Science Fair, 2025; image by Alistair Brookes

After years of consultation, experimentation and refinement, we’re now seeing the impact of our work come together; strengthening our ambition to be a nationally celebrated hub for socially engaged arts. By joining the dots across multiple projects, partners and communities, we’re reaching more people than ever and embedding creativity into everyday life.

At the heart of this transformation is our for, by, with methodology, which ensures that everything we do is created for communities, shaped by those with lived experience, and developed with the people and partners who help bring it to life. Through this approach, we’ve secured major multi-year funding, providing the stability needed to invest in long-term change and build deeper relationships that ensure our work is truly relevant and impactful.

Partnerships with Bristol Drugs Project and Bristol School of Art are creating new pathways for adults to engage with creativity as a tool for health, wellbeing and personal development. Through targeted workshops by expert facilitators and with individuals who may not otherwise access creative spaces, we are providing opportunities to build confidence, express identity, and develop new skills - whether in music or performance.

Our Cultural Alliance and after-school programmes are ensuring that creative opportunities exist for local children - many of whom are engaging with the arts for the first time. By embedding arts provision within schools and community settings, we’re developing work by and with young people that helps them discover their creative potential, make new connections, and gain valuable life skills.

Trinity's combined arts programme continues to flourish, bringing an exciting mix of dance, theatre and live performance from emerging artists both local and touring to allow new audiences to access this exciting work at Trinity and beyond. Alongside this, our Seeding Sessions are platforming some of the most exciting new sounds offering an enchanting and experimental evenings for true music enthusiasts.

By expanding our work for audiences in schools, community spaces, and public spaces, we are ensuring culture is more accessible than ever. Whether through powerful theatre performances by local artists, high-energy dance workshops with community groups, or participatory projects that put people at the centre of the creative process, we are bringing communities together in meaningful ways.

This progress has been made possible by an ambitious, empowered, and dedicated team whose passion for socially engaged arts is driving change. With strong foundations in place and an exciting future ahead, we’re ready to take our work even further - expanding our reach, deepening our impact, and ensuring that culture and creativity remain at the heart of community life for, by, and with the people who need it most.

By Adam Gallacher, Deputy CEO

Image Credit: Sophia Stefelle

Report highlights contribution of Bristol’s treasured community spaces, as network of organisations calls for Council reform to ensure their survival

A new report has revealed the significant economic contribution of Bristol’s community spaces, reinforcing the need for urgent policy action called for as part of the Roots of Resilience campaign, launched in the city last summer. The report, commissioned by a coalition of sixteen community organisations across the city, shows that collectively these spaces generate an annual turnover of £16 million, supporting 480 jobs and delivering more than £33 million in economic impact.

The findings have been published as an updated policy framework for Community Asset Transfers is presented to Bristol City Council by the network, marking a crucial next step following last year’s manifesto launch.

The report, and the updated framework, come as a result of ‘Roots of Resilience: Saving Community Spaces’ a city-wide campaign calling for urgent action to protect and enhance Bristol’s shared spaces.

Since the release of the ‘Roots of Resilience’ manifesto last year, tangible progress has been made on several key objectives:

• The Chair of the Health and Communities Committee now leads on community assets, reflecting their importance for the city.

• A community-focused council officer is now involved in Community Asset Transfer decisions. This is a welcome step, though further work is needed to ensure representation from communities most affected by asset poverty and underinvestment.

• Progress made to review key elements of community asset management and Council strategy to support the sustainability of our spaces and the organisations which maintain them.

At a time when local councils continue to face intense financial pressures, the report underscores the essential role of community spaces in Bristol’s economic and social infrastructure. The campaign’s key demand remains: that the decision-making process around council-owned buildings reflects their irreplaceable community value rather than focusing solely on financial considerations.

While significant progress has been made, there are several key areas which could be strengthened in the updated framework, such as representation in decision-making and transparency around the availability of properties for CAT.

Emma Harvey, CEO of Trinity Community Arts, said: “With the publication of this report and our suggested updated policy framework, we are calling on the Council to act decisively to protect Bristol’s community spaces.

As our research shows, our community infrastructure contributes to better health, social and environmental outcomes for all our residents, reducing public spend and enriching our communities. By strengthening the policy approach further, Bristol can lead the nation in safeguarding its community infrastructure.

We are calling on residents to reach out to their councillors and show their support for community spaces, to ensure these spaces remain viable for generations to come.”

Sado Jirde, Director at Black South West Network, said: “We wholeheartedly support the recommendations in this report. Our work at Black South West Network has shown time and again that racialised and marginalised communities face some of the greatest barriers to accessing and sustaining community assets.

The current system is structurally inequitable, many communities are locked out from opportunities to own, shape and maintain the spaces they need. By reforming Community Asset Transfer policies and prioritising long-term investment, we can start to rebalance power and resources in our city. This is about more than buildings, it’s about enabling communities to thrive on their own terms.”

Community organisations and the public are being urged to support the campaign by contacting local MPs and councillors to show support. Find out more here: https://www.trinitybristol.org.uk/about/news/latest-news/becoming-legends-in-our-own-time-fighting-for-community-ownership

Links

Read the Roots of Resilience report here: Roots of Resilience: A report on the value of Bristol’s community spaces

Read the Roots of Resilience manifesto here: Roots of Resilience: Saving Community Spaces

The sixteen Community Anchor organisations includedinvolved in the campaign are:

• Eastside Community Trust, Easton Community Centre and Felix Road Adventure Playground

• Trinity Community Arts, Trinity Centre and Jacobs Wells Baths

• Windmill Hill City Farm

• Black South West Network, The Coach House

• Lockleaze Neighbourhood Trust

• Knowle West Health Park

• Knowle West Alliance

• Southmead Development Trust

• Redcatch Community Garden Limited

• Ambition Lawrence Weston

• Bricks, St Anne’s House

• Artspace Lifespace

• St Werburghs Community Centre

• Filwood Community Centre

• Voscur

• Learning Partnership West

John Parish & Adrian Utley supporting Trinity's #Notes4Notes campaign, 2013

The battle over who gets a say about the land under our feet is a tale as age-old as Robin Hood.

As the housing crisis shows no sign of letting up, this can mask the much wider picture of what it truly means to build sustainable, thriving neighbourhoods where people want to carve out lives. Despite the government’s stated commitment to community empowerment, the closure of the Community Ownership Fund (COF) marks a significant setback leaving the future of community-led asset ownership uncertain.

Even with schemes like COF, the task of taking on a building is one with many obstacles. In England’s fight for community spaces, the Asset of Community Value (ACV) system, while noble in its intention, offers little protection against the weight of market forces. Unlike Scotland’s Community Right to Buy, which grants legal power to force a sale to qualifying community interest groups, England’s system merely offers a temporary pause on commercial disposal, with no obligation placed on asset owners to prioritise community buyers.

This leaves communities having to balance professionalism needed to lever required funds whilst simultaneously growing noisy public campaigns to put of other buyers. If they’re in no rush to sell, the owner will simply wait for the six-month moratorium to lapse before proceeding with sale to the highest bidder, as with Coexist’s campaign to save Hamilton House. Even where groups manage to raise substantial funds and deliver successful public campaign, efforts can be swept aside in a heartbeat by a developer with deeper pockets.

There is marginally greater hope when a building is owned by a Local Authority, where campaigners can cite continued social value. However, securing a community asset transfer can be challenging in the current context with councils under pressure to balance deficit budgets. The temptation of commercial disposal can be hard to resist.

Keeping buildings in public ownership is one of the biggest challenges. Many councils are eager for a quick exit from liabilities such as their expensive portfolio of rapidly dilapidating buildings. By the time an asset reaches a state of severe disrepair, disposal becomes the only logical option; a short-term fix that plugs a budget gap at the expense of long-term social, economic, and health benefits.

People think of the legend of Robin Hood as a story of outlaws robbing the rich, but at its core, it is a tale of defiance against this type of land-based power. The struggle to protect or reclaim what belongs to the people – whether it’s indigenous land reclamation struggles against tech giants mining for precious minerals, tenant unions resisting evictions and rent hikes, community land trusts securing affordable housing, local campaigns fighting to save a building on their doorstep, or even Greenland telling Trump “no means no” – is a narrative deeply rooted in our human condition, local to global.

In this latest telling of the story, we’re not just saving buildings. We’re saving ourselves. Every step we take to save a space is an act of political defiance, challenging the systems that concentrate land and wealth in fewer hands. Community management of buildings unlocks external funding, supports local well-being, and keeps spaces in public hands. It is in these everyday battles to save our spaces that the greatest transformations are forged, proving that resilience, solidarity, and vision to reshape a future in which communities work together to solve some of our shared problems.

Like Robin Hood’s battle against feudal land grabs, the movement for community ownership is about more than individual buildings, it’s about reshaping an entire system. If we only defend one asset at a time, we won’t keep up with the pace of change and we’ll fail to address the structural inequality that means some the odds are stacked against some more than others. Instead, we must challenge the structures that keep land and power concentrated among the few.

Rather than accepting when our decision-makers tell us the cupboards are bare, we need to all be asking more questions of our elected representatives to demand greater transparency around how we’re making best us of the resources we do have. The question isn’t just: How can we save this building? It’s: How can we reclaim control over the places that shape our lives, for the good of all of us?

Opinion piece written by Emma Harvey, CEO

How to help

Register a building as an Asset of Community Value (ACV); this gives your community the right to bid for it if it's put up for sale, helping to protect important local spaces from unwanted development or loss.

Read about our Roots of Resilience campaign; show your support by contacting your Local Councillor to tell them about the importance of civic and cultural spaces in your neighbourhood.

Nominate a building to be listed as a heritage asset; care about the future of a historic place you know and love? Anyone can recommend a building, site, monument, designed landscape, battlefield or wreck site for inclusion on the National Heritage List for England (NHLE).

Write to your MP to call for a UK-wide "Community Right to Buy" to enable communities to take ownership of local assets, along with other measures like a new flexible Community Ownership Fund and support for community businesses to help combat structural inequity in asset management.

...and don't forget to VOTE 1st May! The West of England Mayor has the power to shape investment in civic and cultural infrastructure across the region. This election is a crucial chance to ensure decisions are made that benefit all of us. Don't forget to use your power to vote and make sure you ask your candidates what will they do to ensure investment reaches local communities so they can take on and develop vital community assets.

Resources

Ask your local Councillor:

1. How is the council prioritizsng and funding investment in community assets, and what opportunities exist for community partnerships or asset transfers?
2. Are there underused or surplus council properties that could be repurposed for community benefit, and what funding mechanisms (e.g., CIL, Section 106) can be utlised to better support this model?

Ask your local MP:

1. Will the government introduce stronger legal protections, such as a Right to Buy or compulsory purchase powers for communities, to prevent vital spaces from being lost to private development?
2. Will the government commit to establishing a dedicated, long-term funding programme like Scotland’s Land Fund, to better enable communities to protect the assets that matter to them?

Links:

Locality - Provides expert guidance and resources for community-led organizations to establish and sustain community assets.

My Community - Provides tools and advice for communities to take ownership of local assets and influence local decision-making.

Platform Places - Assists communities in repurposing vacant or underused buildings into vibrant community spaces.

Shared Assets - Offers support for managing land and buildings as sustainable community resources.

Stir to Action - Delivers training and workshops focused on social enterprise and community-led development.

The Plunkett Foundation - Supports rural communities in setting up and running community-owned businesses, including buildings.

Voscur - Offers support services for voluntary and community groups in Bristol, including guidance on managing community buildings.

#WECA #WestOfEngland #MyVoteMyVoice #UseYourVote

#CommunityPower #SaveOurSpaces #SoldFromUnderYou

VACANCY: Bar Manager​

📍 Location: Trinity Centre, Trinity Rd, Bristol

💰 Rate of Pay: £13.97 - £14.63 starting rate depending on experience +10% enhancement for anti-social hours

🕒 Contract: 22.5hr pw basic plus shifts – flexible

We are seeking an ambitious and self motivated Bar Manager to join the Trinity Team to run our bar operations and assist with the smooth running of our live events and hire services.

As part of our commitment to staff development, we will work with you to design a Continuing Professional Development Plan (CPD) tailored to both your role and wider organisational needs. This will include access to internal and external training opportunities.

Key Responsibilities

• Bar operations

• Finance: Managing all business aspects of the bar

• Admin

About You

✔ Bar experience, in particular in a supervisor/management capacity in a busy bar environment​
✔ Excellent interpersonal and customer-care skills and a commitment to providing excellent service.​
✔ Understanding of issues around Health and Safety in a public space, licensing and implementing procedures.​
✔ Numeracy skills, including experience of cash handling and using electronic till systems.​
✔ Experience of working with the public, including problem solving.​
✔ Demonstrable ability of working as part of a team.​
✔ Ability to use initiative and work with minimum supervision.​
✔ Understanding and awareness of Safeguarding and its implementation.​
✔ A flexible approach to work, including the ability to work unsociable hours.​
✔ Good communication skills.​
✔ Commitment to the values and objectives of Trinity Community Arts.

🔗 Apply now

Download the application pack here

Please provide application form in word or pdf format

📅 Deadline: Sunday 20 April, 5pm

🎤 Interviews: Week commencing 28 April

Trinity is an equal opportunities employer and welcomes applicants from all backgrounds.

“A hugely entertaining take on the Robinson Crusoe story. Friday is an upper-class castaway outraged by Crusoe’s entitled behaviour. But we suspect there’s more to Friday than the arrogant posho we first encounter – and sure enough there is. A slow burn brilliantly achieved, this play skilfully uses the inspiration of a classic tale to reframe assumptions about race and class in a witty and engaging way. Long narrations are often the radio writer’s lazy option, but Edson Burton’s are exquisite. This is a terrific writer with a deep love of language and a thorough understanding of structure.” Judging panel

We're all super excited and proud to announce Edson Burton as the winner of the 2025 Tinniswood Award, which is organised by The Writers' Guild of Great Britain and the Society of Authors.

The award, in recognition of the best audio drama script of the year, was for Man Friday, a BBC Radio 4 drama broadcast re-imagining Daniel Defoe's classic story Robinson Crusoe from the perspective of Man Friday.

Edson Burton received the prize of £3,000, sponsored by the Authors’ Licensing and Collecting Society, at the BBC Audio Drama Awards on 30 March 2025. He was presented the award by writer and actor Paterson Joseph.

This well-deserved recognition highlights Edson Burton’s exceptional storytelling, cementing Man Friday as a powerful and thought-provoking reimagining of a literary classic. Though, it wasn't the 'Twerking' award that one of our colleagues misheard he'd won!

As Edson put it, it was one of those rare productions where everything just clicked, nothing felt forced, and the cast came together naturally to create something truly special.

A big well done from all the Trinity Team!

Image Credit: Alastair Brookes

Trinity partnered with the University of Bath to deliver an inspiring two-day Science Fair during Science Week, welcoming young learners from local primary and secondary schools to experience hands-on scientific exploration.

On the first day, Communicating Physics students from Bath University guided 60 Year 7 pupils from Oasis Academy Temple Quarter through interactive physics demonstrations at the Trinity Centre. The engaging approach sparked curiosity and enthusiasm among the students, who eagerly participated in experiments designed to illustrate fundamental physics concepts in an accessible format.

The second day featured Rob Olins, resident artist from Bath University's Science Department, who along with his team worked with 50 Year 5 and 6 pupils from St Nicholas of Tolentine Primary School. The young scientists explored the properties of light and sound through impressive large-scale installations in the Main Hall.

The fair successfully demonstrated how interactive, playful approaches to science education can inspire young minds.

Special recognition goes to the Communicating Physics students who facilitated the activities and connected with the schoolchildren. We wish them success in their upcoming examinations!

Image Credit: Alastair Brookes

Trinity has successfully distributed 73 boxes of arts and crafts supplies donated by Scrapstore to children across the local community this March.

Each box contained essential crafting materials alongside recycled items, designed to spark creativity and imagination for children and families to enjoy together at home.

The majority of these creative packs reached students from the three schools participating in Trinity's Cultural Alliance Programme.

Children collected their packs during various after-school club sessions funded by Wesport, BBC Children in Need, and Bristol City Council and additional packs were given to attendees of Trinity's International Women's Day Market, which was supported by Fun Palaces.

‘The inclusion of the modelling clay was really well-received and big thank you’s were shared from the families directly, as well as from class teachers and inclusion leads. All children should be given the opportunity to get creative!’ – Sarah Franke – Primary Specialist, Trinity Community Arts

QUOTES:

‘These packs were INCREDIBLE and provided the children and their families with so much opportunity for creativity at home’ – Teacher at Easton CE Academy

‘It was nice to have workbooks in the boxes as I have been able to teach my brother to write some letters’ – School Child aged 9

Women Who Make & Do Craft Market

Trinity is proud to celebrate the creativity and resilience of our communities with these recent highlights...

Women Who Make & Do Craft Market

A really lovely group of women and lots of networking - stall holder

On 9 March, we opened our doors for International Women’s Day to host a vibrant craft market, spotlighting female and non-binary makers and creators. Delivered in partnership with Eastside Community Trust and Somali Kitchen, with support from Fun Palaces, the market supported local traders, makers, and artists, providing opportunities for free workshops, demonstrations, and creative activities.

The event welcomed 500 people thoughout the day, celebrating local talent including potters, authors, illustrators, crocheters, cake-makers, artists, herbalists, gardeners, woodcarvers, and weavers. Bristol-based female music artists provided a steady soundtrack to the afternoon, adding to the event’s vibrant atmosphere.

Hosting events like these in partnership with creative communities is at the heart of what we do. If you have an idea for a partnership event or activity, we’d love to hear from you!

Trinity & Bristol Drugs Project: Creative Communities

We are pleased to announce a new partnership with Bristol Drugs Project (BDP) launching in April 2025. As part of Trinity’s vision of Creative Expression for All, we will be working with BDP’s Creative Communities programme; a thriving ten-year initiative that delivers weekly creative groups and events within BDP services.

Creative Communities uses arts practice to build positive relationships, break stigma, develop work and social skills, and foster a vital and life-affirming sense of community. Many of its long-running groups, including Bristol Recovery Orchestra and Beginners Music, will now be based at Trinity. Additionally, we are proud to become one of BDP’s Sober Spaces venues, reinforcing our commitment to accessible and inclusive creative opportunities.

Together, we will also explore new bespoke creative programmes that respond directly to local needs and interests, enhancing Trinity’s year-round adult programme to support inclusion, health and wellbeing, and skills development.

Garden Party Origin Story

Looking back to the roots of Trinity and its connection to the free party and festival scene, we are reminded of the importance of spaces where people can come together to create and celebrate. Our annual Free Garden Party is a staple in Bristol's cultural calendar that embodies the city's spirit. Originating as a community-focused event rooted in the legacy of Bristol’s underground free parties and DIY festivals, the Garden Party continues to provide a space for creativity, music, and shared experiences.

Check out the details of this year's event here and get in touch if you're interested in performing, having a stall or volunteering.

From craft makers and community arts to the heritage of free festivals, Trinity remains a place where communities shape the art of what's possible and curate new ways of being each and every day.

We're what you make us, so get involved!

Volunteers at Garden Party 2023 - Image Credit: Alastair Brookes

We're looking for Ground Stewards and Fundraiser to help out with Garden Party on Sun 11 May 2025

Who are we looking for?

We are looking for friendly, reliable and attentive individuals who enjoy communicating with different people and ensuring a great experience for all involved. Whether you are on or off site, you must be alert to health and safety issues.

Fundraisers: Collecting donations at main gates as people enter and leave. Handing out information and sign-positing.

We are asking people to volunteer for one, or more two hour shifts:

• 12pm - 2pm
• 2pm - 4pm
• 4pm - 6pm
• 6pm - 8pm

What’s in it for me?

Volunteering is a great way to make new friends and contacts, develop skills, get experience and increase self-confidence, plus you know you are helping to make Trinity the rich, vibrant place that it is. Lunch will be provided on the day for volunteers and a drinks token at the end of your shift.

Who can apply?

Applicants need to be 18+. We welcome applications from all backgrounds and aim to be as inclusive as possible, working to accommodate access requirements. Trinity is committed to making volunteering accessible to all, regardless of income.

How can I apply?

• If you are interested in volunteering, please complete the volunteer form and select the ‘General Volunteer’ option.
• In the ‘Give a brief description about yourself’ section of the form, let us know that you would like to apply for Garden Party and the times you can do.
• After the application please complete our anonymous online equal opportunities form.
• The closing date for volunteer applications is Fri 02 May 2025, 9am.

Please contact info@trinitybristol.org.uk if you have any questions, or would like more information about volunteering at Garden Party.

VACANCY: Content Creator

📍 Location: Trinity Centre, Trinity Rd, Bristol

💰 Rate of Pay: £24,500-£26,500​ per annum*

🕒 Contract: 30-37.5 hours per week (part time or full time)

Do you love telling stories in creative ways? Do you have a talent for turning ideas into engaging content? If so, we want to hear from you!

Trinity Community Arts is looking for a dynamic and creative Content Creator to drive our online and offline communications. This role involves developing inspiring multimedia content for our website and social media channels and carrying out core marketing tasks to amplify our impact as one of Bristol’s key cultural institutions.

Key Responsibilities

• Content creation & online engagement

• Marketing & campaign support

• Communications & PR

• Data & audience engagement

• Customer service support

About You

✔ A creative storyteller with experience in multimedia content creation.

✔ Confident in producing video and social media content, including short-form videos (TikTok, Instagram Reels, YouTube Shorts).

✔ Skilled in using design tools (Canva, Adobe Creative Suite) and marketing platforms.

✔ Able to write clear, engaging and concise copy for online news items and social media posts that captures attention and effectively communicates key messages

✔ Passionate about arts, culture, and community engagement

✔ A self-starter who thrives in a dynamic, collaborative and creative environment.

🔗 Apply now

Download the application pack here

Please provide application form in word or pdf format

📅 Deadline: Sunday 6 April

🎤 Interviews: Week commencing 21 April

Trinity is an equal opportunities employer and welcomes applicants from all backgrounds.

VACANCY: Bookings and Admin Assistant

📍 Location: Trinity Centre, Trinity Rd, Bristol

💰 Rate of Pay: £12.60ph

🕒 Contract: Full-time (37.5 hrs/week)

We are looking for a Bookings and Admin Assistant to take day-to-day responsibility for responding to booking enquiries, company administration, and reception duties. The candidate will be integral in the bookings process, ensuring events run smoothly both in the lead-up and on the day. 
You will play a proactive role within the Trinity team, acting as the first point of contact for bookings, securing new business, ensuring excellent customer service, and helping maximise the use of venue spaces. Additionally, you will serve as the main staff member on reception for three days a week, ensuring a welcoming and professional front-of-house experience.

As part of our commitment to staff development, we will work with you to design a Continuing Professional Development Plan (CPD) tailored to both your role and wider organisational needs. This will include access to internal and external training opportunities.

Key Responsibilities

• Event Bookings & Customer Relations

• Event Delivery

• Reception & Administration

About You

✔ Highly organised with strong attention to detail.

✔ Passionate about arts and community engagement.

✔ Excellent at customer service and building strong relationships.

✔ Confident in working to targets and maximising venue usage.

✔ A great communicator with experience in administrative tasks.

✔ Able to work collaboratively across teams.

✔ Proficient in using booking systems and handling event logistics.

🔗 Apply now

Download the application pack here

Please provide application form in word or pdf format

📅 Deadline: Sunday 6 April

🎤 Interviews: Week commencing 14 April

Trinity is an equal opportunities employer and welcomes applicants from all backgrounds.

Trinity x acs earplugs - credit Khali Ackford

Your hearing is priceless, and at Trinity, we believe in protecting it. That’s why we’ve teamed up with acs, leading specialists in high-fidelity hearing protection, to offer reusable earplugs designed for music lovers who want to experience the full depth of sound without compromising their hearing health.

Live events can expose you to high decibel levels, which over time can lead to permanent hearing damage. By wearing high-quality ear protection, you can reduce this risk without dulling the sound - keeping the music clear, balanced, and immersive.

As proud supporters of the NTIA’s ‘Listen for Life’ Charter, we’re committed to promoting safe listening practices in live music spaces. Hearing health is wealth, and we want to ensure that music lovers, artists, and staff can enjoy the power of live events for years to come.

Our Trinity-branded acs earplugs come with a protective case for easy storage and are now available to purchase at the bar. Get yours today and take a simple but vital step toward long-term hearing care.

🎧 Look after your ears – they’ll thank you later! 🎧

Cultural Alliance Programme - research phase, 2024

The Cultural Alliance Programme is revolutionizing arts education for Key Stage 2 children in Lawrence Hill, offering free weekly dance and drama lessons that foster creativity, learning, and wellbeing

Empowering children through arts

With a mission to bridge gaps in arts access and address educational inequalities, the Cultural Alliance Programme offers students at Easton CE Academy, Hannah More Primary, and St. Nicholas of Tolentine schools the opportunity to engage in creative learning. Each week, every KS2 year group receives an hour-long session led by professional practitioners from Movema and ACTA. These classes are integrated into the school curriculum, aligning with each school’s themes and values, such as Easton CE Academy’s focus on "Belonging".

"I really missed our Cultural Alliance teachers over the holidays, but I’ve been practicing!"

Student comment

Learning from Term 1&2

The first term launched with great enthusiasm, as children eagerly met their new mentors from ACTA and Movema. The sessions quickly became a space for movement, self-expression, and relationship-building. Early takeaways included:

As the project progressed, teachers were encouraged to actively participate in the sessions, moving beyond behaviour management to engaging in creative learning techniques themselves. This collaborative approach helped embed creative strategies throughout the school environment. Highlights of term two included:

"There’s been so much creative expression and joyful connections happening in every session!"

Cultural Alliance Practitioner, Movema

Impact so far...

The Cultural Alliance Programme has already made a tangible difference:

Looking ahead

As the programme moves into Term 3 the focus will shift towards measuring individual progress and ensuring long-term impact. A mid-January planning session will refine methods for tracking measurable change. Term Four will culminate in a student performance, showcasing their creative growth and inspiring future participants.

Additionally, Trinity is collaborating with Professor Helen Manchester and Dr. Harriet Hand to co-design an evaluation framework. This will measure cultural value and assess the programme’s effectiveness in strengthening inclusion, attendance, and students' wider connectivity with learning.

Funded by the Paul Hamlyn Foundation, the Cultural Alliance Programme continues to pave the way for inclusive, dynamic arts education in local schools.

Historic England visit Jacobs Wells Baths. Credit Alistair Brookes

As part of our campaign to save Jacobs Wells Baths, we are calling out for people to send in their images and to put themselves forward to take part in a project photoshoot

Image callout

Do you have memories of Jacobs Wells you would like to share? Was it a place to dance? A place for community? A place to gather or a place to rehearse?

If you have pictures from your time learning to dance, swim or take part at Jacobs Wells Baths please send them through to us with a brief description and any photographer credits. Images will be used as part of our latest heritage learning and participation project to build a story of people's memories about the space.

Send your images through to info@trinitybristol.org.uk and our Heritage Project Manager will be in touch if they'd like to know more.

Photoshoot

What are your hopes and dreams for the future of Jacobs Wells? We need your help to imagine the possibilities of Jacobs Wells as we breathe life back into this iconic building for future community use.

In 2025, we will be working with Bristol based photographer Khali Ackford to create a public photos series capturing portraits of the people who are, were and will be at the centre of Jacobs Wells’ past, present and future.

Through your participation, we can highlight the importance of our civic buildings and the impact on our community if those places are lost. If you would like to find out more about taking part in the photoshoot, please email Trinity’s Producer Esther Afikiruweh on esther@trinitybristol.org.uk or call the office, Monday to Friday 9am-5pm on 0117 935 1200.

About the photographer

Khali Ackford has built up a name for his iconic portraiture, working at the heart of some of the most culturally significant moments in UK’s history, including the UK BLM movement, the toppling of the Edward Colston statue in Bristol and marches against male violence.

About Jacobs Wells Baths

Since the start of 2023, Trinity has been on a mission to save the Grade II listed Jacobs Wells Baths building, following the news that Bristol City Council had put the asset up for disposal. Since securing a 35-year Community Asset Transfer lease, we’ve completed emergency repairs to limit further damage to the building and Phase 1 Repair Works are now underway to bring the space back into community use by Autumn 2025.

CIP Network, image by James Allan

Trinity Community Arts is proud to announce its participation in The Citizens in Power Network as part of our work with Citizens for Culture.

The Citizens in Power Network (2025–2027) is a pioneering initiative designed to reimagine decision-making in the cultural and creative sectors and beyond. It brings together organisations, local government, and practitioners to explore how communities can take the lead in shaping their creative and cultural lives.

Cultural decision-making has historically been dominated by privileged groups. This new network is rooted in a clear belief: decision-making processes should reflect the diversity of the people they impact. Citizens in Power will embrace democratic models such as citizens’ assemblies and citizens’ juries, ensuring that those who live, work, or stay in a place have a voice in shaping culture.

Joining the network aligns with Trinity’s ongoing commitment to increasing community power through creativity in Bristol. Through Citizens for Culture, we are working to support cultural participation and decision-making that is more inclusive, representative, and community-led. We’re excited to collaborate with partners across the UK and contribute to shaping the future of the Citizens in Power Network.

Network members:

• Birmingham Museums Trust, Citizens’ Jury: Rob Lewis, Rosie Barker, Sara Wajid MBE, Zak Mensah
• Citizens for Culture, West of England: Anjali Prashar-Savoie (Trinity Community Arts), David Jubb (Citizens in Power), Emma Harvey (Trinity Community Arts), LaToyah McAllister-Jones (St Pauls Carnival), Sarah James (West of England Mayoral Combined Authority)
• Creative Barking and Dagenham, London: Sarah Wickens
• Everyone Here, Jury for Joy, West Cumbria: Kieran Sheehan, Sam Hunt, Unique Spencer
• Metal Culture, Liverpool, Peterborough, Southend-on-Sea: Laura Hensser, Susie Thornberry
• Moseley Road Baths CIO, Birmingham: Lucy Reid (Chair) and Trustees
• New Art Exchange, Voice Assembly, Nottingham: Adam Roe, Saad Eddine Said
• We The Curious, Bristol: Mark Pickering, Nicole Briggs, Rosalie White

Network funders:

• Esmée Fairbairn Foundation
• Calouste Gulbenkian Foundation

Network convenors:

• David Jubb, Citizens in Power
• Saad Eddine Said, Citizens in Power

For more information on Trinity’s involvement in the network, visit the Citizens in Power website.

Image by Alistair Brookes

Are you aged 14-18 and of Black heritage? Join us and become part of this exciting programme...

Following an initial two-year investment from WeMove, Trinity has secured further funding to amplify the voices of young people through The Speak Out Collective.

“I was a part of the Speak Out Trinity session where we were able to explore and enhance our creativity, speak and express our thoughts on topics such as culture and creativity, and then develop a project or an idea afterward!”

This next phase will embed social action through creative practice, supporting young people to share their stories and learn from peers. We're welcoming back young people from previous Speak Out cohorts alongside a call out for young people in the community, primarily aged 14-18 and from Black heritage backgrounds to join this next part of the programme, which includes:

• Monthly collective sessions: Young people will co-create and, where appropriate, lead these sessions, shaping the content to meet their creative needs. These will be facilitated by Moyah and Sukina.
• One-to-one mentoring: Participants will receive monthly 1hr mentoring sessions with industry specialists to develop their creative practice and support personal growth.
• Creative commissions: Commissions to create a final piece, linked to their participation, which will be shared with their peers and an invited audience at the end of the year-long programme.

Key info

Collective sessions will be held on the second Monday of each month launching on 14th April.

Future dates: 12th May; June (TBC); 14th July; (August off); 8th September; 13th October; 10th November; 8th December; (January off); 9th February; 9th March; 13th April (Final Sharing Event).

Contact jenny@trinitybristol.org.uk to sign up.

The story so far...

Over the past two years, Speak Out has engaged young people in three cohorts, exploring themes of Home, Neurodiversity, and Future Proofing. This work has provided participants with a platform to develop their creative voices while gaining confidence and skills. Thanks to the exceptional work of previous cohorts, we have been fortunate to receive extension funding to continue and expand the project.

Speak Out has made a real difference in young people’s confidence and skills. Over the last two years:

The Speak Out Collective is a direct response to this consultation, ensuring young people continue to have a platform to express themselves creatively and shape their own narratives.

For more information, visit: Speak Out at Trinity

Booklet produced as part of 2017 heritage project with Local Learning

Trinity has been awarded a development grant from The National Lottery Heritage Fund towards the next phase of works as part of our ambitious restoration project to save Jacobs Wells Baths

“This investment acts as a vital next step toward reviving this cherished Bristol asset, and I’m thrilled with the progress Trinity Community Arts has made on the project since being awarded the lease to the building." Tony Dyer, Leader of Bristol City Council

Trinity is excited to announce we have been awarded a £252k Development Phase grant from The National Lottery Heritage Fund to continue the restoration of Jacobs Wells Baths in Hotwells, Bristol. This grant will help advance plans to restore the Grade II Listed building alongside developing an engagement and participation plan for community and youth activities.

Thanks to National Lottery players, this funding will empower the local community to shape the next phase of the project, focusing on the voices of young people, city-wide arts networks and local residents. As part of this development phase, Trinity will work with local groups to create a new programme of heritage learning opportunities, building on past community-driven projects such as Washing In The Well, delivered with support from Local Learning.

Jacobs Wells Baths has a rich history, dating back to 1889, when it served as a public swimming bath and in the 80s, became Bristol’s only dedicated professional dance centre. The next phase of the project will include design work for the North Wing of the building, to support plans to apply for a £2m+ grant from National Lottery Heritage Fund to complete the site's transformation into a new hub for Hotwells.

Join the team

To help facilitate this exciting development, Trinity is seeking a full-time Heritage Project Manager to join the team lead the development phase of the project, with a focus on managing community engagement, overseeing stakeholder relationships, supporting design team consultation and creating a learning and participation activity plan to be delivered in 2026 alongside the phase 2 capital works.

Photo credit: redManhattan

This spring, we are excited to announce a bold line up of theatre, dance & live experiences - stories that challenge, celebrate & ignite conversation as part of Trinity Presents.

The series features a partnership with Gloucester based Strike A Light, bringing The Grip to Bristol on Thursday 20 March. This special one-night-only live radio event explores Windrush, family & separation, produced by Phillipa Smith and hosted by BBC’s Kevin Philemon.

On Friday 28 March & Sunday 30 March, we welcome back Roadside, a theatre show inspired by the untold stories of roadside dwellers, free parties & festival culture, written by Maddie Wakeling in collaboration with Trinity.

Thu 10 Apr: Tiata Fadhozi brings a triple bill of plays named EVERYWHERE - Breaking the boundaries of theatre, this iteration features new stories from Yusra Warsama, Magero & Anyebe Godwin.

Tue 13 May: Artists Divija Melally & Saili Katebe bring new work One Foot in the Dark - A poetic fusion of dance & movement, exploring identity, change & the stories we inherit.

Thu 5 Jun: The Season Culminates with choreographer Dam Van Huynh's Exquisite Noise - A rebellious dance performance blending music, light & movement-protest in motion.

About Trinity Presents:

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

Exciting developments are underway at Jacobs Wells Baths as restoration efforts continue...

As local residents may have seen, works are progressing on site at Jacobs Wells Baths as part of our repair and recovery efforts. The latest bat surveys have returned positive results, confirming no signs of a roost. With this assurance, a bat license has been submitted, allowing planned works to proceed as scheduled from the start of March.

Work has begun on dismantling the parapet wall, revealing the impressive strength of the original Cattybrook brick (see image, above). Our contractor has noted that the mortar is some of the toughest they’ve ever worked with, further testament to the building’s historic craftsmanship.

We’re also thrilled to announce that Historic England has awarded £89,743 to deliver a focused scope of works to the South Studio roof over the coming months. Stay tuned for updates as this next phase progresses.

Emma Brown, our new Facilities Manager, has been working closely with the design team to develop a secure access plan for the site and overseeing essential tasks such as site clearance and graffiti removal.

With these key milestones in place, Jacobs Wells Baths is moving closer to its restoration goals.

Thank you for your continued support and watch this space for more updates!

Join us on the journey to Save Jacobs Wells Baths & empower communities through the arts

Trinity Community Arts is a registered charity number 1144770

Radix Big Tent compilation 2022

Do you have images that showcase Bristol’s vibrant creative sector, or challenge common perceptions of our city? Have you captured a short video that highlights the wonderful heritage of Bath & North East Somerset, or that sees the area through fresh eyes? Do you have visuals that celebrate what makes South Gloucestershire a great place to be, or reveals hidden aspects of North Somerset that go unnoticed?

If yes, we want to hear from you!

As part of the Citizens’ for Culture, we are inviting artists, cultural institutions and individual makers, to contribute existing photos and video clips captured over the last year to form part of a public campaign leading up to a Citizens' Assembly for Culture in September 2025.

We’re looking for content you already have that reflects the unique cultural identity of the West of England Combined Authority (WECA) regions - Bristol, Bath & North East Somerset, South Gloucestershire - and North Somerset.

We are particularly interested in content that captures both perceptions and realities of the region, highlighting what makes each area’s cultural identity unique. Submissions should either align with or challenge key demographic and cultural characteristics, represent regional identity through diverse community perspectives, and/oror explore the contrasts between how the region is seen and its lived reality.

Submissions

This callout is for existing content that aligns with our themes and is not an artist commission. Our Oversight Panel will review submissions and select content for use as part of the Citizens for Culture campaign.

Selected content will be used on our website and social media, as part of Assembly invitations and across printed promotional materials.

Payment

All selected images will be paid at a rate of £50 for use as part of the campaign. Selected video clips will be paid at a rate of £75.

Submission guidelines

• If files are too large for email, please use WeTransfer

• Images must be high resolution 300 DPI minimum JPEG (JPG), or TIFF.

• Videos clips must be MP4 or MOV; Length: 30 sec - 1min (clips may be edited to fit the final campaign film); Orientation: Landscape; Quality: High-resolution, uncompressed preferred (for large screen projection)

• Send files to contact@citizensforculture.info

• Include a brief description of your content for context

Deadline for submissions: 1 March 2025

About: Citizens for Culture is an initiative by St Pauls Carnival CIC, Trinity Community Arts, Citizens in Power, and the West of England Combined Authority, supported by funding from Arts Council England, Paul Hamlyn Foundation, and the Calouste Gulbenkian Foundation (UK Branch).

Disclaimer: By submitting your images or videos, you confirm that you hold the rights to the content and have permission from any identifiable individuals featured. Citizens for Culture reserves the right to use selected submissions for campaign and promotional purposes.