis Stone who played tracks he is working on as part of Making Tracks. Photo Khali Ackford

Playing to an energetic and supportive crowd the students performed cracking sets and roused the crowds ready for local dub DJ Dutchie and the ever fantastic Bristol Reggae Orchestra – well done to them.

Dub DJ Dutchie gets the crowd ready for Bristol Reggae Orchestra photo @Khali Ackford

Bit of a squeeze for Bristol Reggae Orchestra on the stage in the main hall! @Khali Ackford

Onj's firework display was a treat for all the family. Photo @ Khali Ackford

This year we welcome over 800 people through the gates who came to watch the aerial performances, the fantastic firework display from Onj, a very warm bonfire from Woodsy, and the live music in our main hall.

Thanks to everyone that makes the event happen, from staff; to volunteers; to artists; to traders and of course all of you who attended.

The Festival of Light is a free event supported in part by public donations. This year we raised over £1100 in donations meaning that we can continue to run events like The Festival of Light so everyone can enjoy.

Ibibio Sound Machine’s pulsating first single ‘Let’s Dance’ and also ʻTalking Fish’ earned places on the BBC 6 Music playlist. The follow-up to their self-titled debut album is ‘Uyai’, which means beauty in the Ibibio language and refers to the strength and free spirit of women in general and, in particular, the courage of the women in Eno’s family. ‘Uyai’ purveys a darker, edgier tone to their first effort, which the band says, “maybe reflects the difficult journey the band took from making the first album to completing the second one”. Ibibio Sound Machine is comprised of Max Grunhard on saxophone and synth, John McKenzie on bass, Ghanaian guitar legend Alfred ‘Kari’ Bannerman, Jose Joyette on drums, Brazilian Anselmo Netto on percussion, synth/horn men Tony Hayden & Scott Baylis and vocalist Williams.

Tickets on sale: Friday 9th Nov - 10am

Music can often be directly rooted to one location – murky electronics belong to London nightbus rides; smoke-filled saxophone solos evoke images of dusky New York jazz bars – but there’s a lot to be said about music with a universal appeal, a kind which refuses to be pinned down to one specific time and place.

Paris-based multi-instrumentalist Vincent Fenton is a specialist in the latter. As FKJ, aka French Kiwi Juice, his loose and colourful arrangements could soundtrack anything: a house party in Hong Kong, a road trip through the Australian outback, a post-midnight walk alone across moonlit European streets. It’s all there on his 2017 self-titled debut album, which flits between fidgety electronics, smooth blues and pristine pop, all with the flick of a switch.

FKJ’s universal appeal goes a long way to explaining his current, impressive border-crossing rise. With every song on his debut racking up millions Spotify plays, his shows sell out in Asia, Europe, Australia, NZ and America, and his unique, spontaneity-first live delivery – frog-leaping between guitars, keys, sax, vocals and more – is capable of translating to both intimate and giant venues.

Fenton’s journey began as a teenager, where he started to compose songs in his bedroom, and later in-between working as a cinema sound engineer in France. Self-taught and self-starting, he learnt the ropes on countless instruments, before finding an early home on future-facing French collective / label Roche Musique.

2012 EP Time for a Change set a stall for slick, sophisticated, cinematic pop. But if this release got by on an anything-goes approach, 2017’s French Kiwi Juice goes even further. Throughout, there’s a sense that no idea, however ambitious, is dismissed out of hand by Fenton. And the title of the record’s closing track acts as something of a mantra for his work: ‘Why Are There Boundaries’.