As they take a summer break from their monthly sessions at Lost Horizon, they couldn’t resist throwing a one-off day party with a twist, bringing the lounge setup to The Den, set against the backdrop of the garden for an all-day celebration in the sunshine.

Expect the usual shenanigans: SpaceJams in the round, Brakery hosting an all-vinyl dance, and a very special guest

• Cuppa (Brighter Days Family)
• Miss Mash

Join us as special guests as we team up with our friends at Trinity to bring the lounge setup to The Den, set against the backdrop of their beautiful garden for an all-day celebration in the sunshine.

Under 18s have free entry, and under 14s to be accompanied by an adult.

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

About Trinity Presents:

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Rub shoulders with bewildered characters as they navigate their once-familiar streets now transformed by time. Listen to their tales of bustling market days where fortunes were made and lost through clever bartering and sharp wit.

This extraordinary walking tour won’t just tell you about Old Market's history—it brings you face-to-face with the very people that lived it.

Tour Times

12pm – 12:30pm

1:30pm – 2pm

2:30pm – 3pm

3:30pm – 4pm

4:30pm – 5pm

A ticket to the promenade gains you access to the fayre (timings 12:30pm - 5pm). More info here.

Further Info

A £5 deposit is required when booking. This deposit can either be refunded or exchanged for a voucher that can be spent in Old Market business taking part in the Destination Old Market.

To sign up for vouchers, after attending the event, a form will be sent to you so that you can choose your business of choice to get a digital code to redeem over autumn!

Please be aware that media (including video, photos or audio) may be collected at this event. If you do not wish to be included, please stand aside and/or make yourself known to the photographer or videographer.

Destination Old Market is produced by Trinity Community Arts and is part of the City Centre and High Streets Culture and Events Programme, funded by Bristol City Council and the West of England Combined Authority. The initiative aims to attract more visitors to the City Centre, boosting local businesses and the economy.

Feast like nobility or dine as a humble peasant - the choice is yours. From succulent spit-roasted pig to delicate mushroom tarts, our period-inspired fare satisfies every palate.

All while our town's finest jester keeps spirits high whilst Bristol's most talented musicians fill the air with melodies that transport you to days of old.

Line Up

True Strays • SOULBEE • Aileen Kelly

Further Info

A £5 deposit is required when booking. This deposit can either be refunded or exchanged for a voucher that can be spent in Old Market business taking part in the Destination Old Market.

To sign up for vouchers, after attending the event, a form will be sent to you so that you can choose your business of choice!

Please be aware that media (including video, photos or audio) may be collected at this event. If you do not wish to be included, please stand aside and/or make yourself known to the photographer or videographer.

Destination Old Market is produced by Trinity Community Arts and is part of the City Centre and High Streets Culture and Events Programme, funded by Bristol City Council and the West of England Combined Authority. The initiative aims to attract more visitors to the City Centre, boosting local businesses and the economy.

Their debut album Wolo So and follow-up When The Dust Settles explore collective polyrhythms, emotional themes, and personal stories, capturing the journey of Black identity and community in the diaspora.

+ support from Kesh

Please note this is a standing event, accessible seating is available. To reserve a limited seating spot and/or arrange a companion ticket, please contact info@trinitybristol.org.uk

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

About Trinity Presents

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

Our annual, free, music and arts event features a fantastic mix of local artists, bands, and performers. Garden Party is family friendly with workshops and activities running throughout the day, with food from local vedors

Line up:

• Krust
• Rea
• Joeti
• Rwkus
• Kaya Street
• Ember & Sentient Sound
• Stevie Toddler

Access - if you have access requirements please let one of our team know how we can help.

Play your part in Trinity's future and support events like Garden Party, with a suggested donation of £3 per person.

Please note that no alcohol and no dogs can be brought on site. Bag searches will take place.

Stall application

If you are interested in having a stall please complete the stall application form. The closing date for stall applications is Mon 14 April 2025. We will be responding to applicants the week following the closing date. We will not be accepting food trader applications this year.

About Trinity Presents

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

‘One Foot in the Dark’ is an exploration of our known and unknown experiences of identity, culture and change through text and movement.

It comprises a double bill of solo ‘The Skeleton is White’, exploring how the colour of our skin can affect our relationship to each other and to the environment and ‘Six Degrees from Home’, an inter-disciplinary duet by Divija Melally and Saili Katebe, exploring borders and connection through movement and poetry.

Both are honest explorations of two artists from the global majority understanding what it means to navigate through life, questions and unknowns.

Credits: First commissioned by Pegasus Theatre and Dancin’ Oxford Festival 2023.

About Trinity Presents:

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

One day, a baby clown accidentally bounces off a passing circus train and is left in the middle of nowhere, separated from family and friends.

A little reluctantly at first, the farmer takes the clown in. As time passes, they discover that by being with each other, they find something new in themselves.

Made with consultation from Deaf Access and Visual Language consultants, Flibbertigibbet Theatre has adapted this picture book by award-winning author and illustrator, Marla Frazee, into a new wordless play for all ages.

Playing without words, the show is accessible to a wide range of audiences. They worked with  a Visual Language consultant and Deaf Access Support consultant, to ensure that the physical language created for the storytelling is clear and accessible for all audiences, including those who are deaf or hard of hearing. Anyone who does not speak English can still enjoy the show as language is not an issue.

The story delicately explores themes of loneliness, friendship, and care, across the divisions of age and community.

‘UTTERLY HEARTWARMING AND RELATABLE…. What Flibbertigibbet have created is a beautiful, simple, and charming piece of theatre, suitable for all.” Bristol 24/7

Buy Tickets

12pm Ticket Link

3pm Ticket Link

This is a Trinity Presents event.

tiata fahodzi presents EVERYWHERE - a triple bill of short plays presented together, driven by a provocation about what we do in what spaces matter.

Drama and conflict are things that we experience as humans everywhere beyond the limitations of a theatre space, and these 3 commissioned writers are exploring what that means to them in short form. Working with brilliant actors and creatives, the triple bill 30-minute pieces will bring some of best established and emerging talent from theatre to tell original and diverse stories that take us from displacement to maternity wards.

The EVERYWHERE triple bills are very much about instigating conversations and curiosity between artists and audiences.

Writers include Yusra Warsama, Magero and Anyebe.

DEAL - 2 tickets for £13 Book HERE

This show is part of Trinity Presents, showcasing the best of performance.

Honouring the art of assembly, choreographer Dam Van Huynh explores alternative methods of dissent, drawing on noise to embody defiance and celebrating the power of coming together.

Sounds of protest against inequalities take centre stage, creating a unique sensory experience through music, lights and movement.

This is a dance between disruption and communion, an invitation to wake up our collective spirit in an act of solidarity and care.

“This is a performance which pushes at the boundaries of what dance can be (…)” **** To Do List, Re:birth, 2023

"A highly captivating, emotional and explicit work that challenges how we situate ourselves within(out) our society." Dance Art Journal, In Realness, 2022

Supported using public funding by Arts Council England with further support from The Arts Centre at Edge Hill University, Pavilion Dance South West and Centre 151

This performance is part of Trinity Presents

Komposa has been gracing us with his beats, gritty flows and lyricism for some years with his music aired and supported by various local and national radio outlets. Expect hard hitting flows and content, combined with Soulful Melodic sounds, whether accompanied by live instrumentation or set heavy beats, Komposa is on a mission to make you sit up and listen.

Lyandra is a UK born Nigerian rapper, performer, and recording artist who hails from bayelsa state, southern Nigeria. She was raised in port harcourt (rivers state) and spent most of her youth in Los Angeles, California, where she developed her music and performing arts, She now resides in Lagos where she’s rebuilding her brand. Lyandra has penchant for Afro hip-hop, drill and witty rap, delivering prolific lyrics, stage presence, and high energy performances.

CON is the moniker of Constance Bowes combining the best of modern jazz and popular Funk, to produce a distinct sound that highlights the juxtaposition of her colourful melodies and compassionate lyrics.

Please note this is a half seated, half standing event. First come, first served, unless reserved prior for people with accessible needs.

17:00: Doors

18:30: Last entry

20:00: Curfew

About Trinity Presents:

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

Venue levy: Trinity has introduced a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre building and grounds.

Wedding songs & wicked bass,

Our skin to our soul,

Our soul to yours.

We present to you a deep exploration of what being South Asian was, is and could be, recontextualising songs of the heritage in the setting we hope you feel most comfortable.

• Arabesque
• Rea
• Brown Excellence ft Vishnu (live tabla)

Powered by Sinai Soundsystem

If you want to hear:

• Bhangra & bollywood bangers on a rig
• Arabic funk run loud through a system
• Fresh UK Bass interpretations of South Asian rhythm and melodies

Then get involved x

Please note this is a standing event, accessible seating is available.

Last entry: 2 hours before curfew

About Trinity Presents

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

In Autumn 2024 we celebrated the rich creativity in Old Market through a programme of free creative happenings throughout the inner city suburb.

Amplifying the wide-ranging grassroots musicians in Bristol we took over shops and restaurants transforming them into pop-up DIY music venues hosting the likes of d Young Echo, TLK, EJ:AKIN and Rider Shafique and Sarahsson.

Audiences also explored Old Markets history through a promenade performance devised by writer Edson Burton and artist Tom Marshman. The performance uncovered the hidden stories of residents from Old Market’s past as well as exploring the sites and sounds of the area.

In addition to celebrating the rich cultural offerings in Old Market the programme of work intended to help encourage new audiences to Old Market – an often overlooked suburb of Bristol. Over 90% of audiences who came along to one of the free events shared that they were visiting the area specifically for the show or performance – and 55% shared that having come along to an event meant they were more likely to visit Old Market in the future.

In total over 700 audience members attended one or more of the events as part of Destination Old Market. As part of the programme we created paid opportunities for 48 musicians, 5 actors and 15 creative practitioners.

About Destination Old Market

Destination Old Market is produced by Trinity Community Arts and is part of the City Centre and High Streets Culture and Events Programme, funded by Bristol City Council and the West of England Combined Authority. The initiative aims to attract more visitors to the City Centre, boosting local businesses and the economy.

Mya is part of Mandala Theatre Company. Credit Seed Guardians/Mandala Theatre Company

We are committed to creating ways in which citizens can take an active role in shaping arts and culture, through projects such as Citizens for Culture. This Autumn we are inviting creatives and activists in the West of England to respond to the Black History Month 2024 theme ‘Reclaiming Narratives’ through the lens of Citizens For Culture’s core principles of inclusion, and voice and influence. In the second of this content series, writer and actress Mya Fraser shares her poem Justice.

Reclaiming the Narrative: Mya Fraser and Justice

Justice

Think of a boomerang, an object which is designed to return

back to that throws forcer. What happens if it doesn’t come back?. History. Left behind whilst they dare to live without them. I believe in clarity. what i would like to clarify is the detachment clarify the sadness the hurt the wonders. I believe in comfort. something you can’t breathe properly without. your beats no longer stating the same rhythms. that irregulation speaks volumes. the very same songs the luth sings isolated. As if there’s a complete loss of control. where lies the control when the one creator's captured fix stays lost. You've Left the hand waiting behind whilst finding that paternal break. The originator plucks the air it once sat. pondering in what it’s doing. Where are you? Hopeful you’re homesick. do theirs caress better?  do theirs care for more?. Remaining wishful of tracing those invisible tracks in which the sand once led for you. Fulfilling the void that formed in your absence. To hear your sound once more would be an extraordinary pleasure in the figure and in the residential care of your beloved. Bring them home. Because again, I believe. and what i believe in most is a happy ending. rewriting a story doesn’t change the idea of the first plot, it manipulates the initial honesty. Here’s to history.

About Mya Fraser

Mya Fraser is a 20-year-old actress and writer, brought up in Oxford. At the age of 15 she decided to begin her acting career by joining young theatre companies based in her hometown. She later went on to receive her acting diploma in 2022 on a two year A-level equivalent diploma course at Bristol School of Acting. Fraser has been on multiple international tours with Mandala Theatre Company and is currently in their show Seed Guardians.

Follow Mya on Instagram

Interested in finding out more?

• Read the first part of this series, an exploration of NGAIO's music video Goddess
• Email Imogen@trinitybristol.org.uk to join our Citizens For Culture mailing list
• Find out more about what a Citizens’ Assembly for Culture is in this Q&A
• Become a Citizens for Culture Associate

Citizens for Culture is an initiative from St Paul Carnival CIC, Trinity Community Arts, Citizens in Power and West of England Combined Authority and is supported through funding by Arts Council England, Paul Hamlyn Foundation and Calouste Gulbenkian Foundation (UK Branch).

We are committed to creating ways in which citizens can take an active role in shaping arts and culture, through projects such as Citizens’ for Culture. This Autumn we are inviting creatives and activists in the West of England to respond to this year’s Black History Month theme ‘Reclaiming Narratives’ through the lens of Citizens For Culture’s core principles: inclusion, voice and influence. In the first of this content series DJ, vocalist and songwriter NGAIO discusses her music video Goddess.

Reclaiming the Narrative: NGAIO and Goddess

The creation of this music video was so important to me, to tell my story of what it’s been like to find myself and my beauty in a Western world as a mixed-race woman. The beginning scenes were filmed on the streets of St Pauls, where my topless billboard was put up as part of the Censored campaign, which was put together to raise awareness about the sexualisation of women's nipples and the persecution received when seen in public.

"Goddess is about saying we're all Goddesses - no matter what anybody tells us, we are exactly what we need to be. We don't need to starve ourselves. We don't need to have the same face and body. Our uniqueness is what makes us individuals."

Men can go topless at any time, but women can’t, why is that still the case? It folds into a wider discussion about how heavily women’s bodies are policed when we look at reproduction and beauty standards - it all comes back to what external people think women should do with their bodies and how they should look (which changes all the time). These consistent messages of scrutiny in society through the media, and comments made and overheard, led me to feel deep shame, embarrassment, and fear.

I have been on a journey of loving my curves and accepting - some days even appreciating - my lumps and bumps. Never in a million years when I was young did I think I would feel steady enough to not only be pictured without a top on, but to let that be shown to the world on a street five minutes from where I grew up.

Goddess is about saying we're all Goddesses - no matter what anybody tells us, we are exactly what we need to be. We don't need to starve ourselves. We don't need to have the same face and body. Our uniqueness is what makes us individuals. Whatever the shape, size, colour, or gender; you are a Goddess in every sense of the word. People try to tell us that we should look a certain way or act a certain way. We're consistently being told who we should be, but how we feel about ourselves shouldn’t be dependent on the external world. We are more expansive than that.

Goddess is about understanding that we are connected to more than this moment we're in right now on this planet. It is about the connection that we have with our spirituality and our ancestors which is why in the middle scenes I’m surrounded by foliage outside with my natural hair picked into an afro. These scenes were to symbolise the necessity of connecting with nature and the Earth from which we are all born and will all return. Some see the Earth as a rock we live on that serves us, and that is so sad. This living, breathing, organism has given us and our ancestors life - it continues to connect us in space, spanning time we can’t even fathom.

The breakdown in the song is a celebration of that realisation that we are our past and our future and if we are ever feeling lost or unsure, we can tap into the Goddesses inside us to find our way. Through connection to nature or connection to ourselves - knowledge and love are always there, inside us. It ends on a scene which was a nod to a duo who have inspired this new chapter of my musical journey - Ibeyi and their first release, River.

It was filmed by Charlotte Sawyer, a long-term collaborator and lover of nature who’s just won an award for her incredible documentary Rave on for the Avon to raise awareness about the dangerously unsanitary state of our water in East Bristol.

This song - for me at least - was made for moments when I’m feeling unsure, to calm me with melody and stillness, to shake me up with love, before releasing me back into the world. I hope it can do the same for you.

About NGAIO

NGAIO, the versatile artist renowned for her vocals, songwriting, and DJing prowess, seamlessly blends these talents to craft electrifying live performances. This year, she will debut her first self-produced EP 'Four Quarters' and accompanying live show, featuring live vocals and recreations of her productions delivered through Ableton Push. Soundscaping trip hop, jazz, bass and global music in a multigenre sound reflecting her travels - there's something for everyone. As a mixed-race woman, NGAIO infuses her artistry with personal experiences, enriching her music with poignant storytelling told through spoken word and jazz-infused vocals delivered with passion.

Transitioning from band and DJ gigs to curating a solo show, NGAIO intricately weaves jazz and underground bass influences, earning comparisons to the eclectic iBeyi and Greentea Peng. Beyond music, NGAIO advocates for cultural understanding, bridging divides between races and classes.

Check out NGAIO’s website or socials @ngaioamusic

Videographer - Charlotte Sawyer

Photographer - Charley Williams

Interested in finding out more?

• Email Imogen@trinitybristol.org.uk to join our Citizens For Culture mailing list
• Find out more about what a Citizens’ Assembly for Culture is in this Q&A
• Become a Citizens for Culture Associate

Citizens for Culture is an initiative from St Paul Carnival CIC, Trinity Community Arts, Citizens in Power and West of England Combined Authority and is supported through funding by Arts Council England, Paul Hamlyn Foundation and Calouste Gulbenkian Foundation (UK Branch).

Seedling Sessions - Image Credit: Claudia Rojas Nunez

In September 2024, we welcomed 'Seedling Sessions' as part of our in-house programme, Trinity Presents. The event is dedicated to showcasing early-career musicians with the goal of fostering a more inclusive music industry in Bristol. Beyond performances, people are able to access work experience opportunities in areas like artist liaison, stage management, and sound engineering.

The event is the brain-child of Bristol-based artist MĀDŁY (aka Cassie Madly) who curates diverse lineups, showcasing various genres which allows audiences to connect with artists they might not have discovered otherwise.

“Seedling Sessions felt more like a curated art experience than a gig. Each act took me on a journey, and the night flowed beautifully from start to finish. I can imagine it becoming a mainstay of Bristol’s nightlife.” - Audience Member

During September's event, Madly programmed Experiment x O.B, a fusion of Deems Experiment and Solomon OB; Jausmė, a Lithuanian artist known for her innovative use of the kanklės and Immy, a Bristol-based musician programmed through a partnership with music college BIMM.

For the event the Fyfe Hall featured decor designed to evoke the ambiance of an old-school jazz club, with cabaret-style seating, candles, and a cocktail menu. With over 110 attendees, the night was a resounding success.

On bringing sessions to Trinity Cassie shared that “Trinity is an iconic venue in Bristol that a lot of musicians dream of playing at. When I mentioned bringing my concept there, they were immediately supportive. The upstairs room, with its historic features and stunning stained-glass window, was perfect for the vibe I had in mind,”

Seedling Sessions were originally founded in 2016 by Cassie Madly (aka Madly), the event began as a monthly showcase, providing artists with the opportunity to perform live, while also receiving professional photos and videos to help promote future gigs.

Click here to see what's coming up on Trinity Presents