Ice Road by Raucous performed in Jacob Wells Baths. Photo credit Jack Offord

In October 2022 a decision was taken to pause the process of awarding fixed-term funding to the arts and cultural sector of Bristol, in order to ensure transparency and independent decision making.

Trinity are advocating for a similar level of scrutiny regarding the future of our city's community infrastructure, given these decisions will have a far greater long-term impact on our social and cultural fabric.

Our work to promote the plight of the city's community buildings falls in line with Trinity's charitable objective to "provide or assist in the provision of facilities in the interests of social welfare". Recently we outlined the value of our many community spaces in Bristol in our report: "A community canvas – building the case for community infrastructure 2022-2026"

The disposal of Jacobs Wells Baths

Since January this year we have been working with stakeholders to create a vision for Jacobs Wells Baths, a Grade II Listed building that holds within its walls a wealth of architectural and social heritage - from its time as a public swimming baths to its 30 year history as a dance hub.

Following the information that Jacobs Wells Baths is now being put forward for disposal Emma Harvey, CEO of Trinity Community Arts, has submitted a statement to Bristol City Councils Full Cabinet meeting 04 July 2023.

Emma Harvey CEO Trinity Community Arts Statement:

For over 15 years, I have been raising concerns about Bristol City Council's failure to adequately classify and protect its community buildings.

Today, I once again bring forth my concerns regarding the disposal process being tabled today. It highlights a lack of protective asset class for buildings like Jacobs Wells Baths and Ujima House, which have been listed for disposal alongside disused plots of land, an old lock-up garage and a former public toilet.

The reduction of irreplaceable community buildings to footnotes in a 400-page agenda pack raises questions about how irreversible decisions are made about the assets we own. Disposing of irreplaceable assets without adequate scrutiny or a consistently applied process jeopardises our connection to the past, erodes our present identity, and threatens the resilience of future communities. Such a decision should involve greater care than may given by an ‘estates rationalisation’ exercise, when these decisions risk eroding the city’s landscape of public spaces where our communities - growing in size and diversity - can connect, build trust, and foster unity.

"Bristol has the opportunity to lead the way and, rather than disposing of these cherished spaces with a dismissive wave, we could seek to adopt a new ‘Public Realm’ asset use class that can change the way we define and protect civic and cultural domains for all citizens. These assets belong to the people of Bristol and as our elected representatives you are entrusted by us to act as our guardians of these shared spaces."

These spaces are more than physical structures and worth considerably more than an old bog or a dumping ground. They represent a tangible connection to our city's heritage and have witnessed countless memories and community gatherings that have shaped our city's social fabric. Not only do these spaces connect and improve the daily lives of people in their surrounding areas, they can also act as significant local economic multipliers, generating jobs and supporting small businesses. Specifically Jacobs Wells Baths is the only community hub within a locality with a combined population of 25,000 residents.

As Trinity has already set out, it has every potential to service the needs of this locality’s diverse communities; residents of HMOs and adjacent social housing blocks, older and young people, who have no other hub for locally based service provision.

I ask the members of today’s Cabinet what is the legacy you want to leave behind?

I urge the Cabinet to re-evaluate this process, as the Mayor has done with other recent called-in decisions, such as the Cultural Investment Programme.

I urge members to consider the 2019 Land for the Many independent report, which advocates for changing the way we make decisions about these critical assets.

Bristol has the opportunity to lead the way and, rather than disposing of these cherished spaces with a dismissive wave, we could seek to adopt a new ‘Public Realm’ asset use class that can change the way we define and protect civic and cultural domains for all citizens. These assets belong to the people of Bristol and as our elected representatives you are entrusted by us to act as our guardians of these shared spaces.

Though your time in office may be limited, the decisions you make today will have lasting consequences for the communities of tomorrow. Please do not miss this once in a lifetime chance to make a positive impact to safeguard the legacy of these and other community buildings for the enrichment and well-being of present and future Bristolians.

Further information

We support Power to Change's We're Right Here Campaign that is building a united movement for community power.

Read more in George Monbiot's Land for the Many independent report that focuses on changing the way our assets are used, owned and governed

Ahead of their Day Party alongside Booty Bass on 29 July, we spoke to Yusuf and Safiya Suave, co-founders of South Asian events and podcast collective RepresentAsian, about diversity in the events industry, transitioning from podcasting to events, and plans for the future.

RepresentAsian will be performing at Trinity on 29 July for a day party alongside Booty Bass as part of our in-house music programme Trinity Presents - click here to get your tickets.

How did RepresentAsian come about?

Yusuf: RepresentAsian is definitely Safiya’s brainchild. We were both home over Christmas and she wanted a “passion project”. At the time South Asians were essentially ignored outside of BBC Asian Network and Safiya felt a podcast would be a good platform to shine a light on those underrepresented. I was classically sceptical and dubious, but she talked me around so we bought the cheapest mics we could find and hit record.

Safiya: We were aware of South Asians doing bits across the UK music industry, but no one was talking about it. Daytimers were in their infancy at the time and an organisation called South Asian Audio Creatives released some research highlighting major radio stations had almost 0 South Asians on their presenting team. That was reason enough for us to try and do something about it.

How did you transition from podcasting to events?

S: So Yusuf can actually take credit for this one…

Y: By this point, South Asian DJs were being talked about and a few big names were appearing in Bristol. It’s a tough one, it was great to finally start seeing brown faces on stage, but the promoters of these events were your classic white men, perhaps looking to make some quick money off the back of a current trend. I was walking home after one of these events and sent Safiya a voicenote saying “we should be the ones booking brown DJs!”. On top of that, truly diverse dancefloors are hard to come by in Bristol and I wanted to try and create a space that encourages more POC’s to be seen and engage with the community. Often we don't feel seen so hopefully RepresentAsian is changing that for South Asians in Bristol.

What's it like working with your sibling?

Y: No comment. Joking, I would say 99% of the time it runs very smoothly?

S: We did have one big argument during a podcast recording…

Y: Oh yeah! But all was forgotten within a few hours. We know each other very well so when one of us gets annoyed, we know when to back off and let them settle. Plus, Safiya basically does all the work. I’m just the pretty face and I’m ok with that.

S: Hilarious. The face for radio, maybe.

What do you think can be done to make sure that people of South Asian heritage are better represented in events/music scene?

S: Good question – there’s a constant battle of representation vs quota box checking and pigeon holing. If you book a South Asian DJ are you expecting them to play bhangra or desi edits? We’re about to launch DJ workshops for South Asians in conjunction with the Asian Arts Agency. We hope by opening the doors to more people, we can encourage the next wave of budding talent to get involved and to make sure we’re not a flash in the pan.

Y: Whilst there has been a positive shift towards representation across the board. It comes in more forms than just DJs on a lineup. It would be great to see more South Asian (and POC in general) on the booking and programming teams at festivals and major events. More diversity at stakeholder level across music; be it management, booking agents, labels, promoters etc. We want to encourage people to pursue that career in music.

What can people expect from a RepresentAsian x Booty Bass day party?

Y: quite simply, it’s going to be a high energy, bangers – on – bangers - filled day. Expect music from across the world with bouncy basslines. We can’t wait!

What’s next for RepresentAsian?

S: We have our DJ workshops coming soon, more podcast episodes and more nights across Bristol and Amsterdam.

SAVE Britain's Heritage Buildings at Risk Register, 2023

As Bristol City Council lists Jacobs Wells Baths for disposal in their 4th July 2023 Cabinet meeting, national advocacy group SAVE Britain's Heritage have added the asset to their 'At Risk' Register, highlighting the urgent need for its preservation and repurposing, along with 67 other new entries to their representing various historic structures across the country.

The nominations received for inclusion in the 'Reuse Me, Don't Lose Me' register showcase the diverse range of endangered buildings in need of attention and revival. Alongside Jacobs Wells Baths, other newly added entries are a burnt-out grade II* bank in Somerset, a neglected grade II townhouse in Margate, ex-industrial buildings in Hull, and a collection of 18th-century estate buildings near George Eliot's birthplace in Warwickshire. Each structure has its own unique story and requires dedicated efforts to breathe new life into them.

The inclusion of Jacobs Wells Baths in the register has happened just as the Council have it is deemed that the building "offers no contribution to service delivery or the local community", in papers published ready for (see pg 282) next week's meeting.

Contrary to this claim, the building has been identified as the only viable option for community and youth services for over 25,000 residents in Clifton, Hotwells & Harbourside. Its social and heritage value has created a huge strength of community feeling about the need for JWB to be retained as a community asset, with a petition in Feburary this year attracting over 1,000 signatures.

Jacobs Wells Baths, "offers no contribution to service delivery or the local community” - Bristol City Council, June 2023

With the complexities that limit demolition or development, Trinity are continuing to support the community case for reisnstatement as a community asset, offering to take on a leading role in developing and fundraising to deliver a viable recovery plan. Embracing a quick-fix mentality has led us to this point, and it is essential that we work collaboratively with the community to find a solution that yields the best results and value for the council, especially in these challenging times as people more and more are turning to our public spaces, through initiatives such as the city's Warm and Welcoming Spaces.

The inclusion of Jacobs Wells Baths in SAVE Britain's Heritage Buildings at Risk Register demonstrates the significance of preserving this historic site and finding a suitable organization, such as Trinity, capable of attracting grant funding to ensure its long-term survival.

As the fate of Jacobs Wells Baths hangs in the balance, there is still time to save it and encourage the Council to explore all possibilities to safeguard its future for benefit of the community and future generations.

Take action today

Submit a question or statement for local Cabinet

Check out our plans for viable asset recovery and management

Share on social media using the tags #SaveOurSpaces #SoldFromUnderYou #SaveJWB

About SAVE Britain's Heritage

SAVE Britain's Heritage is a leading national campaign organization, formed in 1975, that aims to save and protect historic buildings from unnecessary destruction or neglect. Through advocacy, education, and activism, SAVE works tirelessly to preserve the architectural heritage of the United Kingdom.

SAVE's Buildings at Risk register has been active for 34 years, serving as a platform to raise awareness about disused historic buildings and advocate for their reuse to ensure their survival. With growing national attention on the importance of finding sustainable new uses for historic sites, the register plays a crucial role in preserving our architectural heritage.

The unicorn at Trinity

We are pleased to be hosting a Unicorn as part of the magical arts trail taking place throughout July and August in celebration of Bristol’s 650th anniversary.

The art trail features 60 life-sized unicorn sculptures that have been individually designed and painted by some of the South West’s leading artists and will be raising money for Leukaemia Care, the UK's leading leukaemia charity.

" I recognise our health care systems aren't exempt from many of the inequalities in our society, and wanted to create a contrasting design that hopes to raise awareness of this while also celebrating the vibrancy of colours, patterns and textures commonly associated with some ethnically marginalised communities." Emma Blake-Morsi, artist Unicorn Fest

Trinity’s unicorn, named 'Silence Provokes', has been painted by Bristol-based artist Emma Blake-Morsi and is inspired by leading research by the British Journal of Cancer on ethnic disparities within cancer patients, with the intention of raising awareness about inequalities within healthcare.

People will be able to visit the Unicorn most days between 9am and 5pm. Throughout the summer holidays we will also be offering a programme of affordable/free to access activities as part of our Children and Young People's programme so if you are bringing family, or young people you care for, and want to plan your visit - click here to find out more.

Click here to find out more about the trail including how to download the app and buy a map.

Please note that Trinity is an active community space, visitors are advised to check our listings as access may be restricted to the site during day parties or weddings.

Community leader, Mr Fitzroy (Roy) de Freitas in an extract from a paper. image courtesy of Bristol Archives

To celebrate National Windrush Day we are looking back at our archive to shine a light on the Bristol Caribbean Community Enterprise group (BCCE), who were the first custodians of the Trinity Centre following the deconsecrating of the Holy Trinity church in the 1970's.

The year is 1978, and BCCE opens the 'Trinity Community Institute' as it was then named, on 01 July. The grand opening coincides with St Paul's African-Caribbean Carnival to reflect the group's drive to embrace and celebrate Caribbean culture. The Centre is used every evening of the Festival week.

In October 1978, The Easton Christian Family Centre newsletter contains an update on Trinity Church building: "The old Holy Trinity Church has been taken over by the Caribbean Community Association... They have made extensive alterations, putting in a stage in the main auditorium for a theatre and changing the side aisles into separate small rooms. The vestries have been changed into offices. They are currently negotiating plans to turn the graveyard into a large play area, including tennis courts."

In their annual report of 1978, the BCCE chairman writes, "Our aims and objectives are clear - a centre for youth and community activities; the philosophy is a multi-racial multi-cultural centre. The project is part of this community, and if it is to progress, then the community must believe in it." (As quoted in Venue Magazine, no.70).

BCCE programmed community events with a strong Caribbean influence - sound clashes, dub, reggae nights marking the start of Trinity's sound-system heritage. "Trinity Institute," sometimes also known as "Trinity Hall," provided a space for music and Soundsystem culture, welcoming the likes of Jah Shaka and Quaker City alongside punk and new wave bands, including The Stingrays and New Order.

Sadly, in 1984, BCCE went into receivership, and the building was sold to Bristol City Council in 1985 – but was soon to be opened as a community space once again...

Get involved

We have a series of events and activities to celebrate National Windrush Day. Including partnering with Tamasha Theatre to explore hidden stories from the Windrush generation. Click here to find out more.

Then, throughout the July, August and September Trinity will host film screenings, lunches and other community events and activities. Check our website for listings.

This summer, residents and local children will help create a mural in Newtown as part of Brick Project.

The project, delivered by artists Dan Petley and Fraisia Bruist-Papazian and in partnership with Networn Network, will see individual bricks on a wall opposite Trinity Centre painted – creating a collage of community artwork. Each artwork created on a brick will then be uploaded to the Brick Project Website, and will be labelled showing who created the artwork so that people are able to share their creations. The team are currently delivering Mandala painting sessions at the wall, every Wednesday 5 pm to 7 pm until 2nd August 2023. Please email the team for more information on how to be involved.

Brick project are also looking for residents of Newtown to work on paid job roles, which will involve them working with the project to get more residents involved, the deadline for applications is July 15th 2023.

The project is part of our Community and Neighbourhood programme, and will include free-to-access community workshops throughout June, where Newtown residents can get involved and create their own works of art and helping steer the design of the wall.

The project will also connect with children from three local primary schools who Trinity work in close partnership with. In September, they will visit schools to deliver workshops, helping children shape their ideas for the bricks.

Brick project has previously collaborated with communities across Bristol, including Stokes Croft and Kingswood, as well as Glen Park in Plymouth. To see more of their work visit their website.

Click here to contact Brick Project to find out more or check What’s On for upcoming events.

Jacobs Wells Baths Statement, June 2023

As part of our commitment to open working and transparency, we would like to update stakeholders regarding our recently submitted proposal to take on management of Jacobs Wells Baths and reinstate it as a community arts hub for Hotwells.

Following conversation with Bristol City Council in February 2023 to discuss options for the recovery of Jacobs Wells Baths, Bristol City Council (BCC) launched a Community Asset Transfer (CAT) process to formally select a preferred bidder to transform the building.

Trinity submitted a bid that included a fully costed business plan, based on the available criteria published in March. An overview of our proposal to bring the space back into use as a multi-use hub and a full copy of BCC’s responses can be viewed on the links below:

Read our Vision for Jacobs Wells Baths

Read a summary of our CAT application

In spite of indication that Trinity's application scored strongly against the CAT criteria, BCC have written to us in May to state that they will instead be pursuing disposal if we do not submit a joint bid with a second bidder whose legal entity dissolved in March 2023. The wrote to us again in June to ask us to ask us for a further additional bid.

Read BCC responses from May and June.

Speaking in support of Trinity’s plans, Miriam Margolyes – actor and Trinity patron said; “Sadly, arts centres are closing all over the country. It’s something I bitterly regret because I think the arts are the soul of the nation and I think, in our difficult world, people need a place where they can go and learn whatever they want to learn. And talk to each other and have a cup of tea and just relax in a friendly space…I think it’s really important that Bristol should have more of these spaces and that the arts can flourish and nourish us all - because that’s what they do. It’s a beautiful building, and it can be beautiful again.”

Though Trinity were given indication that our bid scored almost full marks, we’ve been told we must back the other bidder with our fundraising and community engagement expertise - even though this is not possible or practical, not least because the legal entity in question dissolved in March of this year.

There are material funds available for a project of this nature and conversations with the community and funders have been hugely supportive. This includes support from a major donor based locally alongside national funders who have granted us permission to apply to their programmes. Sadly we have been unable to progress these applications without Council backing with a leasehold offer in principle.

Emma Harvey, CEO who has been leading Trinity's CAT proposal said;

“It is disappointing given the levels of support and investment that the city has made in certain assets that they are the one stakeholder we've failed to mobilise, even though we only need their support with a leasehold offer in principle and not any funding.

We recognise the difficult position local authorities face in trying to balance budgets. However, this is a classic catch-22 that only they have the power to break - we are simply unable to progress planned grant applications to the next stages and this leaves us without a realistic prospect of success given that the building is currently uninsurable for reinstatement value in its current condition. This presents a real problem for that site given its condition and listed building status.”

With specific funds coming with strict deadlines our window of opportunity to save this building is at risk of closing, unless we can mobilise support from BCC. And by support, I don't mean money - I just mean a letter from someone in charge to says, "yes, we support this proposal". It's really, sadly, that simple.

Fidel Meraz, Trustee for Trinity and Board lead on the Jacobs Wells plans said;

The Board of Trinity expresses its disappointment with the response from BCC. Although both bids may share similarities, they also present meaningful qualitative differences. Trinity is putting forward a long-standing track record of heritage asset conservation and management, a robustly backed-up preliminary plan, and a vision and mission for the project compatible with its charitable objectives, making its proposal incompatible with being merged with a more commercial one.

We have approached BCC for clarity regarding their decision and have requested sight of their assessment and scoring against the published CAT criteria, so that we may seek to understand more clearly their rationale.

We would like to give thanks to all those who have supported us in our work so far in shaping a vision for a community and cultural hub for Hotwells, including local funders who have generously committed their support in principle to enable us to take the chance on this once in a lifetime opportunity. As always, we welcome a conversation with relevant BCC decision makers in order to find a way forward to safeguard this invaluable civic and cultural asset in line with One City objectives.

We will continue to take advice where available and liaise with all stakeholders regarding a positive outcome. We are still committed to progressing our proposal, which we believe to be the strongest plan for building recovery and reinstatement of Jacobs Wells Baths as a community hub for the city.

Image Credit: Alastair Brookes

Volunteer Garden Sessions are back at Trinity for the summer, providing practical support for people wanting to learn more about gardening through practical experience of maintaining and upkeeping our beautiful green space. Not only will you have the opportunity to develop your gardening skills, but you'll also learn the art of growing organic produce, all in a friendly and welcoming environment.

During these sessions, you can expect a variety of tasks, including weeding, planting, watering, creating wildlife habitats, and carrying out basic orchard maintenance. While we work together to enhance the garden, we also encourage you to take a moment to unwind, sip on a cup of tea, and enjoy the serene environment in our Community Garden.

Our gardening sessions take place every two weeks on Wednesdays, running from 10:00am to 2:00pm. Led by Trinity's dedicated Garden Team, you'll be working alongside a friendly group of volunteers who share your passion for gardening and community engagement.

No prior gardening experience is necessary as we provide all the training you need. We'll supply the tools, equipment, and beverages, but feel free to bring your own lunch to enjoy during our midday break. Once you become a regular Trinity Volunteer, you'll also have the opportunity to claim back your lunch and travel expenses.

Please note that these sessions are open to individuals aged 18 and above.

If you're interested in taking part, simply reach out to our Garden Project Assistant, Fleur, by emailing her at fleur@trinitybristol.org.uk. Alternatively, you can contact the Trinity Office at 0117 935 1200.

Fleur will be more than happy to chat with you, discuss your interests and needs, and invite you to a taster session to see if our gardening sessions align with your expectations.

At Trinity, we strive to accommodate everyone's individual needs, so please don't hesitate to get in touch in you have additional access requirements.

Image Credit: Sam Prosser

At Trinity, we are very excited to share an update of our latest steps towards sustainability and energy efficiency. As an iconic Grade II* listed venue in Bristol, we understand the importance of embracing green solutions and renewable energy. That’s why we have embarked on a project to install new solar panels on our roof, harnessing the power of the sun to create a more environmentally conscious and socially responsible community space.

"Since their installation two weeks ago, the new solar panels have produced a whopping one megawatt hour of energy - this is enough energy to power an electric bike for 50,000 miles, or twice around the Earth's equator"

The first phase of the project involves reviving the existing solar panels, which were installed in 2015 and funded by M&S Energy Fund with match funding from Naturesave Trust. With a south-facing roof that gets a large amount sunlight, there is a massive potential for harnessing this natural resource. The solar panels, connected to an inverter that converts DC electricity into AC, will once again produce power for internal consumption or to be sold back to the grid. Additionally, the relocation of the inverter to a more accessible area ensures ease of maintenance and monitoring.

As part of our commitment to sustainability, we secured funding from Power to Change, WECA Green Business Grant and Crowdfunder donations from members of the public for a whole new system of solar panels. These 27 new solar panels are affixed to the roof at a low level to ensure that the aesthetics of our historic building - in line with its Grade II* listing - remain uncompromised. We are proud to reveal that these panels are high-efficiency, high-spec units, each generating 425 watts of power. With a combined capacity of 11.5 kilowatts, they almost double the energy output of our previous panels. Since their installation two weeks ago, the new solar panels have produced a whopping one megawatt hour of energy - this is enough energy to power an electric bike for 50,000 miles, or twice around the Earth's equator! Equipped with the latest specifications and linked to the internet, these solar panels allow us to monitor energy production in real-time, both on-site and remotely.

By embracing solar power, we are making important steps towards reducing our environmental impact. One of the most significant benefits is the self-sufficiency we achieve by utilising solar energy to power our building during events. From our soundsystems to our light shows, visitors to the Trinity Centre can enjoy the knowledge that the energy behind these events comes directly from the sunshine above. In addition to this, when excess electricity is generated, Trinity has the opportunity to sell it back to the power grid, contributing to a more resilient and sustainable energy network.

The successful implementation of our solar panel installation project would not have been possible without the expertise and guidance of BU Energy Solutions, a local company based in the heart of St Anne's in Bristol. Collaborating with BU Energy Solutions reinforces our commitment to supporting local businesses and nurturing a sustainable economy within our community.

Image Credit: Alastair Brookes

On Sunday 14 May 2023, we opened our gates for Trinity Garden Party - our annual, free, community event which featured a mix of live music, arts, workshops and performances.

The Den, our outdoor stage, played host to an extraordinary lineup of talented artists from Bristol and the South West. A diverse range of genres provided the soundtrack for the day; from the soulful jazz melodies of Laimu to the captivating Ghanaian percussion of Ben Baddoo, and the infectious Nigerian rap stylings of Magugu. We finished proceedings with an energetic performance from our headliners, legendary Ruffneck Ting junglist duo Dazee and Jakes, who have a shared history with Trinity spanning almost 30 years.

Meanwhile, upstairs, Fyfe Hall buzzed with energy as local poets, comedians, and spoken word artists took centre stage. Familiar faces graced us with their presence, and we welcomed fresh, local talent into the mix.

In total, we had performances from 13 artists on the day bringing their talents to the Trinity Centre, captivating the audience from start to finish.

Workshops also took place throughout the day, offering a range of new experiences for the local community to get involved with. Movema, our partners, ignited the Main Hall with a captivating Dance Workshop. The always-popular DMAC Drumming and Storytelling workshop was a hit on the day with a fun and exciting drum circle, while crafts workshops and engaging garden activities delighted the children, as well as a Recycle City workshop which was developed with the local community through the Fun Palaces programme.

We wanted to say a massive thank you to all who made Garden Party this year such a success; from the talented artists, workshop facilitators, stall-holders, local food vendors, the dedicated sound and lighting team behind the scenes, our hardworking bar staff, the entire Team Trinity, and, of course, all of you who joined us on the day. The event saw an incredible turnout, with over 2,200 attendees, and the generosity of your donations exceeded £3000, allowing us to organise more community events like Garden Party.

To stay in the loop with all things Trinity, visit our What's On page for upcoming events. Follow us on Instagram, Facebook, and Twitter, and sign up for our mailing list to stay up-to-date.

Trinity offers young people aged 16 - 25 the opportunity to take part in drop in music-making sessions, 1-2-1 or small group music sessions in our studios. Through the Music Masterclass series, we connect young people with touring artists who are part of the live-music and club programme at Trinity, as well as industry professionals. The programme is designed to offer young people the chance to develop their skills and experience so they have the opportunity to be part of the cultural workforce of the future.

We caught up with Tyreke, a former participant in Trinity's young people programme, who shares his story of how access to music provision can changed his life for the better.

From a small kid popping into Trinity's doors, Tyreke slowly but surely worked his way up to become a TA and Learning Assistant, all while honing his skills in the creative field. It's amazing to see how Trinity's resources gave him the opportunity to pursue music and to develop his confidence as a musician.

“Trinity really helped me break through and feel a lot more confident in myself as a musician. Having the opportunity to share work that you’ve produced with other people has been a massive boost to my confidence”

One of the biggest benefits of using Trinity's music provision that Tyreke talks about is the technical skills he learned while using music software like Logic. These skills helped him to produce better music and take his work to a new level, all while being guided by Trinity's skilled tutors. Not only that, but he was able to take part in sessions where professionals in the music industry came in and gave him and other young people advice on how to improve their work. Having someone break everything down for him in these sessions was really valuable, as it helped Tyreke to focus on the things he needed to improve.

Another key aspect of Trinity's music provision that Tyreke benefited from was the opportunity to share his work with other people. This was undoubtedly a massive boost to his confidence, as Tyreke talks about become more comfortable giving live demonstrations and encouraging others young people to get involved in music production. It's clear that Trinity helped him to break through and feel more confident in himself as a musician.

Ultimately, Tyreke's experience shows us just how valuable access to music provision can be for young people. Trinity gave him the chance to develop a passion for music, hone his skills, and even pursue freelance work in the creative field. It's inspiring to see how Tyreke's story has come full circle, as he now works to help other young people get involved in music production and to find work in the creative industries by working for organisations like Babassa and South Bristol Youth.

In partnership with St Paul’s Carnival/Trinity and Citizens In Power, we are exploring how to co-create a cultural strategy for the West of England region with citizens.

During this research phase, funded by Calouste Gulbenkian Foundation (UK Branch), we invited a range of collaborators from the sector who place participation at the heart of their practice to hear from some of the best speakers working in democratic decision making right now.

Part 5: Deliberative Workshops

In January and February 2023 we organised three deliberative workshops with the aim of devising a long-term, citizen-led process that will shape a cultural plan for the area.

In our first session, we heard from Sarah James, the Creative and Cultural Programme Lead at West of England Combined Authority. She spoke about the Combined Authority’s Cultural Compact – a group consisting of representatives from four Unitary Authorities (Bath and North-East Somerset, Bristol, North Somerset, South Gloucestershire) that aims to focus and amplify the role of culture in the region as a driver for economic success, placemaking, community cohesion and personal wellbeing. Sarah talked us through the evolving Cultural Plan for the region and how this connects with other active cultural conversations in the area.

The group then briefly discussed the application process for previous rounds of the government’s City Of Culture competition, from the initial expression of interest through to the judges’ panel visit and interviews. It was agreed that it would be up to the Citizens’ Assembly for Culture as to whether an application for future competitions would be relevant or not.

The group then moved on to discuss the idea of Deliberation – a key methodology used in Citizens’ Assemblies. We heard from Professor Alan Renwick (Deputy Director at UCL’s Constitution Unit) who described the key components which lead to deliberative and consensus decision-making and how this differs from a more conventional debating approach.

Following this first session, we felt that it would be good to bring some of the principles Alan Renwick discussed to life with a couple of stories from inside a Citizen’s Assembly. Therefore, to start our second deliberative workshop, Executive Director of St Pauls Carnival and regular Citizens’ Assembly facilitator LaToyah McAllister-Jones shared some stories that helped immerse us back into the world of assemblies, understand more about their conduct, and remind us that there is expertise around these kinds of participatory processes in our teams and region for us to draw on.

Following this, we spent some time delving more deeply into the way Citizens’ Assemblies are organised and delivered. Sarah Allan, one of the UK’s leading experts in Citizens’ Assemblies, who is Director of Capacity Building and Standards at Involve, joined us to explore the way assemlies are designed along with some of the perceived strengths and weaknesses of the assembly model. She delved into the governance of Citizens’ Assemblies, and how the different stages of assemblies work. After considering the core components of a Citizens’ Assembly, we deliberated together to create a list of other exercises or approaches that we thought could add value to the assembly model.

In the final session, we came together to explore our ideas for a citizen-led process for the west of England region. We set out to create a long-term and affordable and citizen-led process that could create a Cultural Plan for the region. Our main questions and themes were: How can the process itself be creative & cultural? How can the process be inclusive and diverse at every stage? Who are the stakeholders in the process and how can we bring them on the journey? Could the assembly have a federal structure with sub-groups to reflect the different areas across the region? Based on the experience and discussions from all three of the deliberative workshops, we outlined a process as a basic prototype, to be tested with citizens and the wider sector in autumn 2023.

Find out more about the project

Max Cooper. Photo credit Eljaybriss

In 2023/24 thanks to funding from Power to Change’s Community Tech Makers initiative, we are exploring ways in which we can try to overcome some of the challenges in collecting and reporting upon data for grassroots organisations.​

In this project R&D, tech, and community will come together to discuss data in an effort to create a platform that all parties, especially grassroots organizations, can use and benefit from without worry.

We are now looking for a Freelance Creative Technologist (fixed fee £13,000) and Freelance Research and Development Lead (fixed fee £5,000) to join the project team. These crucial roles will help communities meaningfully input to a community-led solution to data capturing and reporting.

Alongside this we are looking for community groups, grassroots organisations, educational establishments and funders to join the Community Tech Steering group. This is a vital role in which you will help advise and bring expertise to the project we are offering a stipend of £500 for members of the steering group.

How to apply

• Download the briefs : Creative Technologist, Research and Development Lead and Steering Group Members
• Send expressions of interests to sarah@trinitybristol.org.uk
• Complete our anonymous Equal Ops form

This role is now closed

Movema Easter workshop at Trinity. Photo credit Alastair Brooks

Due to high demand, applications are now closed

Trinity Community Arts are offering free supermarket vouchers worth up to £150 to help with the cost of living.

The vouchers are available to anyone aged 18 and over who meets one or more of the following criteria

• lives within a 0.5 mile radius of the centre
• takes part in regular community activity at the centre, including Gentle Dance, ROTN and Hype Dance
• takes part in youth activity at the centre, including Next Gen, Stay and Play and after school clubs
• is a parent/carer of a child in local schools including Hannah More, Easton CE Academy, St Nicholas of Tolentine Primary School, Evergreen Primary school and Central Bristol Children's Centre

The voucher scheme will run in May and June 2023 and is supported by The Society of Merchant Venturers,

Credit: Ice Road by Raucous - Photographer Jack Offord

Trinity have submitted a bid to Bristol City Council to take on Jacobs Wells Baths as part of a Community Asset Transfer.

Jacobs Wells Baths, a Grade II listed building, opened as a public swimming pool in 1889. In the 1980's following the closure of the pool facilities the site was re-purposed as a community dance centre - which closed its door in 2015. Following this in Dec 2022, due to rising costs, Fusion Leisure Centre announced that it could no longer commit to re-opening the building as a public pool and a public campaign was launched, driven by local residents, to safeguard the future of the building.

Trinity have been working closely with stakeholders to develop a cohesive plan to take on the management of the building and deliver a programme of repairs in order to re-open Jacobs Wells Baths as a community space. Alongside this we have created a detailed business plan that outlines our vision for the space to be economically viable. You can read these documents here and here.

We remain committed to working with Bristol City Council, Councillors, partners and stakeholder groups to develop and deliver a realisable repair and renovation scheme that is both in keeping with the venue’s dance heritage and also responds to consultation and the desperate need for community and youth provision within the locality. This includes hosting events, attending meetings and other activities to gather feedback from the many voices invested in the future of the site. If you would like to keep up-to-date about our plans, sign up to our mailing list here.

Activism through the lens workshop, photo Khali Ackford

The "Art of Resistance" project, made possible with support from the Heritage Lottery Fund, documented and celebrated the human stories behind activist movements in Bristol. The project focused on the rich histories of five key activist movements from the last 100yrs: Women’s Equality, Workers Rights, Anti-Racism & Anti-Fascism, Counterculture & Reclaim the Environment. Through collecting oral histories and retaining mixed art forms (e.g. poetry, textiles, banners, music, photography) from protest movements we celebrated the rich heritage of Bristol, and its citizens, as a 'city of protest' to educate, inspire and retain this rich history for ours and future generations.

"What I noticed was by taking part in this project, people discovered that there are so many people battling injustices and fighting against social injustices and yet so often don’t see themselves as an activist." Miranda Rae, Facilitator 'Stories of Resistance'

The project, led by historian and writer Dr Edson Burton, programmed an array of activities, including interviews, workshops, performances, film screenings, and exhibitions - engaging over 3226 audience members across 45 events and activities.

As part of the project we created opportunities that enabled first-step engagement with heritage – providing space for people to explore their heritage and learn new skills in research 83 volunteers took part in 69 hours of training delivered by 11 professionals.

Events included 'The Final Frontier', a creative conference of artists and activists and commentators, we welcomed Soundsystem pioneers DJ Stryda, Lioness, Big D and Vibronics for a 'Desert Island Discs' style event in our outdoor venue. We curated three exhibitions' exploring protest through various artforms. 'Snapshots of Resistance' (online & in person) showcased a selection of photographs documenting women protestors & pioneering artists.

We preserved local testimonies of activism across generations through 'I Remember When'. During these sessions we collected memories and artefacts that contributed to our end of project exhibition, book publication and online archive. Participants included Laura Corballis, Deasy Bamford, Gill Haugh, Ros Beauhill, Lilieth Morrison and Colin Moody.

Oral histories collected as part of the project have been captured in the table book ‘Art & Activism Vol 1: A Portrait. Alongside this bringing the project to life, people can explore the stories further via our interactive Heritage Archive, where you can listen to oral testimonies, watch videos and explore photos and other items gathered during two years of the Art of Resistance project.

To find out more about the project read the Art of Resistance report here.

Teachings In Dub has been a Trinity mainstay since 2008. As arguably Bristol's most famous dub night, Teachings is a core part of Trinity's club programme, continuing our heritage of dub and soundystem focused events. Teachings has hosted some of the most influential figures in dub, including Jah Shaka, Aba Shanti-I, Channel One and many more. As Teachings in Dub prepare to return to Trinity on 05 May with Indica Sounds and King Original, we spoke to Teachings co-founder and one half of legendary dub outfit Dubkasm, DJ Stryda, about how Teachings started, their influence on the Bristol music scene, and big plans for the future.

How did Teachings in Dub start?

In 2007 we launched as the downstairs room of a two floored club (now bulldozed) called Clockwork on Stokes Croft. Dubstep legend Pinch ran his infamous event Subloaded in the upstairs room while we did Teachings in Dub downstairs. These events have gone down in history and are remembered by many as some of their most influential events of that time.

"We aim to give elders a space to enjoy the music and vibes they grew up on as well as a window for newcomers to enter a music scene they may have otherwise not even known existed” - Stryda, Teachings in Dub co-founder

When did Teachings move to Trinity Centre?

In 2008 Clockwork announced it was closing, Pinch and I looked into another two roomed venue but none seemed to exist that fitted the vibe so TID and Subloaded went their separate ways with TID moving to Trinity where we've remained ever since.

How do you think Teachings has maintained such a high level of popularity over 15 years?

I'm one half of the duo Dubkasm and have travelled the globe pushing Roots and Dub, in turn this has kept me in tune with what's going on in the scene and helped establish firm relationships in dub which all leads back to TID and the type of cutting edge lineups we offer.

What do you think Teachings in Dub offers to the Bristol music scene?

A space to come and experience the real deal in Reggae soundsystem. We pride ourselves on keeping the tradition alive and not only have two different sounds meeting in the arena but we also offer ital Caribbean food, Arts and Craft plus Record stalls for the full cultural experience.

What's next for Teachings in Dub? Any big plans for 2023?

We have some huge sound meetings scheduled this year, each one is going to be special including later in the year teaming up and celebrating 25 years of Leeds' renowned dub event SubDub.

Teachings in Dub returns to Trinity on 05 May with Indica Sounds and King Original, click here to get your tickets.

Image Credit: Alastair Brookes

Our Next-Gen Sounds program has wrapped up its first term on a high note. The weekly open access music session for young people has provided a supportive platform for budding musicians to hone their craft and showcase their talent. This term culminated in an impressive performance that highlighted the remarkable progress made by the young musicians.

"Though anxious in the beginning, I feel, after settling, that Next-Gen has become a star part of my weekly routine." - Next-Gen Sounds Participant

The end-of-term performance showcased the progress and achievements of the young musicians. In total, 17 young people engaged with Next-Gen Sounds over the term. During the showcase, the audience was impressed by the quality of the music and the energy and passion of the performers. It was clear that the young musicians had grown in confidence and skill, a testament to the program's effectiveness.

Next-Gen Sounds has proven to be a valuable resource for young musicians seeking a safe and inclusive space to express themselves, develop their skills, and meet other like-minded musicians. With 50% of regular participants being first timers at Trinity, the program has successfully attracted a diverse range of young musicians who may not have otherwise engaged with Trinity’s programme. Participants have expressed their appreciation for the programme, with one stating "I wanted to come back! It’s easy, no judgement, no pressure, it’s fun."

The success of Next-Gen Sounds reflects Trinity’s wider commitment to providing accessible opportunities for young people to engage with the arts. The programme has proven to be an invaluable resource for young musicians seeking a supportive environment to hone their craft. Trinity looks forward to continuing to support the musical aspirations of young people through this exciting programme.

Next-Gen Sounds continues every Thursday - click here to find out how you can get involved.

x-church in Gainsborough

As the push continues to #SaveJWB, we look back to Trinity's 2018 Heart & Soul project and our series of talks where both national and international speakers shared their knowledge and experience on the positives and pitfalls of re-imaging historic buildings. In this blog we invited Marcus Hammond, curator of x-church - a community space in Gainsborough, like no other - to come and share its story...

Over a million bricks hold together the love and forward-thinking acceptance of x-church. Marcus Hammond

Marcus Hammond bought a church building in 2006 and the night before he received the keys, the window got bricked. Therefore the first few days of his ownership were spent fixing the windows, and during this time he left the doors open. Children and young people walked right in and started playing in the space. This has lasted 12 years so far. ‘Now’, he said, ‘the building is almost incidental’.

It was interesting to learn that in the same way as the children wandering in, a lot of x-church’s journey happened almost accidentally: the building was described by someone as built in a slum-gothic way, and as well as enjoying the playful amalgamation of two words, Hammond and what was becoming a small team of volunteers decided it would be the name of a youth project.

x-church is host to many successful visual art installations

Physically building a place is hard but assembling the people is harder

They created a small dome structure for Slumgothic within the huge church space in which young people’s music and band practice can be contained. Immediately Hammond was building relationships with young people with total acceptance of who they are as individuals. Over time these relationships led to so much mutual respect that Marcus handed out keys to the front door. This helped with practical things such as not having to be there to unlock, but also gives the young people a sense of ownership of the building. With a mixture of surprise and pride, Hammond said, ‘So far, nothing bad has happened.’

The bare-brick architecture has become x-church’s strength and therefore not much has been added to make it more than a vast empty space. Marcus’s view is that physically building a place is hard but assembling the people is harder. For example, Mukhat Dar is open about his poignant story of how not all arts spaces end up in success as he reflects on The Drum Arts Centre (The Life & Death of an Arts Centre).

The x-church team like it when someone comes in and has a grand plan for an exhibition, show or event to hold there, and x-church is welcoming to almost all ideas. In a community like Gainsborough there is not an active interest in art or culture but x- church’s practice of ‘inconveniencing people with art’ proves that if you take it to the people they will engage.

From blocking out all the windows with card in order to turn x-church into a camera obscura to holding 24 hours of drumming for Syria, lots of events and exhibitions have taken place at x-church, some instigated by the young people and some by external artists. ‘Increasingly at x-church', according to Marcus, 'people don’t have a fear of making a fool of themselves.’ I agree wholeheartedly that there is a lot to be said for creating a space in which young people can take risks. In a time when young people are called upon to be available at all times via phones, it is increasingly important to allow freedom in other parts of their lives to benefit their wellbeing and independence.

Through loads of conversations and shared experiences, the lives of individuals and the Slumgothic community has been immeasurably touched. From what I heard at the talk, x-church is an inspiring example of what could be happening to benefit young people all over the world. Over a million bricks hold together the love and forward-thinking acceptance of x-church, but Marcus is not precious about what happens to the physical building, instead it is the people that matter. 'If the building collapsed we could just relocate somewhere else. Even to a field.'

This write up was by Tess Sieling, who was the project intern on the Heart & Soul heritage project. The talk was part of a series exploring the challenges and achievements of transforming and preserving historic buildings and was programmed in collaboration with Bristol's Architecture Centre and the University of West England (UWE).

How to get involved

Click here to sign the Hotwells and Cliftonwood petition to Save Jacobs Wells Baths

Further reading

Read more from our Heart & Soul talk series - Father Paul, Fidel Meraz and Dr Katie McClymont

Read more about the Save Jacobs Wells Campaign here.

Image Credit: Sophia Stefelle

Trinity collaborated with the local community organisation Somali Kitchen and creative collective YESIDub to programme a series of free-to-access family cooking sessions for local families. The sessions aimed to create a space for connections by exploring Somali culture through food and play.

“I like going to school and coming here afterwards, playing with my mum and cooking”

Taking place over six sessions at Trinity, the team at Somali Kitchen led workshops in cooking traditional Somali food, including ‘Soor’, a dish that is accompanied by a tasty vegetable sauce. Children also had opportunities to get involved with their parents and they learned how to prepare and cook fresh vegetables. Alongside this, YESIDub facilitated the ‘arts corner’, a space for children and parent/carers to take part in craft, games and play activities. Trinity’s Community Producer was on hand throughout to help support the sessions.

The project was a great success, welcoming 11 children alongside their parents/carers. All the families told us that they really enjoyed taking part in cooking and facilitated play. They also shared how they have learned how to cook new dishes including vegetable curry and pancakes. Children shared that they really enjoyed experiencing new things such as chopping the ingredients and sharing their cooking with the group.

The sessions are delivered as part of the wider-inactive Eastside People and Places that is connecting people, reducing loneliness and isolation and helping people feel included and welcome through community-based activity.