TARIFFS**

Monday to Saturday:

Up to 30min - £1.50

30min to 1hr - £3

1hr to 2hrs - £4

2hrs to 3hrs - £5

3hrs to 4hrs - £6

4hrs to 5hrs - £7

5hrs to 6hrs - £8

6hrs to 12hrs - £9

Sunday & Bank Holidays:

1hr - £1.5

12hrs - £5

48hr bus tariff - £60

Please note Trinity operates an ANPR system - please ensure you pay and display for the duration of your stay or you will receive an automatic Parking Charge Notice (PCN) from our car park management company, Carflow.

Who needs to pay?

Our car park is 24hr Pay & Display and all visitors are required to pay and display, including staff, volunteers, hirers, Centre visitors and Blue Badge Holders*

How do I pay for parking?

Payments for parking tariffs can be made on two parking payment terminals within the car park using credit and debit cards. Please enter your full registration when paying for parking. Payments may also be made using the RingGo parking app using the car park code 46600.

Who operates the car park?

The car park is operated by Carflow Car Park Management

Is accessible parking available?

There are four accessible parking bays located next to the new daytime entrance, which is situated on the left-hand side of the building.

Can we reserve a space?

Parking is managed on a first-come first-served basis. If you are running a large event or private function, please contact your Bookings Coordinator for further information.

How many parking spaces are available?

The car park can fit approximately 45 vehicles.

Can I park overnight?

You will be able to park any-time and the car park will be open and monitored 24hrs. If you come for an evening event, you are able to park for up to 12hrs. Please do not leave valuables within your car or in plain sight. If you overstay, you are also able to top up your stay before leaving the site.

Why does Trinity charge for parking?

Trinity is a charity and we run the Trinity Centre almost entirely on the income we generate from hire of the premises and events, via our trading subsidiary, Trinity Community Enterprises.

Revenue from our car park helps to fund Trinity Centre running costs and our programme of community activities.

This is a vital source of income and helps to sustain our community centre and maintain and repair the listed building. It allows us to offer free and subsidised use of our hall-space for community activities and helps to match fund projects such as our heritage, arts and youth activities.

Parking Charge Notices (PCNs)

Trinity operates an ANPR system - please ensure you pay and display for the duration of your stay or you will receive an automatic Parking Charge Notice (PCN) from our car park management company, Carflow.

Trinity is unable to take forward individual appeals against PCNs issued, nor do we receive any revenue from PCN charges. To query or appeal a PCN, please contact appeals@carflow.co.uk or visit their website.

*If you are taking part in a project activity run by Trinity Community Arts, you may be able to claim back your expenses - please speak your Trinity Event Organiser for more info. Click here to find out more about accessibility at Trinity. **Prices subject to variation - please check on site.

Inspired by the campaign to install a water-slide on Park Street, plans are under way to install an external slide around the Trinity Centre building. The special 'rainbow' slide measures almost 22m in height and will take centre users on a journey from the rooftop of the grade II* listed building, all the way to the bottom.

Centre Manager, Emma Harvey said: "We've been thinking of an easier way to get people down from the upstairs of Trinity for some time - we explored options such as fireman's poles and conventional escalators - this option seemed the most in-keeping with the building and organisation."

As well as the new slide, the second phase of development works will also include installation of loud-speakers on the towers - replacing the toll of the bells in the tower, the speakers will play Jimmy Cliff's I Can See Clearly Now on the hour as a way of keeping everyone aware of the time of day.

Thu 20^th March 2014

LA’s Banks ploughs a polished furrow in deeply personal themes delivered as powerful sultry vocals over often fervently moody electronica.

On this UK tour she has been joined by LuckyMe’s resident DJ and darling of Rinse FM and Radio One, Eclair Fifi, here ushering in the audience with a selection that mines the seam where r’n’b meets bleeding edge, post-dubstep production. It’s an at once accessible and thrilling alliance - and the perfect fanfare for a visiting artist that has leant so heavily on the production values of the UK’s taste-making underground.

Taking the stage to sinister scene-setter Before I Ever Met You, backlit and misted in dry ice, the slight American cuts a gothic silhouette as she sashays back and forth from the shadows.

On stage, Banks is flanked by two musicians, one at a drum kit, the other alternating between keys and guitar, augmenting the backing track. There is a synergy at play here, and with a lighting production that perfectly encapsulates the intensity of her sound, the show is at once intimate and powerful.

Following the haunting This Is What It Feels Like Now the more upbeat Change reveals a little of the true vocal power our host can wield. Then just when it seems the whole evening might be trotted out in the same vain she lets rip on Brain.

Perhaps because this is the first night of the tour, from this point we see a more relaxed and confident performance. We are treated to a debut airing and a little more in the way of conversation as the mood gradually lightens through Warm Water towards something of a soulful, even sunny, groove.

The dark and light of ‘Waiting Game’ brings the night full circle before our host announces her last of the evening is to be another 'world premier', a mild disappointment of crude r’n’b-informed pop, perhaps hinting at a more American aesthetic for the forthcoming album.

This would be a shame, for us in the UK at least, as it is through the unapologetic intelligence and atmospherics of her material to date that she stands a greater longevity in hearts and minds over here.

by Mark Edmundson

Spring is a sign of the harvest to come, but a harvest requires many hands. After a highly competitive application process we recruited local historian, writer and publicist Mike Mason to the role of archival researcher. Mike will look through the local and wider archives to find those buried documents that contextualise the oral history of Old Market.

Since January the number has risen to 14 - Edson has supported and encouraged the volunteers to identify their own mini research projects in Old Market.

Vice & Virtue is committed to give all our volunteers as much support as possible to pursue their research. With this mind we are running research sessions during the course of the project.

Dr Madge Dresser led our first training session on a sunny day in March at Arts West Side. Madge gave a brilliant introduction to the value of oral history – what it can and, as importantly what it cannot always tell us.

Our next training session will be an introduction to the hidden gems at Bristol Central Library on the 22 of March - please get in touch to register your interest.

The research is gaining momentum. The team has gathered a wealth of anecdotes and have begun conducting formal interviews. Members of the public have also shared posters from the hey day of the former Empire Theatre. More material will undoubtedly follow.

We are planning a series of events and talks to spread the History of Old Market. Our first event a partnership with the LGBT Forum held on the 20 February provided a number of leads as well as strengthening our connections with the Forum.

Since our first meeting we have established a regular weekly drop-in session for volunteers and members of the public (Tuesdays). The vibe is chilled and supportive, informative and fun. We are still looking for volunteers, so if you would still like to be involved in this exciting project email story@3ca.org.uk or call Edson on 9351200 Mon- Weds to find out more.

@EdsonBurton

200 friends of Trinity turned out for the official opening of our new upstairs hall - including Presenter Susan Osman and Lord Mayor Faruk Choudhury.

The event gave people in the community and users of the Centre the opportunity to see all the improvements made to the building, thanks to funding from Big Lottery Reaching Communities Buildings and Ibstock Cory Environmental Trust.

'Bristol Reggae Orchestra' gave an outstanding performance - the first musicians to perform in the renovated upstairs hall. Other acts included a special performance from resident dance-troupe Hype. Bristol Samba closed the evening, with a drumming and dancing performance.

Thanks to all those who attended for the re-launch of this much-loved community arts venue.

Don't miss our public launch gig - Adrian Utley (Portishead) bringing together an orchestra of electric guitar players to interpret Terry Riley's 'In C', Saturday 8 March - performing in the intimate setting of our new upstairs hall. Also chance to catch an exhibition by the fabulous Alberto Seveso plus after-party downstairs with Smith & Mighty.

Delivered as part of a new partnership with Weston College, our new programme of learning for young people - Makin' It - will provide courses in Art & Music.

The arts sessions for young people 16-18yrs (not in education, training or employment) will teach skills in areas including graffiti art, graphic & textile design - it will give those taking part a chance to realise their ideas within a medium of their choice. This will be alongside our established music training course - offered since 2005 - where young people get to learn about music composition, lyric-writing, sequencing, production, instrumental study and live performance - as well as how to best market themselves and their music effectively.

All our courses are accredited and are FREE, with travel expenses and food provided. Course lengths are between 6-12weeks.

Whether you are a young person looking to sign up, or you are looking to make a referral - or just to find out more - contact: training@3ca.org.uk 0117 935 1200

We are heading into the final two weeks leading up to our exciting Re-Launch here on Saturday 8^th March and the building is shaping up nicely, thanks to gcp Chartered Architects and our building contractor, CW Duke who have been working hard these past few months.

The beautiful new hall upstairs is getting some fantastic responses from all those who have been privileged to a sneak peek.

The drapes are up, as well as the lighting rig and fully functioning underfloor heating. There are now just one or two finishing touches before you all get to see this exceptional new space!

The building boasts some absolutely stunning windows that have now been restored to their former glory. These painted glass windows really stand out in contrast to the modern interior, as well as letting in a remarkable amount of light that perfectly bounces off the new wooden floor.

We are also pleased to announce that the striking new graffiti mural is now finished and is certainly brightening up our now impressive looking reception area. This phenomenal piece is all thanks to the incredibly talented 'Silent Hobo' and 'Mr.Riks' – Make sure you pause for a moment to take in this busy, colourful and inspiring piece when you drop by. We are hoping for this shiny new reception area to be completed next week when we see the installation of the all important reception desk and doors.

Finally we will be topping everything off with our new signs and some light finishing touches to ensure everything looks perfect!

Headlining the Trinity Re-Launch evening will be the uniquely gifted Adrian Utley (Portishead) - Adrian will be bringing together an orchestra of electric guitar players to interpret Terry Riley's 'In C' with special guest, local emerging talent, Young Echo (Jabu / El Kid / Vessel / Rider Shafique and Killing Sound).

The night owls will be able to join us in a Re-launch After Party where Smithy & Mighty will headline alongside PEV B2B ASUSU, Gilly and even more from the Young Echo collective.

By bus

A number of main bus routes pass the Trinity Centre, either along Stapleton Rd or along Clarence Rd.

Main buses along Stapleton Rd are 48, 49 as well as the night bus N2.

Click here to view for a link to local bus services

By train

The nearest train station is Bristol Temple Meads. From here, you can take a short cab ride, or a 20min walk.

If walking, exit the train station through the Temple Quay exit (side exit past the telephone booths), out past the car park and across the Square (signposted) and along Temple Back.

On Temple Way, turn right and continue over the bridge and on until you reach the Old Market roundabout.

Turn right at the roundabout on to Old Market Street and continue along as it changes into West Street.

The Trinity Centre will be ahead of you, on the corner of Trinity Rd and Clarence Rd.

It's a big old converted church - you can't miss us!

Click here for contact info

Walking

15min City Centre / 10min Cabot Circus

Head East from central Bristol towards Cabot Circus/Castle Park.

From Castle Park/Cabot Circus continue along Castle Street towards Temple Way.

Cross Temple Way at the Old Market roundabout and continue along Old Market as it changes into West Street.

The Trinity Centre will be ahead of you, on the corner of Trinity Rd and Clarence Rd.

It's a big old converted church - you can't miss us!

Cycling

The Trinity Centre is situated just off of the end of the Bath to Bristol Cycle Path (Route 4).

Near to the end of the path you will reach Newton Park. Exit Route 4 at the corner of St Phillips Road and Trinity Street. Turn right onto Trinity Street.

The Trinity Centre will be ahead of you, on the corner of Trinity Rd and Clarence Rd.

We have cycle racks at the front and rear of the building so please do remember to bring your bike lock!

Driving

Come off end of M32 at Junction 19 onto Newfoundland Way.

Continue onto A4032, taking a slight left onto Houlton St, turning left at Staples (1st set of lights after end of motorway) and continuing on Holton St, which leads into Wade St.

Turn left onto Lawfords Gate (A420), following the road around bearing right onto Trinity Road.

The Trinity Centre is on the left hand side just past the Trinity Road Library.

Click here for contact info

Adrian Utley (Portishead) brings together an orchestra of electric guitar players to interpret Terry Riley's In C. This influential piece of 20^th Century music, written in 1964, helped to establish minimalism as a music genre - using 53 musical phrases in C and no duration, taking C's simple musical rules and allowing for infinite variations.

Utley's impressive Guitar Orchestra is augmented by percussion and organs, making for a vintage and mesmeric sound. The effect is that of an organic musical experience, very much created in front of the audience - both fragile and thunderingly uplifting.

Event programmer Rhiannon says;

“This is the perfect opening gig for our newly refurbished space and we are so pleased that Adrian and his orchestra have agreed to perform. The launch follows the completion of our Big Lottery funded building works which have focussed on bringing our underused upstairs hall into use.

With a new sprung wooden floor and underfloor heating, as well as a new reception and improvements to our external grounds, we hope that this event will be the first of many to bring new life and use to this much-loved Bristolian landmark.”

Adrian and his orchestra will be supported by Young Echo, a group of musicians individually composing electronic music, who will bring their rich sounds together to fill the full height of this beautiful, newly renovated, iconic space.

Smithy & Mighty will headline our Re-launch After Party following in our downstairs main hall until late, with support from old and new Trinity favourites including a DJ set from Young Echo – with more acts to be announced.

As part of our re-launch, we will also be hosting a Friends of Trinity Evening for funders, partners, supporters and members – so watch out for your invite, or get in touch to find out more.

Join us for this exciting re-launch weekend to celebrate the rebirth of Trinity!

Tickets go on sale Thursday 23rd January at 9am via Bristol Tickets Shop

More info can be found here

Following the overwhelming response to licence the Trinity Centre for Marriages and Civil Partnerships, we are pleased to announce that our application has been approved.

We are now taking bookings from 2014 onwards. If you would like to get in touch with us about this please email info@trinitybristol.org.uk or call 0117 935 1200 to speak to someone in the Trinity Office.

Please visit the weddings area of our website for more information.

As part of any recruitment process, Trinity Community Arts Ltd and our trading subsidiary collects and processes personal data relating to job applicants. We are committed to being transparent about how we collect and use that data and to meeting our data protection obligations.

Information we collect

In the course of our interview, selection and appointment process, we collect information provided through your application form, via email, in person at interviews and/or by any other methods.

Information we collect as part of our recruitment process includes:

1. Information needed to communicate with you in respect of the recruitment process i.e.

• your name, address and contact details, including email address and telephone number

2. Information to consider your application in respect of a role for which you have applied i.e.

• details of your qualifications, skills, experience and employment history

• information about your current level of remuneration, including benefit entitlements

• reasons for leaving current/past employment and/or information about gaps in employment history

3. Information obtained to enhance any information that we receive from you i.e.

• information provided by third parties i.e. references supplied by former employers

• other publicly available information you have published on the Internet i.e. LinkedIn and other social media profiles

We will seek information from third parties only once a job offer to you has been made and will inform you that we are doing so.

4. Information needed to conduct any relevant checks to fulfil our legal requirements i.e.

• information about your entitlement to work in the UK

If you are successful, some roles may also require us to carry out either a Basic or Enhanced Disclosure and Barring Service (DBS) check. We will seek this information only once a job offer to you has been made and will inform you that we are doing so.

5. Information to help us make reasonable adjustments (i.e. for candidates who have a disability) and to monitor, evaluate and inform our recruitment processes i.e.

• categories of personal data, such as information about ethnicity, sex, gender, religion or belief, disability

This information is separate from the application form and is not used as part of the selection process.

Certain information may be considered at interview invitation stage i.e. in the case of making reasonable adjustments for a disabled person, ensure we enable all eligible candidates to be interviewed.

Data is separated from personal details and stored anonymously, for monitoring purposes.

Lawful basis for processing

Trinity relies on legitimate interest as the lawful basis on which we collect and use your personal data. Our legitimate interests are the recruitment of staff for our organisation.

Where you apply for a job opening, we rely on your consent, which is freely given by you through entering into the application process.

We need to process your data to enter into a contract with you, also to ensure we are complying with our legal obligations.

Security

We take appropriate measures to ensure that all personal data is kept secure including security measures to prevent personal data from being accidentally lost, or used or accessed in an unauthorised way.

We limit access to your personal data to those who have a genuine business need to know it. Those processing your information will do so only in an authorised manner and are subject to a duty of confidentiality.

We also have procedures in place to deal with any suspected data security breach. We will notify you and any applicable regulator of a suspected data security breach where We are legally required to do so.

Unfortunately, the transmission of information via the internet is not completely secure. Although We will do our best to protect your personal data, we cannot guarantee the security of your data transmitted through any online means, therefore any transmission remains at your own risk.

Where we store your personal data

Data will be stored in a range of different places, including on your application record, in HR management filing systems and on other IT systems (including email). HR files are kept in a locked filing cabinet. ICT and email systems are password protected.

During the recruitment process, the selection panel will have access to paper copies of job applications with personal details and equal opps data removed. Paper copies are shredded after the assessment and interview process is complete. Any downloaded copies stored on local drives are also deleted.

If you contact us during the course of your application, we may keep a record of that correspondence.

We may retain a record of your progress through any hiring process that we may conduct.

Who has access to data

Your information may be shared internally for the purposes of the recruitment exercise. This includes members of the HR and recruitment team, interviewers involved in the recruitment process, managers in the business area with a vacancy and IT staff if access to the data is necessary for the performance of their roles.

We will not share your data with third parties, unless your application for employment is successful and we make you an offer of employment. At this stage, data may be shared with third parties i.e.

• who may be engaged in provision of HR/payment services (i.e. our pensions provider)

• with former employers to obtain references for you and/or to conduct any necessary background/DBS checks

By submitting your personal data, you agree to this transfer, storing or processing.

How long we keep your data

If your application for employment is unsuccessful, the organisation may hold your data on file for

up to six months after the end of the relevant recruitment process.

At the end of that period, or once you withdraw your consent, your data is deleted or destroyed.

If your application for employment is successful, personal data gathered during the recruitment process will be retained for the duration of your employment. The periods for which your data will be held will be provided to you as part of our Data Protection Policy.

Equal opportunities forms are stored in a password protected email inbox. Data is separated from personal details and stored anonymously, for monitoring purposes. Original attachments are deleted automatically within 6 months of receipt.

Your rights

As a data subject, you have a number of rights. You can:

• access and obtain a copy of your data on request

• require the organisation to change incorrect or incomplete data

• require the organisation to delete or stop processing your data, for example where the data is no longer necessary for the purposes of processing

You are under no statutory or contractual obligation to provide data to Trinity during the recruitment

process. However, if you do not provide the information, we may not be able to process your application properly or at all.

If you would like to exercise any of these rights, please visit our Privacy Policy for further information.

If you believe that the organisation has not complied with your data protection rights, you can complain to the Information Commissioner.

A new access ramp has been created for the new reception area with surface improvements to improve overall accessibility.

This former converted church - now a community arts centre and live music venue - has been a focal point for the cultural and community activities in Old Market Quarter for many years. The building renovation will help to provide a second large hall space in the upstairs of the Centre, suitable for a range of activities including dance, performance, meetings, conferences, weddings and more.

Trinity Community Arts, the charity running the Centre, are working to develop activities and youth training provision ready for the works completion, due February 2014. Once the works are completed, there will be a final celebration event, to showcase the potential uses of the newly improved space.

A new reception area is almost complete with a new heating system installed – a sprung wooden floor, lighting and drapes are due for installation in the upstairs hall space to make it suitable for activities such as conferences, dance and fitness and performance. There will also be a second, smaller, hall space suitable for IT classes, community meetings and smaller functions.

As you can see from the drawings from 1977 by architect George Ferguson show that the ambition to redevelop the Trinity Centre for decades. The 1993 annual report and 1994 annual report from TCA predecessors The New Trinity Community Association also outline plans for Trinity renovation works.

Thanks to support from funders including Big Lottery Fund and Ibstock Cory Environmental Trust, these past ambitions are now becoming a reality.

Watch this space for news about our official relaunch event in the new year.

To book the Centre for an event, meeting or function for 2014, get in touch with the Trinity Office on 0117 935 1200 / info@3ca.org.uk or visit the website www.3ca.org.uk

Key Achievements

• TCA was awarded the VISIBLE accreditation certificate by Community Matters in recognition of our service to the community.

• Successfully completed our roof repair project with funding support from English Heritage, Pilgrim Trust and Biffa Award

• Delivered a training programme for 16-18 year olds in activities including Music, Photography and Graffiti, in partnership with the City of Bristol College

• Secured a new contract to deliver youth training provision in partnership with Weston College for 2014

• Delivered a Youth Music project with open music sessions for young people aged 13-21

• Delivered a community garden project, including a Women and Children's drop-in on Wednesdays as well as free gardening sessions on Thursdays with groups of vulnerable adults from Rethink and Second Step

• Completed works to our outdoor community kitchen and installed a new children's play area thanks to funding from Veolia Environmental Trust, promoting natural interactive play

• Completed our Arts Council funded Bridges Project, which culminated in a citywide site-specific performance The Ithaca Axis, featuring both professional actors and community ensemble

• Held our annual free garden party and fireworks parties attracting audiences from across the community

• Delivered the Digital Activism project for young people aged 18-25 to develop experience in the creative industries in partnership with Knowle West Media Centre and Ujima Radio

• Delivered a new youth Tank Theatre project with support from Ernest Cook Trust for young people aged 15-26 to take part in weekly acting workshops leading up to a final performance M.C.Beth at the Trinity Centre at the end of August

• Secured Awards for All funding for the Activate West Side Project at Arts West Side and have appointed a new Volunteer Coordinator for the project at the end of the year

• Secured Heritage Lottery funding for a new 18mth long project, Vice & Virtue about the history of Old Market High Street, 2013-2015

• Delivered a capital improvement project to the Centre, funded by Big Lottery Fund and Ibstock Cory Environmental Trust, to renovate the upstairs hall space and grounds

• Participating in the new Creative Employment Programme, providing paid internships for young people aged 18-24 within Trinity

• Supported numerous groups with free/subsidised hall space. See Annual Report for details.

Two months in to the Vice and Virtue project and coordinator Dr Edson Burton is already beginning to gain a fascinating insight into the history of this much loved Bristol High Street. Former Old Market residents and visitors paint a colourful picture of a street where you could: dance 'the waltz and foxtrot; buy oranges and, even more exotic, bananas  when none were available elsewhere; play skittles at the drill hall; watch Barbarella at the infamous Kings Cinema; shop at Hurwoods; worship at the imposing Methodist Central Hall; pawn suits and buy them back in time for Sunday.

Over the course of the project year we will keep you up to date with our findings. We will also upload audio and visual content as it comes through to us.

Vice and Virtue would like to extend a special thanks to the Bristol Industrial Archaeological Society, historian John Penny, community activist Mariateresa, the IC-Lab for their advice and support.

Lots of people already have informal ceremonies at The Trinity Centre and we also get lots of enquiries as to whether people can have the whole ceremony here. We carried out a survey to see whether or not people thought it was a good idea to proceed with licensing the venue for Civil Marriages and Civil Partnerships - which opens the venue to more use for weddings but the ceremonies have to be without any religious/faith aspects.

By proceeding with the licence we will be able to offer people the whole package - people will be able to get legally married at the venue, with a ceremony of their choosing. 98% of respondents said yes, they would like us to license the venue for Civil ceremonies - here's just a selection of some of the positive feedback in support of the move:

Stunning location, nice opportunity to get married in local area

It is a venue I've always imagined having my civil partnership in

It would be such a fantastic venue

Those wishing to have a religious based ceremony will no doubt carry this out in their temple/place of worship and then come to Trinity for their party

Having ceremony and reception under one roof would be a great idea

Yes yes yes! Such a brilliant vibrant place; perfect for a diverse wedding! I'd happily get married there!

What's the difference between a religious marriage and a civil marriage or civil partnership?

Marriage in England and Wales is recognised in the forms of both civil and religious unions. There is a distinction between religious marriages - conducted by an authorised religious celebrant - and civil marriages/partnerships - conducted by a state registrar. Civil marriages may not take place in religious venues and vice versa - civil marriages cannot be conducted anywhere with a current religious connection.

What next?

In line with the application process, our application can be viewed at the Trinity Centre, Trinity Road, Old Market. Bristol BS2 0NW between 10am and 5pm Monday to Friday. Anyone wishing to oppose the application must give notice in writing to: The Bristol Register Office The Old Council House Corn Street Bristol, BS1 1JG , within 21 days, specifying the grounds of opposition. Persons objecting to the grant of a licence will be given the opportunity to attend the meeting of the Licensing Committee.

We are taking provisional bookings from 2014 onwards. If you would like to get in touch with us about this please email info@3ca.org.uk or call 0117 935 1200 to speak to someone in the Trinity Office.

You can now check out the links to individual websites for artists selling & exhibiting at our Christmas Art Market this Sat 7th Dec 2013

We'll have unique and creative gifts for every person on your list, including you! Browse for some inspiration and join us to shop or simply soak up the atmosphere!

Entry is FREE to the public

To view the gallery click here!

The Ithaca Axis, 2013

"It pulls you in, and claws away at your very core. When the show is over, there is a terrible feeling of loss." - Thou ART

Scripted by Edson Burton
Directed by Nick Young
Production by Kate Hartoch and Netty Miles
Additional material devised by the company
Core cast: Glyn Dilley, Heidi Dorschler, Carlotta Cutrupi, Dominic Wolf, Paul Beech

Braving the wrath of the Gods, Odysseus has returned to the ancient kingdom of Ithaca - now modern day Bristol - to reclaim his seat of power within the Poseidon Foundation. But is he still welcome?  An incredible journey taking place through several, secret locations across Bristol. Part theatre, part adventure, The Ithaca Axis is a modern reinvention of the myth The Odyssey.

Performed over two weeks in April/May 2013, The Ithaca Axis was a fully interactive immersive show that used the city of Bristol as the set. A modern retelling of Homer's epic poem The Odyssey it tells the story of Odysseus' return to Ithaca, expecting to be welcomed as a hero, only to find that all is not how he left it.

A distant wife, a playboy son and a revolutionary daughter all have their own reasons for not wanting him back as he struggles with his own demons from his travels. Utilising ten locations, including Redcliffe Caves, Broadquay Fountains and St Stephen's Church, the show took four seperate audiences on a simultaneous journey that told one story from each of the main characters' perspectives before all coming together for the finale at the Trinity Centre. Power, family, loss and the traumas of going away to war are all themes that play out in The Ithaca Axis.

Lots of people already have informal ceremonies at The Trinity Centre. We also get lots of enquiries as to whether people can have the whole ceremony here - currently we direct people to the Bristol Registry Office for the licensed part of their marriage.

If we do not proceed with a licence, people will still be able to continue to have the legal part of their Civil Marriage/Civil Partnership at the Registry Office. Then they can come to Trinity to have a second ceremony - in whatever format they choose - and/or their wedding reception.

If we proceed with the licence we will be able to offer people the whole package - people will be able to get legally married at the venue, with a ceremony of their choosing. However...the caveat is that the ceremony cannot contain any religious/faith aspects. This includes Humanist/Druid/Pagan ceremonial elements, Hand-Fasting, as well as prayers, readings from pastors/ordained minsters.

We need to decide whether we choose to allow people what they want whilst in essence also restricting possibly on another aspect of what people might want.

In order to get an idea of public opinion, I have created a one-question survey, which you can respond to by clicking here: (closes Friday 6 December).

I am happy to hold a meeting about this if people are interested. Please do feel free to circulate this to anyone else whom you think may be interested in having their say. You can find out more about our current wedding offer here.

Thank you in advance for your input!

Emma Harvey, Centre Manager