Kabaka Pyramid 2023. Photo credit: Khali Ackford

We are introducing a £1 Restoration Levy on every event ticket sold. This income will be used to create a dedicated fund for critical building works that will protect and maintain the Trinity Centre, a Grade II* Listed building and the grounds.

In Sept 2023, Music Venue Trust announced the UK is set to lose 10% of its independent venues by the end of the year. Like many grassroots music venues and arts centres across the country, Trinity faces unprecedented challenges due to the cost-of-living crisis, rising overheads and ongoing upkeep as a Grade II* Listed converted former-church.

The Trinity Centre is a space for a diverse multidisciplinary arts programme for over 73,000 people every year. Since the building has been in our guardianship, we have raised and spent over £3m in its restoration, to improve accessibility, maintain and enhance this vital community asset and invest in green energy solutions to reduce our carbon footprint.

As a registered charity, this Restoration Levy will be treated as a restricted heritage fund that will be dedicated to fulfilling our charitable mission, to preserve, protect and improve for the public benefit the Trinity Centre, formerly the Holy Trinity Church, and promote the heritage of this building.

Our aim is to continue to provide a vibrant hub where today’s and tomorrow's generations can find joy in unforgettable concerts, electrifying club nights, community gatherings and immersive, impactful experiences. Your support through the Restoration Levy will help us to continue this legacy, helping us to raise over £40,000 each year, to:

Maintain and improve the Centre: In a typical year, we spend over £100,000 on maintenance, repairs and facilities management and our 2022 conservation survey estimates over £400,000 additional repair works will need to be delivered over the next decade. This Levy will help us to ensure our doors can remain open now and for future generations.

Improve accessibility: As a locally rooted community arts centre, we are committed to ensuring our activities are accessible. These efforts have been recognised by the Attiute is Everything Bronze Award and we continue to strive to remove barriers to taking part to ensure everyone has access to great arts and cultural experiences.

Enhance sustainability: We have installed solar panels and LED lighting to reduce running costs and carbon emissions and will continue to work to improve the efficiency of the building and ensure that our programme for the people comes not at the expense of the planet.

Thank you for being part of the journey.

Gerry's Attic - Image Credit: Alastair Brookes

This World Mental Health Day, we are shining a light on some of the activities at Trinity that are specifically programmed to offer support and help improve mental wellbeing.

Next Gen Sounds

Our weekly, drop-in music sessions for young people, Next-Gen Sounds, serves as both a place for young people to collaborate on their musical projects in Trinity’s music studio, but also acts as a safe space for young people to seek support and engage with musicians as a way of improving mental wellbeing. Supported by Bristol-based Mental Health charity ‘Off The Record’, Next-Gen Sounds has played a vital role in supporting young musicians – many of whom are from challenging circumstances – by harnessing the transformative potential of creativity to enhance their mental and emotional resilience.

Community Volunteer Gardening

Trinity's fortnightly Community Volunteer Gardening sessions are relaxed, informal, practical gardening sessions to support the Trinity Community Garden's maintenance and upkeep. Gardening is known to have a profoundly positive impact on mental health and wellbeing. The act of nurturing plants and witnessing their growth fosters a sense of purpose and accomplishment. Gardening encourages mindfulness, reducing stress and anxiety while promoting relaxation. Trinity's Community Volunteer Gardening sessions are very important to people living in the local area, many of whom live in high-rise flats and therefore may not have access to green space of their own, and without Trinity's Community Garden may not gain the positive effects that gardening has on improving mental health and wellbeing.

FAB Disco

FAB Disco is a disco for anyone over the age of 50, delivered in partnership Friends Ageing Better (FAB) and Eastside Community Trust. Isolation and loneliness are all too common among older people, and FAB Disco offers a space for people to socialise, listen to music, and dance together, all of which are proven to have a positive impact on mental health. Music can significantly enhance the mental health of older people by offering emotional support, triggering positive memories, and promoting relaxation. It fosters social connections, reduces stress, and provides an avenue for self-expression, contributing to improved emotional well-being, cognitive function, and overall quality of life.

Creative Wellbeing Workshops

At Trinity, we run Creative Wellbeing Workshops in collaboration with Age UK and Alive Activities. These workshops are a safe and welcoming space for people to take part in arts and crafts activities and to learn more about ways to look after themselves and relax. The sessions are aimed at bringing together individuals from different cultures within the community to explore and share their emotions in a creative and fun way. Using different art materials to express emotion acts as a valuable means of expressing and connecting with emotions, and engaging in this process in the company of other people from the local community can provide the opportunity to increase our understanding of and empathy for each other

Trinity Garden Party photo: Sophia Stefelle

We caught up with new member of the Trinity team, Jen Farmer, who has been in the post of Arts Engagement and Outreach Manager since September 2023. We wanted to find out more about what Jen will be focusing on and what she is looking forward to.

Q. Tells us about you:

A: Hi I’m Jen, the Arts Engagement and Outreach Manager here at Trinity. This is a new role, created to support the organisation as we increase our commitment to working with local neighbourhoods and community groups. I started this role in September after eight years working as Outreach Programme Manager at Easton Community Children’s Centre, and for many years before that managing and delivering education, outreach and community arts programmes with schools, theatres and arts organisations.

Q. What will you be focussing on within this role?

Over the next two years I’ll be working closely with cross-sector partners – charities, community groups, social enterprises, grassroot creative organisations and local residents and artists – with three key aims; to design and deliver a targeted programme of place-based activity, to support and add value to our community groups, and to build on and integrate our combined arts offer. We will be working in co-creation with our most local neighbourhoods, responding to, and supporting, their interests.

Q. What are you working on now?

The first step involves understanding community connections within our locality. To do this, we’ve partnered with social enterprise, Onion Collective and gaming technology company, Free Ice Cream.

We are inviting a wide range of local cross-sector organisations to participate in 'Understory', a workshop in which we will create a unique digital network map. Answering a series of questions, participants will see, in real time, the map build, allowing us to explore the relationships between people and organisations.

This map will become an important tool that informs Trinity’s plans as we go forward, and for all the other organisations who participate too.

Q. How can someone take part in Understory?

The workshop will take place on Tuesday 31 Oct 10.30am - 12 midday at Trinity., If someone would like to take part they can email me on Jen@trinitybristol.org.uk for more information.

Q. What else is Trinity doing at the moment?

We are currently working in partnership with St Pauls Carnival and David Jubb (Citizens in Power) to develop a model for a Citizens' Assembly for Culture in 2024. The idea of this is to creates ways for citizens to shape cultural offers for the WECCA region. We are also working with key community partners to help restore Jacobs Wells Baths and re-open the building to be a community hub.

Image credit: Visual Thinkery

This issue of our built environment and who shapes it is a local affair. Aside from exceptions such as the nefarious demolition of The Crooked House pub, campaigns rarely make national news. Headlines of collapsing schools, public sector strikes and unrelenting cost of living and housing crises can make preservation of our heritage and civic realm appear out of touch and NIMBYist.

"Amidst the minefield of regulations, funding shortfalls, and bureaucratic complexities, the neglect of our shared spaces carries profound implications for generations to come. We must move beyond a meritocracy model and the need to balance our short-term fiscal needs to take a duty of care over the long-term reimagining of a shared civic canvas on which to build our collective future."  Emma Harvey

Context is a cornerstone principle of the national planning framework, yet local authorities find the threat of an overturned decision and the resulting fines too risky at a time when 26 English councils risk of bankruptcy in the next two years [^1^]. Councils have powers to issue enforcement notices for urgent preservation or compulsory purchase of important, privately owned buildings. All too often though, it’s these same councils who are the reluctant custodians of our ageing social infrastructure.

We find ourselves trapped in an ongoing “estates rationalisation” exercise that deprives future generations of the shared spaces that shape the collective narratives of our communities. Research from the IPPR shows £15bn of publicly owned assets have been sold off since 2010. That’s 75,000 civic spaces, libraries, leisure centres, community halls and youth spaces lost. There is funding available to save them; £300 million DCMS Youth Investment Fund and £150 million DLUHC Community Ownership Fund. And yet it would appear only a fraction of these central government funds have been allocated.

These old, often listed, almost always complex buildings are in desperate need of investment after decades of cuts that have de-prioritised preventative preservation. This leaves such projects to save these spaces with an inherent messiness that is just to risky amidst continued rising costs of essential services. Such conditions make it almost impossible for all but a few fortuitous groups to lever funds to save the spaces we love.

While new laws have appeared to protect statues in the wake of the Colston statue's toppling, this protection seems to favour a type of politicised heritage storytelling, rather than building connections through our shared past. Our heritage spaces are being co-opted by those looking to control the narrative as exemplified by the recent case of the Restore Trust's bid to dominate the governance within the National Trust [^2^]. If those who control the present control the past and that past shapes our future, then the erosion of our stake and influence in shaping these narratives poses significant threat, especially if we continue to lose the spaces that allow us to make these stories our own.

The idea that we can only fix the roof whilst the sun is shining risks leaving us with no roofs at all under which to learn how to swim, to dance, to read, to make memories, connections and shared solutions to the problems facing us all. After a decade plus of political storms the ability to define heritage, own space and determine which assets should be preserved feels like a luxury. Distracted with the immediacy of our collective woes, the agendas of all but a few will define who we become.

Amidst the minefield of regulations, funding shortfalls, and bureaucratic complexities, the neglect of our shared spaces carries profound implications for generations to come. We must move beyond a meritocracy model and the need to balance our short-term fiscal needs to take a duty of care over the long-term reimagining of a shared civic canvas on which to build our collective future. Cost-saving solutions that fail to think beyond the current political cycle means we pay in perpetuity. Somewhere, in some form, we always pay.

Emma Harvey, CEO

About this article

Trinity are committed to advocating for shared community and cultural spaces. We are members of Locality and are currently leading an appeal to restore Jacobs Wells Baths in Hotwells.

Read our 100 Beacons report that shines a light on the importance of – and understand the risks posed to – Bristol's community and cultural assets.

[^1^]: The Guardian: "At least 26 English councils at risk of bankruptcy in next two years"

[^2^]: The Guardian: “Vote no to the thinktank pod people trying to body-snatch the National Trust”

Artwork by Patch Keyes

Duppy Hunter: A Locals Guide to St Paul’s is a ‘listening experience’ where audiences are invited to embark on a playful exploration of St. Paul's, assuming the role of Duppy Hunters in pursuit of an elusive spirit hidden amongst the streets and sights of this vibrant neighbourhood.

This unique experience is a collaboration between Trinity and the renowned Tamasha Theatre Company, whose work supports both emerging & established Global Majority artists and arts organisations Coney who create playful digital experiences.

We caught up with the Director of Duppy Hunter, Hanna Adu-Boateng, to find out more about the adventure:

What attracted you to this project?

The project came about at a time when I was seeking work with Global Majority theatre companies. I was really interested in the collaboration between Tamasha, Coney and Trinity and the concept of the Ends and Tales genre of theatre. I liked the fact that the three organisations were looking for a director who was connected to the Global Majority heritages, especially the African Caribbean communities in St Paul’s, Bristol. I came to Bristol 30 years ago to work creatively within St Paul’s for an organisation called Kuumba, which empowered and developed people of African descent. Dr Edson Burton also worked there at the same time. However, an opportunity has never arisen for me to direct/dramaturg one of his plays. The project brief also aligned with my desire to delve into work which includes interviewing members of the community to draw out personal stories connected to the rich history of St Paul’s. I also was really attracted to the prospect of developing my work with digital media and audio production, which would be a new and exciting challenge for me.

Duppy Hunter is written by Dr Edson Burton, inspired by interviews with the local people of Bristol and their memories. How do you go about directing a piece of work that use community stories?

Directing Duppy Hunter means that you must be able to connect with, design a specific set of questions that you want to ask each interviewee, but also be flexible enough to go with the stories each person wants to tell. The memories of local people and their connection to St Paul’s give authenticity to the narrative, which Edson created. It is important that the writer has confidence in you honouring his work and the local people trust and are comfortable with sharing their memories with you. I think Edson drew out a strong narrative that will relate to many of the community of St Paul’s from decades gone by, but he also included poignant individual memories of characters who have passed, which must be overseen with care and empathy.

Why is a project like this important to Bristol - and beyond?

It is so important that Bristol and places beyond recognises and celebrates the epic contribution the African Caribbean people from the Windrush era onwards have shaped the political landscape, history and culture of the city. You can learn more from projects such as this.

What should someone expect to experience when they sign up for Duppy Hunter?

They should expect to have a lot of fun experiencing the narrative unfold as it transports you from one memory and place to another, through the central character of Josie, who is a Duppy Hunter. They will also be moving through different periods of time, encountering different people who have contributed to the racial justice and equality struggle.They will enjoy music from different decades, the singing of hymns and be moved by real people who have passed but will never be forgotten. They will learn alot!

Duppy Hunter runs from 03 October - 29 October and starts at The Trinity Centre - click here to get your tickets.

Jacobs Wells Baths, a dance centre for over 30yrs, has been closed for a number of years

The mission to restore Jacobs Wells has received a significant boost with grants from the Architectural Heritage Fund and the Sylvia Waddilove Foundation UK, aimed at matching the committed funding from the Nisbet Trust. This financial support is a crucial step towards reimagining and restoring the iconic Grade II Listed building in Hotwells.

The redevelopment project is being supported by specialist expertise from an experienced professional team including conservation-accredited architect, Corinne Fitzpatrick. Corinne has previously worked on projects including Clevedon Pool, Bridgewater Castle House, St. James Priory, and Tabernacle Kingswood, as well as supporting with a year long repair programme of works to the Trinity Centre.

Leading the design aspect of the project is Sean Redmond and the PH3 Design team who have a history of involvement in feasibility studies and capital design scheme’s for the former Bristol Community Dance Centre, based at Jacobs Wells for over 30 years until they closed in 2016.

The structural engineering team from Mann Williams have been working on a similar restoration scheme to Moseley Road Baths. The team are being led by Nichola Dyer of Greenwood Projects, who are also providing Quantity Surveying services.

The team have commenced on-site surveys to assess the condition of the asset. These surveys will help identify costed works plans, which will include a phase of Emergency Works to stabilise the asset while the Trinity Team and the steering group work on developing an application to the Community Ownership Fund (11 October).

As part of our mission to restore the building we will be continuing to approach heritage funders to support Emergency Works alongside developing a full application to Community Ownership Fund – a £150m government scheme to save assets and amenities at risk of being lost.

Be part of future and help make the magic happen:

• Fill in our survey tell us how you would like to use space
• Share your story e.g. images / memories of space #savejwb or to info@trinitybristol.org.uk
• Write a letter of support
• Join us on one of our pop up events to find out more about our plans (20, 23 Sep)
• Comment and vote on our Pol.is
• Click here to join our mailing list to be kept up to date on ways to get involved
• Click here to donate to the Jacobs Wells Baths Fundsurfer now

Image: Sould and Cells

We are thrilled to announce our Autumn Theatre and Arts programme, a dynamic exploration of grassroots social justice which celebrates underrepresented voices and shares untold stories from Bristol and beyond.

“This season is an ode to the underrepresented voices and cultures that make up our social fabric, redefining and exploring contemporary arts through the lens of social justice.” Esther Afikiruweh, Combined Arts Producer, Trinity

The series features film screenings, spoken word performances, theatre and dance and kicks off with an immersive audio trail, 'Duppy Hunter: A Local's Guide to St Paul's' on 03 Oct. Audiences are invited to embark on a playful exploration of St. Paul's, assuming the role of Duppy Hunters in pursuit of an elusive spirit hidden amongst the streets and sights of this vibrant neighbourhood. This unique ‘listening experience’ is a collaboration between Trinity and the renowned Tamasha Theatre Company whose work supports both emerging & established Global Majority artists and arts organisations Coney who create playful digital experiences.

On 12 October, we welcome community artists Carlota Matos and Hiba Elhindi, who, in collaboration with the refugee and asylum seeker support charity Borderlands, will host 'Theatre of Migration'. This evening promises engaging panel discussions, screenings, and sharings, delving into the world of participatory theatre and the ethical considerations of creating theatre based on lived experiences, particularly from the perspective of refugees and asylum seekers.

The powerful documentary, 'I am Judah', will be screened on 20 October. The film tells the poignant story of Easton resident Ras Judah, who was unjustly tasered by the police in 2017. Despite a criminal trial, the officer responsible was found not guilty, and in September 2018, she was also cleared of misconduct. "I Am Judah" critically examines this case, giving voice to Judah as a community elder and shedding light on the broader issue of police injustices affecting many others.

Returning to Trinity on 05 November, dance artist Akeim Toussaint Buck and Crystal Zillwood present their performance, 'Souls and Cells'. This mesmerising showcase delves into themes of heritage, ancestry, and moments of inter-connectiveness through the medium of movement, dance, and sound.

As a culmination of the season, we join forces with the Afrika Eye film festival on 17 November for the 17th festival edition. Together, we will present a screening of 'Neptune Frost', the 2022 science fiction romantic musical film co-directed by Saul Williams and Anisia Uzeyman, alongside performances from spoken word artists.

Our Autumn Theatre and Arts programme promises to be a season of thought-provoking and inspiring events, celebrating diversity, social justice, and artistic expression. Join us as we elevate underrepresented voices and share powerful stories that resonate with the many communities who live in Bristol.

About Trinity Presents:

This is part of Trinity Presents - our in-house programme of music and performance, bringing world-class artists and emerging talent to inner-city audiences.

Panel discussion as part of 'Final Frontier'. Image credit: Khali Ackford

In partnership with St Paul’s Carnival/Trinity and Citizens In Power, we have been exploring how a representative group of citizens from across the west of England could create a cultural strategy and delivery plan for the region. Following our research phase we are now undertaking a series of ‘citizens panels’ with people from across region.

We will host three panels during September and October in which we will ask citizens to review the initial model for a Citizens’ Assembly for culture that was developed by the working group. The findings of the three citizen panels will be assembled into a report that sets out how the recommendations have been implemented in the design of the 2024 Citizens’ Assembly for culture. We are then planning follow-up sessions with people and organisations working in the cultural sector during November and December.

The citizens panels will be hosted by David Jubb (Citizens In Power) and small discussion groups will be facilitated to ensure everyone has a voice in the process. The reason for involving citizens in the design process is that we believe that a wide range of citizens can help improve the idea and make it more relevant to more people from across the region.

If you would like to find out more and explore questions about the idea and the process then we will be at the ‘Festival of the Future City’ on Oct 19 at Watershed where we will share our journey so far. The event will be open to questions from and conversation with the audience at this free event.

The citizens panels mark an exciting next-step for the Citizens For Culture project, made possible with the support of the Gulbenkian Foundation (UK Branch) and Arts Council England through the West of England Cultural Compact fund.

Find out more about the project

Image Credit: Alastair Brookes

We’ve had an amazing summer of music, arts and community events at Trinity and we wanted to take a moment to reflect on some of the amazing things that have happened at Trinity over the last few months.

Garden Party

On May 14, 2023, Trinity Garden Party welcomed the community to our annual, free event featuring live music, arts, workshops, and performances.

The Den, our outdoor stage, showcased a diverse lineup of talented artists from Bristol and the South West. From Laimu's soulful jazz, Ben Baddoo's Ghanaian percussion, and Magugu's Nigerian rap set the musical tone, we had an amazing range of musical talent on display. The day concluded with an energetic performance from jungle legends Ruffneck Ting duo Dazee and Jakes. Upstairs in Fyfe Hall, local poets, comedians, and spoken word artists entertained, including familiar faces and new local talent.

Workshops throughout the day offered diverse experiences for attendees of all ages. Movema's Dance Workshop ignited the Main Hall, while DMAC's Drumming and Storytelling circle was a hit. Crafts, garden activities, and a Recycle City workshop engaged children and the local community.

With over 2,200 attendees and £3000 in donations, your generosity enables us to host more community events like Garden Party in the future.

Movema

We continued our partnership with award-winning Dance company Movema throughout the summer, delivering a programme of Dance and Movement-based workshops with two Hannah More and St Nicholas of Tolentine Primary Schools.

This summer we celebrated the end of the project with a series of weekly after school Carnival Dance workshops. Held at Trinity, children and their parent/carers, along with Movema, created their own carnival procession that celebrated and took inspiration from the rich cultures and heritages of the group.

Day Parties

Day Parties in our outdoor venue, The Den, continued throughout the summer. We hosted a range of in-house day parties, including a Booty Bass x RepresentAsian takeover, as well as fan-favourites Teachings in Dub ran their first ever day party at Trinity in August. Rave on Avon, a multi-venue festival around Bristol, found it's new home on Old Market this year, and we were lucky enough to host the main stage at Trinity.

House of Weaving Song

As part of Bristol’s Playable Cities project, we hosted The House of Weaving Songs in Trinity’s Community Garden, an outdoor interactive artistic installation celebrating Somali culture. The House of Weaving Songs was created by dhaqan collective, a Somali Feminist art collective led by Ayan Cilmi and Fozia Ismail. The installation featured traditional Somali tapestries that when touched ignited the stories and musicality of Somali women’s weaving songs.

We've got loads of amazing events lined up for autumn and winter at Trinity, click here to see what's on.

Join our mission to restore Jacobs Wells Baths and transform it into a dynamic space for youth, arts, community, and learning.

Together with the community, we've developed a plan to repair, renovate and revive this amazing building. We're now working to raise £4m to deliver a phased programme of works and we're asking the people of Bristol to give what they can to support this exciting and ambitious project.

“This is building is special for me. Here I learned how to stand up straight, and I learned where my feet were. Or rather, I learned how to learn those physical things, or I learned that they could be learned. My teacher was a dancer, Helen Roberts.” Jane Nortcote

With the condition of the building rapidly declining, we're on a race against time to stop the clock on any further damage. Working with a team of specialists led by Greenwood Projects, we're carrying out detailed surveys to assess the building's condition and delivering a programme of emergency works to give us time needed to raise funds for the full repairs programme.

So far we've concentrated efforts on the North wing, which has suffered from serious damage due to heavy rain and lack of maintenance over decades. We're clearing blocked gutters and fixing slumped sections to ensure proper drainage and prevent further leaks. We're clearing, repairing and sealing valley gutters and downpipes. To protect what remains of the roof, we're adding a durable membrane to improve waterproofing and prevent any further damage to the fabric and interior space.

We're actively applying for grant schemes, including the Community Ownership Fund, to deliver a phased repair and renovation scheme and reopen Jacobs Wells Baths as a hub for community, arts, and youth provision by March 2025.

Now, we need your help to bring back Jacobs Wells Baths - together, we can make the magic happen!

• Fill in our survey tell us how you would like to use space
• Share your story e.g. images / memories of space #savejwb or to info@trinitybristol.org.uk
• Write a letter of support
• Join us on one of our pop up events to find out more about our plans
• Comment and vote on our Pol.is

Donate to the Jacobs Wells Baths Fundsurfer now

Image Credit: Alastair Brookes

This summer we programmed a series of free ‘Summer Fun Sessions’ for families and carers of children aged 0-11yrs, living in the local area. The programmed of activity expanded Friday Stay & Plays sessions for early years that is currently delivered by Central Bristol Children's Centre (CBCC) and Lawrence Hill Health Visiting Team. Across five weeks over 600 children came along to the sessions that ran weekly throughout the holidays.

‘There was a nice mix of activities and the children enjoyed getting messy with the mud and sticking feathers and leaves to their pictures. It was nice to see the children smelling the mint and rosemary as they are pressing flowers onto the bunting’ Feedback, Forest School team

During the sessions CBCC staff facilitated play activities for early years, including singing, mark making and craft activities and also  provided family support and health advise.

Connecting with our wider programme of creative activity we invited musical-theatre company Tidal Tales Collective to perform their show 'The Hare the Moon and the River'. This show used puppetry and songs to explore environmental issues in a fun and playful way.

Our forest school team were on hand hosting nature play activities from mud-art, nature trails to crown making. We also invited dancers and drummers who hosted fun activities for children (and their grown ups!).

There are more activities for primary aged children running during term time, including After School clubs, click here to find out more.

As part of our Heritage Lottery Funded project, Art of Resistance we have been gathering oral testimonies from people in Bristol who were part of, and shaped by, protest movements in Bristol over the last 100 years.

Now, these have been captured in the new book ‘Art & Activism Vol 1: A Portrait. Edited by historian and writer Dr Edson Burton the book explores how the lives of artists and activists were changed by major social movements in Bristol that changed British society. From Labour movements in the 1930s, the Punk scene in Bristol, Rock Against Racism, through to Black Lives Matter protests in the 2020s – the book explores the hidden stories of the role that art has played in activism over the last 100 years, providing a window into the struggle to create a just, inclusive society.

“The purpose of the Art of Resistance was to give a platform to voices and perspectives that are often misunderstood by, or marginalised from, a dominant media culture” - Dr Edson Burton, Curator Art of Resistance

The book is available to buy from the reception at Trinity, pop in between 9 am-5 pm Monday to Friday or contact info@trinitybristol.org.uk.

Alongside this, bringing the project to life, people can explore the stories further via our interactive Heritage Archive, where you can listen to oral testimonies, watch videos and explore photos and other items gathered during two years of the Art of Resistance project.

Art of Resistance was made possible through funding from Heritage Lottery Fund.

Next-Gen Sounds - Image Credit: Alastair Brookes

Trinity offers young people aged 14 - 25 a programme of activities to give them the opportunity to take part in drop in music-making sessions, 1-2-1 or small group music sessions in our studios. Through our Next-Gen Sounds programme, Trinity offers a supportive and creative space for young musicians of all disciplines and abilities to meet like-minded musicians, develop their craft and work on their musical projects.

"His confidence and self-esteem have moved on significantly, and I think lot of that is about him being successful at something. His ability to communicate effectively has definitely improved throughout the music sessions" - Support Worker

We caught up with Pierre, a young musician who has been participating in Trinity’s Next-Gen Sounds programme, to see how access to music education has made a positive change to his skills, ability and overall mental wellbeing.

Pierre is a young man who experienced significant positive changes in mood, behaviour, sense of belonging, self-confidence, and communication skills through 1-2-1 music sessions and Next-Gen Sounds at the Trinity Centre. Pierre had been without an educational program for approximately five years, and he lacked a sense of community and routine in his life. These factors contributed to his difficulty in engaging with other activities outside of the music sessions. However, the 1-2-1 sessions and Next-Gen Sounds became the focal points of Pierre's weeks, bringing about a significant change in his mood and motivation.

According to Pierre's support worker, the sessions made a tremendous difference in his overall mood. He arrived focused and left feeling positive and fired up, expressing a desire for other similar opportunities to engage with music-making.

Next-Gen Sounds improved Pierre's sense of belonging and social interactions. He now considers the people he interacts with as friends, and he actively engages in discussions, particularly about music. This newfound confidence extended to other areas of his life. Participating in the sessions boosted Pierre's self-confidence, while performing and producing his music increased his belief in succeeding at something he loves, elevating his self-worth. Pierre's ability to express himself and communicate improved through the music sessions, he became more connected to the present moment, and progress in freestyling showed his growing understanding of appropriate language usage.

Attending 1-2-1 music sessions and Next-Gen Sounds positively impacted Pierre's overall well-being and happiness. He consistently expressed a strong attachment to the sessions, where he found a platform for self-expression.

Pierre's story demonstrates the positive changes that occur when individuals facing challenges find a passion and a supportive community. The 1-2-1 music sessions and Next-Gen Sounds at the Trinity Centre empowered Pierre to develop self-confidence, communication skills, and a sense of belonging, highlighting the transformative power of music and community engagement.

We are pleased to bring you the latest update on the ambitious Jacobs Wells Baths Restoration Project. One week on, Trinity and our appointed professional team have begun to impliment our recovery plan for this invaluable community and cultural asset.

The historic building, a treasured part of our community's heritage, is about due to undergo a much-needed transformation to restore its former glory and ensure its safety for generations to come. As part of this work we will be undertaking a development phase that will involve consultation with stakeholders and the local community to help shape future plans.

To allow us to get there, we have identified the following phases towards that recovery:

August 2023 - Emergency Works During our project development phase, the first phase of the capital works will involves immediate and emergency repair works aimed at stabilise the building, prevent any further water ingress and ensure the site is safe to access for the design and construction teams, as well as to permit stakeholder site visits.

These crucial measures will also make the structure weathertight and prevent further deterioration. Safety is the top priority, and this phase will be completed swiftly to create a secure environment for subsequent restoration efforts.

August-September - Access Works Following the successful completion of emergency repairs, the early access works will begin. This phase will involve a light touch strip-out and construction activities necessary to prepare the building for short-term, meanwhile use and public access. These steps will allow the community to explore the building while the full restoration process is underway, giving us all a glimpse of its future potential.

This will also enable us to give the appointed structural engineer access to get under the hood of the building and fully assess its condition. This is an essential step needed to ensure future renovation plans are built from a solid foundation.

2024 Phase 1 - Repair Works The most significant and comprehensive part of the project, will involve major construction and repair works. Structural enhancements, roof repairs, restoration of the main studio lantern, asbestos removal, and deep cleaning of the boiler room are among the critical tasks planned for this phase.

2024/25 Phase 2 - Renovation Works Based on design consultation with stakeholders, these works will involve improvements to circulation and space configuration in order to realise the space's potential as a multi-use community arts hub.

These efforts will breathe new life into the Baths, reopening it as a vital community space and we aim to complete works by Spring 2025.

The Jacobs Wells Baths restoration project is a monumental endeavor that requires the collective support of the people of Bristol. We encourage those interested to sign up to our mailing list for updates on planned stakeholder meetings, public consultations and key events relating to the revitalisation of this historic civic landmark.

We will continue to provide regular updates as the project moves forward. Let us look forward to the day when Jacobs Wells Baths becomes a shining symbol of our community's past, present, and future.

How you can help

• Click here to sign up to our mailing list for updates and events
• Share your stories and images of Jacobs Wells Bath using #SaveJWB on socials or by emailing us
• Support our Jacobs Wells Baths Restoration Project by making a donation

Next-Gen Sounds - Image Credit: Alastair Brookes

After a successful first year, Next-Gen Sounds – Trinity's free, drop-in music sessions for young people aged 14-25 - is coming to a pause over the summer break. The sessions, led by Trinity tutors Amos and Pete with support from Charlotte from Off The Record, have developed a supportive and creative space for young musicians of all disciplines and abilities to meet like-minded young musicians, develop their craft and work on their musical projects.

“Coming to Next Gen has really improved my confidence in my musical abilities and songwriting skills and has given me lots of opportunities to both record and perform on my own and with other young musicians, which is awesome and super valuable” - Next-Gen Sounds Participant

In the first year, we welcomed a mix of familiar faces and young people for who Next-Gen Sounds was their first experience of the Trinity Centre – all bringing their passions for music into the building. In total, 16 young people aged 14-25 attended the sessions throughout the first year. The sessions focused on collaboration, creating a sense of community, enhancing participants' musical abilities and self-confidence. More experienced participants have been supporting their peers in the studio with one young person adding “playing along live with other people has been really fun and I think probably helped improve my playing.”

With everyone already looking forward to Next-Gen Sounds returning in September, the impact it has already made in the lives of these young musicians is clear. Participants expressed their appreciation for the program's supportive environment, the opportunities to perform, and the boost it provided to their musical abilities and songwriting skills.

If you fancy getting involved with the next term of Next-Gen Sounds, click here to find out more about the programme.

Image credit: Jacobs Wells Baths, Martin Booth

The future of Jacobs Wells Baths in Hotwells is one step closer to being secured, as the Council's CAT Group announced its decision to offer Trinity Community Arts a 35-year CAT lease, subject to receipt of a satisfactory business plan.

Trinity will also receive a six-month occupational license during the transfer phase, to enable us to undertake a detailed series of specialist surveys, funded by the Bristol-based Nisbet Trust. The Trinity team will be working with a team of professionals in conservation and historic asset preservation, led by Greenwood Projects.

"We are delighted that the Council listened to local people and everyone who campaigned to save Jacobs Wells Baths for community use. We very much look forward to working with Trinity and our community to breathe life back into this wonderful building. We can't wait to fill Jacobs Wells Baths with people, art, performance, music, laughter and friendship for years to come." Rachel McNally, Chair of Hotwells and Cliftonwood Community Association

The decision to award Trinity a CAT lease comes following a community-led campaign, backed with the support of Clifton ward Councillors, Katy Grant and Paula O’Rourke, alongside representatives from the Hotwells & Cliftonwood Community Association and Jacobs Wells Community Hub and high-profile endorsement from Actor and national treasure Miriam Margolyes.

Thanks as well to the mayor’s office and all the Council Officers who, despite limited resources, have pulled out all the stops to complete this process and to Norman Routledge, Bristol Historic Buildings who spearheaded an alternative bid for Jacobs Wells Baths.

Whilst we still have some distance to travel, this news marks the first step in the preservation and restoration of Jacobs Wells Baths - a building that not only holds immense architectural significance but also provides space to facilitate enhanced access to essential services and support for the community.

Read more about the story of Saving Jacobs Wells Baths here

How you can help:

• Amplify this news on your social media channels using #SaveJWB
• Share your story of Jacobs Wells Bath with us using #SaveJWB on socials
• Sign up to Power to Change's We're Right Here Campaign
• Support Jacobs Wells Baths by donating below

Thumbnail image credit: Jane Northcote

Movema's Easter Dance Club. Photo credit Alastair Brooks

We were able to provide 150 local residents and users of the Trinity Centre supermarket vouchers as part of the Winter Crisis Fund. The support has come at a crucial time when families are grappling with unprecedented costs due to the ongoing cost of living crisis.

To allow for a fair and accessible process, we developed a user-friendly online form where individuals could indicate how they met our four predefined criteria for receiving vouchers. We then worked with key stakeholders to share the scheme, including printing flyers to distribute among resident groups and parents/carers whose children participate in activities at Trinity.

"I am in receipt of a low income. The shopping voucher really helps with everyday shopping, e.g., food, cleaning products. Furthermore, by being awarded the voucher, I feel listened to and valued. Thank you."

This initiative enabled us to offer some relief to the challenges posed by rising living costs, and the distribution of vouchers primarily benefited local residents with caring responsibilities. 78% of the vouchers were allocated to families whose children attend local schools or children's centres or take part in Trinity's Children and Young People program.

About the Winter Crisis Fund:

The Winter Crisis Fund is an initiative of The Society of the Merchant Ventures.

Movema Carnival Workshop - Image Credit: Alastair Brookes

Since autumn 2022, we have been delivering a programme of Dance and Movement based workshops in partnership with award-winning dance charity Movema and two local schools, Hannah More and St Nicholas of Tolentine.

'I liked that we had parents and children together, not just drop them off, they still need our (parent/carer) support, its good to dance together.' Parent at after-school Carnival Dance workshops

We recently celebrated the end of the project with a series of weekly after school Carnival Dance workshops. Held at Trinity, children and their parent/carers, along with Movema, created their own carnival procession that celebrated and took inspiration from the rich cultures and heritages of the group.

The project began with Movema connecting with local schools, Hannah More, Evergreen and St Nicholas of Tolentine, to deliver movement and dance workshops to children from reception to Year 6. Following this they hosted an Easter Holidays Dance Club where children were invited to come along and take part a mixture of dance games, routines and craft activities. Across the project a total of 190 children took part.

This schools-based project is part of Trinty’s Children and Young People programme which is co-created with our partners to enable children and young people to take their first and next steps in creativity. The project was supported by funding from the Coutts Foundation.

We sat down with Steve Rice of Downbeat Melody Soundsystem to talk 50 years of Soundsystem culture, Roots Reggae and what makes Bristol's music scene so unique. Downbeat Melody Soundsystem will be running a Day Party at Trinity on 16 July as part of Trinity Presents - click here to get your tickets.

How did you first get into reggae and soundsystem culture?

When I first got into Ska and Rocksteady the word Reggae had not yet been coined, it was around 1966. I grew up in Clapham and Brixton and went to school with, and lived near, lots of Jamaican families. My first encounter with soundsystems was with Sir Coxsone who was playing in the street where my friends lived. We used to buy weed from a pub in Clapham North and got invited to Blues dances where I really got the bug. In ‘71 I built a small system and played at parties we held in squats. In ‘73 I cut a record and it got released by Pama. When you find an art form that opens up your heart, you can’t leave it.

How do you feel that the culture has changed over the years?

I play the music I love in the way it was played to me and what I do has pretty much stayed the same. To quote an old sound man “a man would buy an amp and build all speaker box and string up the sound” and that is what my sound is.

People arrive at what is called soundsystem culture from various places and occupy various places in that space. What I do is play Jamaican music from its golden age in the style it was played at the time. My system is not the loudest or biggest but it sounds wicked and people love it.

Why do you think Bristol has such a vibrant reggae and soundsystem culture?

Bristol has always had sound system dances - my mic man Champion came here often with Jamdown Rockers and Clapham Sound and sounds from here are numerous and long lasting too. It makes sence for people relatively new to it to have something to hold to. Of course things change and it’s easy to spot differences, but I prefer to look for similarities.

When you have to repair amps and replace speakers or pay the rent and load vans at four in the morning you cuss and swear it’s the end of it. Then you string up, put the needle on a record and boom! You’re back in love again!

What relationship does Downbeat Melody have with Trinity?

I’ve played at Trinity a handful of times and it’s always been good - It’s a nice space to fill with noise.

More than that, Jamell’s mum Marcey loves my sound and in particular, love me and Ras Digby when we play together! It’s always been a pleasure to do anything there.

What can people expect from a Downbeat Melody Day Party?

At the day party they will see the soundsystem which is hand built and unique - it’s possibly the most photogenic system around.

The line up is myself and Paul Solution, who has become my key man on the sound. He has his own, much bigger sound that has played Notting Hill Carnival for years. We have a lot in common and his selection compliments mine really well. We have the same outlook and ideology of sound. Our guest is Ras Digby from Sir Jessus Sound in West London .

He has such depth of music and boxes of dubs that nobody else can touch . He is my favourite selector and over the last 20 years I have learned much from him. Together we have over 100 years of experience in sound. People who come can expect to hear the best selections of Jamaican music played by three veterans who play for the crowd and, as they say in Jamaica, “sweet the people dem”.

Many of the events this summer will take place in the community garden. Photo credit Alastair Brookes

Check out our free and affordable activities to take part in as part of our Summer programme of activity.

Meet the Unicorn

Head down to Trinity and uncover a mystical unicorn as part of this yrs city-wide arts trail that is raising money for Leukaemia Care, the UK's leading leukaemia charity. Trinity’s unicorn, named 'Silence Provokes', has been painted by Bristol-based artist Emma Blake-Morsi. People can visit the Unicorn during opening hours (9am-5pm Monday - Friday) and most weekends. However, as Trinity is an active community space, we do apologise but access may be restricted to the site during day parties or wedding.

Explore Somali Culture

As part of Playable City we are hosting 'The House Of Weaving Songs' (07 July-09 July) an outdoor interactive artistic installation celebrating Somali culture featuring 360 audio and tapestry.  Click here to find out more.

Nature and Play

Throughout the Summer we are teaming up with Central Bristol Children's centre for 'Stay and Play' for 0yrs-11yrs (and their grown ups). These sessions, on Friday's, will offer nature and play activities - for free. We will be also running a cafe where you can buy hot drinks and healthy snacks. Click here to find out more.

Family Theatre and Picnics

Following the success of The Ash the Oak and the Standing Stones early this year we have again teamed up with Tidel Tales Collective to bring another magical show The Hare, the Moon and the River Picnic Series (18 Aug). Come along - and bring a picnic.

Arts Workshops

We've got a selection of community-focused arts workshops running at Trinity throughout the summer.

During July and August Newtown residents are invited to take part in free community painting sessions where you can take part in a mandala painting activity. Hosted by Brick Project CIC the sessions will run between 5:00pm-7:00pm - the meeting point is located just across the Clarence Road, which is next to the Trinity Centre.

Starting on 17 July we have Creative Wellbeing Workshops at Trinity, delivered in partnership with Age UK Bristol and Alive Activities. Take part in free in art, crafts, and activities as well as learning ways to look after your wellbeing, while exploring ways to unwind and relax. These drop in sessions are open to everyone. Age UK and Alive Activities would particularly like to welcome Refugees and Asylum Seekers aged 50+, as well as locals living close to the Trinity Centre

On 21 July we will have an Artwork Design Workshop with artist Molly Mural. This is a creative workshop and help design a new public artwork for Stapleton Road, drawing inspiration from local culture, history, and community values you will be able to use various techniques. Click here to sign up.

Community Cafes

Starting on Weds 19 July we are inviting our key community partners to 'take over' The Den and Garden for the afternoon. We will be welcoming key community partners such as Newtown Network to host activities and celebrate the work that they do. We will provide free hot and cold drinks as well as healthy snacks.

Day Parties & Weddings

During the summer months (July-Sep) we will be hosting full-site Days parties. These are for 14+ (under 16's must be accompanied by an adult). This includes veteran soundsystem Downbeat Melody (16 July) and Booty Bass x RepresentAsian (29 July) - tickets start at £5.